Who goes there? Please leave comments so (An Aries Knows)!
Current Photo Friday theme: Wet
Marina del Rey, California
This was shot on film in 1998, and I uploaded it and another photo from the same place to Flickr in 2008, but I don’t think I ever published either photo on my LiveJournal or this blog.
If there’s a place that haunts me, it’s this one. Maybe, as Stevie Nicks sings,
Well, I’ve been afraid of changin’
‘Cause I’ve built my life around you
But time makes you bolder
Even children get older
And I’m getting older, too
Maybe.
Today’s song challenge is “a song someone sang to you once.” How about sang to me too many times to count? If I was in a bad mood or just feeling playful, and Riley was there with his guitar, I made the same request: “Play ‘Rocky Raccoon,’ please!” I’ve shared on here before how one time when I made that request, he gave me a reproachful look.
Riley and other musicians were doing a tribute in a local bar to John Lennon in December 1980, days after the former Beatle was murdered. As much as everyone there loved playing and hearing the music, there was such a pervasive feeling of sadness among us. I couldn’t take it anymore and mouthed my request: “Rocky Raccoon.”
“That’s a McCartney song,” he answered off mic, not wanting to embarrass me.
“I know,” I said. “Please play it anyway. For me.”
He couldn’t refuse me. I don’t know about anyone else in the bar, but hearing Riley play and sing a song that always made me laugh was what I needed to keep my equilibrium that night. Whether or not John Lennon liked the song, as he once told us in a different song, Whatever gets you thru the night/It’s all right, it’s all right.
I thank Riley, always, for all the days and nights he got me through with his music and poetry, all the other artists’ music he introduced me to, his friendship and love, for sometimes testing me almost to the ends of my patience and endurance, his emotional support during my hardest times, and his ability to make me laugh.
In 2022, on the 42nd anniversary of John Lennon’s death, a group of musicians and fans gathered at the Strawberry Fields/Imagine memorial in Central Park, and there’s a video of them doing the song. I guess I’m not the only one. =)
Here’s the album version by the Beatles.
Today’s song challenge is “a song that breaks your heart.” For me, that song is the Carole King composition “You’ve Got a Friend.” I own it by at least three artists, and I no longer listen to it. There’s nothing at all wrong with the song; it’s as beautiful to me as it ever was. But a moment came in my life when hearing “You’ve Got a Friend” evoked a lyric from a different song, the Jackson Browne composition “These Days”: Please don’t confront me with my failures/I had not forgotten them.
I’m not linking to either song. I had a great birthday yesterday, and today I’d like to pick up where I was in my manuscript. I don’t want to be derailed by melancholy.
On a lighter note, in February, I received “The Beatles Coloring Book” from Nurse Lisa in Iowa. Below are a series of photos showing the evolution of the first picture I colored from it and finally finished this week (working on it sporadically for the last five-plus weeks).
The cover of the Beatles’ Abbey Road album.
The cover of the coloring book Lisa sent.
My first coloring included the title and the Volkswagen.
Finished page!
Framed and hanging on the wall in the writing sanctuary, a little birthday gift to myself yesterday.
When I wrote A Coventry Wedding, I scattered Easter eggs (an “Easter egg” is defined as “a little extra something that authors hide in their books for readers to find”) throughout the book. In A Coventry Wedding, the Easter eggs were allusions to Beatles’ lyrics meant as gifts for Riley to find when he read the novel. Sadly, Riley died before the book’s release, five months before my mother died in 2008. The novel came out later than scheduled because the editor gave me an extension so I could focus on Mother during her final months while I was also grieving Riley’s loss. It doesn’t require a therapist to recognize that I haven’t tried to get another full-length work of fiction published since 2009 or that it took me ten years to even begin writing novels again.
Some of the Easter eggs in A Coventry Wedding alluded to songs on Abbey Road. Off the top of my head, those include “She Came In Through The Bathroom Window” and “Mean Mr. Mustard.” From that album, here’s my deliberately-chosen song “Carry That Weight” (in which the Beatles sample another song from Abbey Road, “You Never Give Me Your Money”). All kinds of writers have a little fun with their work sometimes. In fact, I’ve just written a scene with a character analyzing Easter eggs in a screenwriter’s music video.
Here I am, celebrating another turn around the sun today, and the song challenge is “a song that makes you think of falling in love.”
