2006: A Literary Year

I was looking at Noel Alumit’s blog, wherein he borrowed from someone the idea of
Literary Highlights of 2006.
Here are mine.

–Most difficult literary moment–
Knowing we weren’t going to finish TJB5 when we were scheduled to.

–Most literary dinner–
I don’t know the restaurant, but Tim and I ate dinner in New Orleans with Dan Boyle, Jim Gladstone, and Kelly McQuain. I was already enjoying myself tremendously with these writers when Trebor Healey meandered in and mesmerized me with his conversation.

–Most literary uplift–
When Tim and I were chosen by Greg and Haworth to edit the MOONLIGHT AND ROSES anthology, as well as being trusted by the contributors with their short stories.

–Most literary weekend–
Saints and Sinners Literary Festival in New Orleans in May. What a good time, with smart and funny people, wonderful writers, interesting topics, and a great city to host us.

–Most literary overload–
I handled writing a novel solo pretty well. But when it came time to add to it based on editorial comments, I felt overwhelmed and lonely.

–Most literary joy–
The e-mail from readers about A COVENTRY CHRISTMAS.

–Most literary regret–
What feels like my most intense writing accomplishment to date, THREE FORTUNES IN ONE COOKIE, got the least nurturing, attention, and sales because of circumstances beyond my control.

–Most literary purchase–
The abundance of good fiction I bought so that I could lose myself in other people’s writing.

–Most literary duty–
Being part of a panel discussion at Saints and Sinners on writing gay and lesbian romance.

6 thoughts on “2006: A Literary Year”

  1. I am so proud of you and the beautiful creations you create.

    Yet, from what I know of you, I think I would be proud of you if you wrote the instructions that come with a new toaster….do you know what I mean?

    I do not mean that in any way insulting or flippant, just that you have not only the distance in your eyes but the beauty of now as well, and that’s why I am proud of you.

  2. Your most intense writing accomplishment, “Three Fortunes in One Cookie,” feels intense to read. You know, you won’t ever get to really know what that’s like, to go in with no clue of what’s going to happen, will you? (It’s visual too. Hard to believe all those images were done with just typeset and paper.)

    I remember being very unsettled and hearing war drums in “A Coventry Christmas” when Keelie needed her bangs trimmed. Did you know that’s what reading it is like?

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