Musing

We are so close to finishing TJB5 that it’s making me crazy. I want to be finished, and I’m sure when I say goodbye to it, I’ll be relieved. The past has taught me, however, that some of the most difficult writing experiences are the ones that linger in my heart, that I don’t want to let go of. Maybe it’s because in the final analysis, all their difficulty means there was more of me invested in them.

Although I can’t honestly say that any of the novels I’ve written or helped write are less meaningful to me than any of the others. I think one of the easiest books–for ME, not necessarily for all of my writing partners–was HE’S THE ONE. It was written after 9/11, but it covered a time in NYC before 9/11. As much as I fell for Adam, its narrator, my real love affair in that novel (and this, I think, is also true of my writing partners and of Adam) was with New York City. Which is why we dedicated our book to the city.

HE’S THE ONE was a fairly uncomplicated love story and remains a novel we get a lot of reader mail about, even though it’s four years old. Almost all of that mail is positive. However, some people say it contains too many coincidences, and others say Adam just has things too easy. I say that coincidences are the magic of life and don’t have to be ignored in fiction, and Adam works hard for everything he has. If it seems effortless, it may be because Adam’s not a whiner and doesn’t focus on the negative.

I needed Adam when he came to us. In fact, there are times even now when I need a boost that I’ll daydream about Adam and what’s going on in his life. I know he’s happy, because Adam seeks and savors happiness. I adore him.

HE’S THE ONE will also always make me remember a reader who came to our signing for the novel and quietly shared the story of his lover, who had died, with Tim and me while our writing partners were signing for some other readers. I still cry when I think of that gentleman, and the memory that our novel touched him has gotten me through some moments when harsher critics made me second-guess my writing ability.

Last night I was looking at the web site of another author who was talking about one of her muses, a poet. Although I would not necessarily be inspired by that particular poet, I loved that she is. I loved the way she spoke of him and his work and what it meant to her. I felt for her when she said she was a little insecure about saying he was her muse because other people might not find her muse worthy. Bah, I say to that. Inspiration is always a gift, whether that inspiration is a wonderful or horrible experience, a great or mediocre artist, an enemy or friend, a lover or someone unobtainable.

What or who is your muse? What fires your creativity? Treasure it.

For someone I am thinking of this morning

John Donne
Meditation 17
Devotions upon Emergent Occasions

“No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were. Any man’s death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee…”

The self-interview

I loved reading Tim’s self-interview that he snagged from an interview with Jennifer Weiner. Longtime readers of my LJ may remember that I was introduced to this concept by Shawn Lea at Everything and Nothing. The ones I’ve done have been fun or made me think and explore things I wouldn’t routinely think about. And as well as I know Tim, as long as we’ve been friends, and as closely as we’ve worked together, I still find out new things about him all the time. I’m not a big fan of surprises, but sometimes even I have to admit that surprises can be good.

I figured I’d do just the “sidebar” portion of Tim’s/Jennifer’s interview for fun.

SIDEBAR QUESTIONS
Age: Haven’t we covered this fiction in the past?
Birthplace: Germany (though I’m not German and have no German ancestors)
Education: B.S. from the University of Alabama, and enough graduate work to make me a big loser for not having finished my Masters
Favorite song, piece of music: When I write, I love to listen to R.E.M., Fleetwood Mac, the Beatles, U2, and George Michael. I’m always wanting songs that have a yearning tone when I write, but are so comfortably familiar that they don’t distract me from my work.
Biggest literary inspiration, book: Robert Ferro, Second Son. This actually probably changes depending on my mood on any given day, because as soon as I answered it, I thought of ten others.
Book re-read most often: Like Tim, the books from the “Buddies” cycle by Ethan Mordden, and also the seven “Williamsburg novels” by Elswyth Thane.
If I could only retain one book on a desert island, it would be: A collection of poems from every age. I think if I had enough poetry, I would always be able to create stories in my head.
Book I’ve read lately I’d recommend most: What I Did Wrong by John Weir. I’m really not just imitating Tim with some of these answers. It was the books we loved in common that helped us become friends in the first place.
Most meaningful line from any book or poem: There’s a poem by Erica Jong. I don’t remember the title or the rest of the poem, but one line has always stayed with me: No one could ever love her enough.

My Eyes, My Eyes!*

*That’s usually Tim’s line, but I need it tonight. He’s good about letting me steal from him. In fact, I won’t say who, but someone complimented me on a particular line that’s in A Coventry Christmas. I didn’t confess that Tim actually suggested that line when he was proofing my novel before I submitted it. We’ll just keep that our little secret.

Since Live Journal was down much of Friday night and most of Saturday, and I’m stalled with what I can do on TJB5, I decided it was probably time to refresh my Web site a bit. I changed some things on the home page and replaced pictures and updated text on a few of the pages. There are still things I want to do, but my eyes are too tired to work on it further.

