These buttons are very much like a larger collection of buttons from 1960-1970 that I saw today at the Menil Collection’s exhibit Lessons From Below: Otabenga Jones & Associates. The exhibit presents “African-Americans creating their own sense of identity, drawing on historical civil-rights and black-power images of the 1960s, socially conscious hip-hop of the 1980s, and contemporary black culture.
“For this project, the group searched through the Menil’s ‘treasure rooms’ and other storage and archival areas to create a hybrid exhibition-classroom-performance piece. The material on view include[s] masks, headdresses, and figures from the Congo, Cameroon, Nigeria, Kenya and other African nations; sketches from Ellsworth Kelly’s massive ‘Tablet’; slave-trade documents; a bronze bust of Paul Robeson; a Joseph Cornell box; a Surrealist landscape by Yves Tanguy; Andy Warhol’s silkscreened portrait of Chairman Mao; lapel buttons commemorating political and sports figures; photographs, including selections from Emil Cadoo’s ‘Harlem’ series and Henri Cartier-Bresson’s portrait of Malcom X; memorial memorabilia honoring Dr. Martin Luther King, Jr.; Walter de Maria’s stainless steel ‘High Energy Bar’; and maps of Africa” among other items.
I’ve mentioned before that the Menil Collection and the Rothko Chapel are two of my favorite places in Houston.
I was at the Rothko Chapel today while they were preparing for this event. It was quite stirring to hear their voices practice their chanting while I was visiting my beloved paintings. No photography is allowed inside either the chapel or the museum, but I’ve included photos of the area behind a cut.