Back in 2006, I woke up one morning and posted about some of the books that “created” me. Among them was Marilyn French’s The Women’s Room. A friend of mine once wrote to me, “I knew my marriage was doomed when I read The Women’s Room during the week after my wedding.” My own copy of the book was a paperback that looked like this. It was passed among so many of my friends and relatives that it took on a tattered look suitable for its subject: the wear and tear on its female characters as they tried to redefine their roles in male-dominated institutions and society.
I mentioned in my 2006 post that I wasn’t sure how dated the novel would seem to me now, but it had an explosive effect on my attitudes at the time I first read it. It provoked many, many discussions among some of the smartest women I knew, becoming a touchstone for things that troubled and challenged us as we walked down a path just being cleared by strong and independent-thinking women ahead of us.
There are times I feel that generation and my own made great progress. Other times I think the backlash for our audacity was so severe that it set us back decades. Sometimes when I see how even the most forward-thinking men so easily call women names that I find hateful and demeaning when they disagree with how we use our voices, or how viciously women trash one another, I think we haven’t progressed at all.
When my mother died last year, I finally got rid of my old, battered copy of The Women’s Room, replacing it with her hardcover. We had a lot of conversations about this book, she and I, and about women and our relationships with men. Though I’m not the feminist I once was, I think anyone who reads my stories will understand that my female characters are less interested in finding a man than in discovering themselves. (This could be a reason why I’m not a brilliant success as a writer of contemporary romance!) In my created worlds, romantic love is usually the dessert in the great big banquet of life: desirable, but not everything one needs for nutrition.
The Women’s Room was translated into twenty languages and sold more than twenty million copies, but it was only part of a career that included other novels, memoirs, essays, and literary criticism.
Marilyn French died last weekend at age 79. A memorial service is planned for June in New York.