At my birthday party many years ago, a joint event with two other women with birthdays that same week and an open invitation to a horde of friends and acquaintances, theirs, mine, and ours, I danced for the first time with a man I’d only recently met. He seemed like one of the good guys, but I was coming off one of the worst years of my life, with terrible losses in my family, a broken relationship, some friend betrayals, and the consequences of many, many bad choices and bad judgments on my part. The last thing I wanted or needed was a relationship with a man, no matter how nice he was. I needed to deal with my messy life and make hard decisions about what to do next.
Two years later, I’d marry that good guy, and a few months after that, we would move to Houston. We’ve had quite a life together–the good, the bad, and the ridiculous–and I can’t imagine celebrating all the birthdays since I met him with anyone else.
I think Fleetwood Mac’s “Crystal” is the first song Tom and I danced to at my birthday party that night. He may remember differently–that’s just part of having a few decades together. =)
ETA: Coming back after the fact because of the dreams I had last night–so vivid that after the dream began, I woke up briefly, went back to sleep immediately, and the same dream picked up where it left off. It was about a key person in my life story and evoked an array of memories and feelings. Mostly it reminded me that sometimes it’s good not to get what we think we want and that we–I–need to acknowledge, to myself, the better things about my nature instead of being hard on myself for my mistakes and flaws.
Art posted here previously was George Michael Singer, acrylics and mixed media on canvas, 2018, by artist Melanie D.
When Jim was here, we talked about the WHAM documentary that’s airing on Netflix. I haven’t seen it, though it’s one of the things I intend to watch.
Today’s song challenge is “a song you like by an artist no longer living.” It was a shock when George Michael died on Christmas Day 2016–too young at 53. In my music television watching heyday, a video with George Michael would stop me in my tracks. I’ve done a lot of research about the evolution of music videos from the 1960s forward (why else? for the Neverending Saga) though of course, they weren’t called “videos” then and were usually shot on 35mm film even after video tape came into existence and “music videos” became part of the common vernacular. George Michael’s videos were art, and I remember them well.
I also haven’t watched The Super Models on Apple TV+, but the holdup on that one for me is that it features the female models who were in George Michael’s “Freedom” video: Naomi Campbell, Cindy Crawford, Linda Evangelista, and Christy Turlington. However, Tatjana Patitz, born on this date, March 25, 1966, in Hamburg Germany, was also in the “Freedom” video, died last year in January, and isn’t part of the documentary. Because of the video, she became my favorite of the group, so I haven’t had the heart to watch it yet.
Why doesn’t George Michael appear in the video? He told MTV, “I made decisions a couple years ago to change the way my career was going and my life was going by not appearing in the videos, by not being interviewed, by not doing press. Basically, letting my music kind of do what it’s going to do.”
We don’t see him, but his presence still dominates the video (also, probably a lot of people gasped when his leather jacket gets set on fire).
Today’s song challenge is “a song by a band you wish were still together.” It became impossible that Crosby, Stills, Nash & Young could reunite after David Crosby died, but even before, it was an unrealistic idea. There were too many fractured relationships among them for it to happen. I chose the button for their album So Far deliberately because it includes what I think are two key songs from a certain time in the band’s evolution. Here’s the full cover from my drowned album.
Graham Nash’s “Teach Your Children,” an admonition for parents and children to love each other despite their differences, was on the March 1970 release of their album Déjà Vu. Nash said he wrote it because of his complicated relationship with his father, and is quoted as saying, “The idea is that you write something so personal that every single person on the planet can relate to it.” Young wasn’t present in the studio when Nash taught the song to the others and they recorded it.
After Déjà Vu’s release, as “Teach Your Children” was moving up the charts, the Kent State shooting took place on May 4, inspiring Neil Young to write “Ohio.” To Nash, this song may have seemed like the consequences when the wisdom of “Teach Your Children” went unheeded. The band rushed “Ohio’s” release as a single, and it, too, climbed the charts.
David Crosby, Stephen Stills, Graham Nash, and Neil Young created an impressive body of work as individuals, as members of CSN&Y, and as members of other bands, and for me, the four together created a voice for any turbulent time and every generation. A Stephen Stills quote from last year sometimes haunts me: “Part of me misses David Crosby dreadfully. Part of me thinks he got out of here just in time.”
ETA: For my own personal reference, I’m linking to an account of Déjà Vu’s cover photo because it shows how research persistence really pays off!