Just in case you’re wondering, I can do small things to my Web site, but I didn’t build it. Tim did. Usually I can figure out a few things, but inevitably I end up wailing, “Tim! Help!” And he always does. He is self-taught with all of this and does excellent work. In fact, people have paid him for that work in the past. So if you ever need help with your Web site or you want a Web site, he’s your man. But pay him. Please.

Tim never complains, but a lot of people ask him for help with their writing or hit him up for information about publishing or Web design. He’s really generous with his time, in spite of all his deadlines, and I admire that about him. I don’t blame people who can’t pay him; I totally understand that writers and artists usually have very little money. What irritates me is that they COULD thank him publicly. They COULD link to him from their blogs and journals and Web sites. They COULD talk about his/our novels and give us a little publicity in return.

Karma…

And to all of those who ARE so great about thanking him or talking him (and the rest of us) up, thank you so much. We get e-mail all the time saying, “I heard about you from X’s blog,” or “Z recommended your novel,” and that means so much to my writing partners and me. We frequently mention the artists and writers and other gifted people who inspire and entertain us, and we appreciate every time the same is done for us. I honestly believe that the more successful creative people are, the more it opens doors for other creative people.

A world without art—whether it’s visual, literary, musical—is a world without joy.

Rage and Shit

If you’ve been a caregiver to people you love who died because of AIDS, then you know that a softly lit goodbye in a quiet hospital room, with you hovering over the shell of a person you once knew as he stoically yet weakly articulates some profundity that at once skewers the heartless and forgives the compassionate, is probably a Hollywood version of your reality.

This isn’t to say that I haven’t witnessed and been part of great stoicism, tremendous compassion, and tender goodbyes. But that’s only one chapter of any story, and along with it come the realities that provide a theme of John Weir’s WHAT I DID WRONG: rage and shit. Among other things, Weir’s is an AIDS novel, covering some part of the eighties and the nineties and ending just after Labor Day in New York City in 2001–that is, before a fresh horror would refocus energy and reshape the dilemma of dealing with the financial needs of the worst plague (so far) of our time.
click here for the rest of my review

Weekend at The Compound

The Brides came by Saturday night and showed us honeymoon in Jamaica photos. They’re so sweet and happy! I’m glad they’re home safe and sound.

Tom read the draft of MOONLIGHT AND ROSES and said lots of good things about the stories. I did word processing magic on it today while Tim was writing his preface–which MADE ME CRY! I love him. I’d written my intro quite a while back, but when I found out what he wanted to write, I tossed mine and started over. Then after I read his today, I had to go back and alter mine a little more. That’s one of those good things about collaborating. Your writing partners make you strive to be better.

We both worked to complete the marketing questionnaire. I made a spreadsheet of all the contributors’ contact information and checked their contracts for the zillionth time.

Then I printed out the final draft, read the entire manuscript again cover to cover (Tim did that last week), did some corrections here and there, printed out change pages and an entire second copy, saved it on a disk, and SHIPPED THAT BABY OUT FROM THE AIRPORT POST OFFICE AT THREE A.M. (I’m yelling that so I can make sure Greg hears it.) It’d better be at the publisher on Wednesday, since that’s the day it’s due.

When I read it, I was awed all over again by the stories that were sent to us. Damn. There are some good writers out there.

Bastards.

Kidding.

I really am kidding. I love good writing, and the more of it I get to read, the happier I am. You guys hang on. We’ll start forcing you to brag about yourselves soon. As soon as we’re told that all this is good to go.


Good Thing

Today Tim and I worked on our not-so-secret project, and I feel so good about it. I’m glad Tim talked about it on his Live Journal because I finally get to say that working with the writers in this anthology has been such a positive experience for me. Not only are they talented, but it’s been a pleasure to get to know them (or know them better) through this process.

I wasn’t sure how it was going to go, because there were some challenges along the way. People who’d hoped to contribute weren’t able to submit in time, or some had really good stories but they weren’t right for this collection. Hopefully, I’ll get to work with them someday in the future.

You’ll be reading lots more about this as we get further along in the process toward publishing. Right now, we’re asking the contributors to hold off on public discussions until every “i” is dotted and “t” is crossed. (You might say we learned something from the time Tim had a story bought and paid for that was inadvertently omitted from a collection.)

I just wanted to take the opportunity to say that I’ve learned so much, met so many good people and excellent writers both in and not in the anthology, and it’s no wonder that today, Tim can turn the world on with his smile.

In the middle of the night


In this photo, Famous Author Greg Herren is:

a. Reacting in horror to the draft of an anthology by Timothy J. Lambert and Becky Cochrane that is almost completed.
b. Trying to find all fifty movies in that damn game that Marika linked to.
c. Looking at the time.


We’re bored. What can we do?


That’s right! We can read. Reading is HOT! And we’re not posing here. We’re really, really reading.


NOW we’re really reading. That Famous Author Rob Byrnes is a good writer.


Or is he?


Kidding, FARB! We love your novels.


At least most of us do.


Help me, FARB, I’m being lured to the pink side!