I’ve long said that we would make our lives so much easier and better if we could learn to say two phrases and mean them: “I was wrong,” and “I’m sorry.” Sometimes both of them together. Today’s challenge is “a song you think everybody should listen to.” I’m not sure there’s any Elton John hit that hasn’t been heard everywhere, but “Sorry Seems To Be The Hardest Word” makes me think of those two simple yet rare phrases. When I hear it, it takes me back to certain relationships, certain endings, certain missed opportunities. It also reminds me of times one or both of those two phrases either made things right or started a path to healing. Old Woman Tip: If you waited too late–you didn’t. You might not be able to say it to the person you wish you could tell, but say it out loud anyway to put that kindness out there. You’ll feel it for yourself, too. And if someone has the courage to say those words to you, be as gracious as you can be. I’ve always been a believer in Alexander Pope’s, “To err is human; to forgive, divine.”
Current Photo Friday theme: Color
Happy birthday to my friend Lisa K, she of so many talents (she sings! she paints! she’s a computer wizard! she’s funny! she’s smart!), a tiny dynamo packaged inside a beautiful smile, mesmerizing green eyes, and striking red hair. I’m dedicating today’s song challenge to her.
The theme is “a song that moves you forward.” It’s time I showed the Foo Fighters some love and also reminded myself that “Something From Nothing” expresses how the creative spark and process are often motivated by an underlying rage. Use it; don’t let it drag you down.
First off, happy birthday to our friend Steve C. When Tom, Tim, and I played cards with Jim last night, we reminisced about several other visits we’ve shared since we met in 1997, including one in which Jim, Tim, and Steve were all in Houston. A photo we mentioned was one in which Steve wanted to pose with our dachshunds Pete and Stevie to duplicate a photo we took of them with Tom’s brother Jeff once. Why? Because Pete had a tendency to dislike and nip strangers, but he was always fine with Jeff. Steve wanted to prove that Pete would be fine with him, too. It worked, and he got his photo.
But my favorite photo is one in which I asked them to pose like the Valley of the Dolls publicity shot. The original:
And Valley of the Dolls: Becky’s Version.
Today’s song challenge is “a song that has many meanings to you.” Dionne Warwick’s “(Theme From) Valley of the Dolls” does have many meanings to me. It’s in my iTunes library and I hear it a lot in my car.
Today’s song challenge is “a song that makes you think about life.” Oddly, one of the first songs that came to mind evoked Judy Collins, and though she recorded it, it’s the signature song of its composer, a different female artist.
Then I realized Judy Collins had a 1975 hit with a different song that also makes me think about life, a Stephen Sondheim composition from A Little Night Music, “Send in the Clowns.” Collins received a Grammy for “Best Song of the Year” in 1976 for her rendition. The song was frequently performed by the character Doug Williams on “Days Of Our Lives” in the years when I watched that daytime drama. Funny that the Time cover celebrating soap operas came out the same month Collins won that Grammy and featured “Doug and Julie,” played by real-life married couple Bill Hayes and Susan Seaforth Hayes. I’m not sure if he’d performed the song on the show before the Grammy win, or if that’s when the writers decided to make it Doug and Julie’s song because the characters were so star-crossed in their relationship.
A favorite memory of mine is living on the bottom floor of an apartment in Tuscaloosa and watching Doug and Julie’s wedding on TV. It was the kind of moment that you wish you could share with another viewer (now we have social media for that!), and I remember being so happy and walking outside just as the girl from the upstairs apartment came out. She looked happy, too, and we smiled at each other. “I know it’s dumb,” I called up, “but I’m SO HAPPY Doug and Julie just got married on my soap opera!” “ME, TOO!” she said, having also just watched it, and thus a friendly acquaintance based on a soap opera began.
Years later, I watched the wedding of the characters Luke and Laura from “General Hospital” with a theater full of people at Ferguson, the student center at Bama, where cake and punch were served to us in their honor. Soaps were a BIG DEAL to college students. In graduate school, I took my daily lunch break in the TV room at Ferguson to watch “The Young and the Restless” with other students (I didn’t own a TV anyway, but it was fun to sit with a diverse group of people and react to the show.)
I don’t have clown phobia, but I couldn’t think of anything at the Hall close to a clown to photograph to tie the song challenge to Tiny Tuesday. Then I remembered this little item from the toy box: the character Nemo from the movie Finding Nemo,, who is a CLOWNFISH. =)
