Photo Friday, No. 948

Current Photo Friday theme: Tiled.

Had a little fun with this theme by using several of my own tiles (the New Orleans tile was my mother’s), ringed by Sowminoes™ ceramic dominos, along with Scrabble tiles and artist Jeff Fisher’s cover illustration for British writer Louis de Bernières’ 1994 novel Captain Corelli’s Mandolin. (My theme this week has been books.) Some sources say the cover was inspired by the art of Matisse; another speaks of how the figures are like those on Mediterranean pottery. I read the book several years ago (I think it’s excellent, by the way), and remembered as soon as I saw the Photo Friday theme how the illustration always made me think of old tiles, as well as the way the cover figures are like “keys” to people and things in the novel.

(P.S. You’ve now seen your Daily Cow, plus a bonus cow!)

Thursday thoughts

One interesting thing about revisiting these books I haven’t read or read about in a long time is remembering why I once deliberated about whether to write my Masters thesis about the fiction of either Tom Robbins or Larry McMurtry, and in no small part, it had to do with their female characters. Though I relished the language of one author, and the narrative skills of the other, I intended to address how they wrote women characters, and my points were not all valentines toward either writer. That had little to do with enjoying their novels nor any sense of conventional “morality,” and also considered the time and culture in which the novels were written.

I think it’s an important part of reading that nothing should become “truth” to us at the expense of accessing our brain, our senses, our instincts, our better feelings. It’s wise to question even those books we’re told are indisputable truth. As a writer myself, with a deep love and understanding of stories and storytellers, I believe there’s no.such.thing.

I don’t have the energy to tackle a discussion of the means used to indoctrinate and control humans. I’ll always believe that the more we read, from the contrary and challenging and unsettling to the comforting and amusing and entertaining–all of it–the better off we are.

Oddest of all to me is the way book banning movements so often begin with people/readers believing the lie that “no one is banning books.”

Tiny Tuesday!

Today, Debby and I had a couple of errands to take care of, but we got a late start. My brain had spent all the time I should have been sleeping last night rerunning old conflicts and disappointments, among other things–until 5 AM. That left me dragging all day, having had only around four hours of sleep.

By the time she and I pulled back into Houndstooth Hall, we were caught in a torrential thunderstorm. We sat in the driveway, talking and listening to music. Finally, the rain abated enough that I could use my umbrella to keep from getting drenched while I opened gates, backed the car into the carport, and we could both hurry inside our homes.

From the Tiny Pleasures book (above right), this page reminded me that the smell of rain was indeed nice, though the dogs were more than ready for their hemp chewies that keep them calm during thunder. I had to change into dry clothes–my third outfit of the day–and dry my hair. The whole thing, from errands to dodging rain, made me late to compose my Black History Month post to Instagram, though I think I actually did my Blue Sky book-cover post sometime in the middle of the night when I couldn’t sleep.

This evening, I was thinking more about author Tom Robbins. It will take me a while to get through Another Roadside Attraction. Since Robbins and his books have turned into this week’s theme, I decided to let my mind wander and see where it took me. One place was the memory of a 1987 movie called Made In Heaven. The principals were Timothy Hutton and Kelly McGillis, as star-crossed lovers who had to find themselves and each other during lives on earth and in heaven.

This was not the cover of my original VHS copy, which was dreamier and more romantic. When I got rid of my VHS tapes, I bought this DVD. It still has the shrink-wrap on it. The reason I thought of the movie was because it’s filled with cameo appearances: Debra Winger, who was married to Hutton at the time, made an uncredited appearance as a character named Emmett. Others who popped up in the movie included Neil Young, Tom Petty, Ric Ocasek, Ellen Barkin–and one character called The Toymaker was played by none other than writer Tom Robbins. I remember how that delighted me the first time I saw the film.
ETA: I finally had time to watch the movie on Saturday. Except my little DVD player that works with my laptop had stopped working. Tom tested to make sure it worked in the big TV player, but in order not to cheat him of his TV viewing, I asked for and he picked up a new player. I cried through a lot of the movie, which is fine. I’ve been trying to cry since last summer with little success. I figured I needed it.

When I googled “Tom Robbins” and “Made In Heaven,” besides the movie, my search pulled up a quote from his novel Skinny Legs And All. I took this photo back when Eva was our foster fail because one of her endless nicknames was “Skinny Legs.”

The quote: Some marriages are made in heaven, Ellen Cherry thought. Mine was made in Hong Kong. By the same people who make those little rubber pork chops they sell in the pet department at K Mart.

I’m sure that quote always made me laugh, because our dog Pete LOVED those squeaky plastic pork chop dog toys. Maybe I even have a photo of him with one somewhere.

Tom Robbins’s prose always delivers on many levels.

It’s too late to rewatch Made In Heaven tonight. I’m hoping when I shut down the computer and crawl into bed, I get a full night’s sleep. I need it so much.

Sunday Sundries


Photo of a much-loved novel; a gift (the ball with swirly paint) from the person who got me reading Tom Robbins; mushrooms and a butterfly that connect me to the book’s cover; the “magic” star, because there’s always something magical in Tom Robbins’s writing; and that lovely gold book pin because books are magic, too, and will forever link me to the writers who create them and impact my life.

I mentioned how on my recently-joined social media account, I’d been doing a book-cover challenge, posting a photo a day of a book that impacted me, but NO WORDS or EXPLANATIONS. Just the cover. On February 7, I posted the cover of Another Roadside Attraction by Tom Robbins (his first novel from 1971). Yesterday, I found out Tom Robbins died on February 9. I’ve decided to reread all his books in order. I’m not really sure yet what my week’s theme will be, but I arranged those items because they made me feel connected to the novel/its cover/Tom Robbins.

The Clocks

I’d never read the mystery The Clocks by Agatha Christie, featuring Belgian detective Hercule Poirot, along with a police detective from Wilbraham Crescent in the seaside town of Crowdean, Sussex, and a third sleuth inferred to be part of British foreign intelligence.

Today, I rectified that when I downloaded it to my e-reader. I was intrigued by the mystery, but also by the novel’s many covers since its original publication date in 1963.

You can never go wrong with an Agatha Christie novel.

Tiny Tuesday!

From this wee book, I’ve found an opportunity to elaborate on my week’s theme: Time. Or rather, I’m letting a couple of poets do it for me. Right now, I seem to be letting others do the heavy lifting on most of my other social media. I’ll elaborate on that some other day so that I can revel in the delight today’s post provides me. I hope it adds something good to your day, as well.

I’ve never been better prepared by my past interests and my theme for this page. I LITERALLY followed directions.

poem

what time is it? it is by every star
a different time, and each most falsely true;
or so subhuman superminds declare

— not all their times encompass me and you:

when we are never, but forever now
(hosts of eternity; not guests of seem)
believe me, dear, clocks have enough to do

without confusing timelessness and time.

Time cannot children, poets, lovers tell —
Measure imagine, mystery, a kiss
— not though mankind would rather know than feel:

mistrusting utterly that timelessness

whose absence would make your whole life and my
(and infinite our) merely to undie

© e.e. cummings 1962, or estate

And this beautiful one, for which I’ll provide the lyrics, but also a moving rendition you might have seen in the film Four Weddings and a Funeral. Interestingly, the original version of this poem was written to be performed on stage in a play.

Stop all the clocks, cut off the telephone

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

©W.H. Auden, 1938, or estate

Questions, No. 8


I haven’t done one of these since March of 2022. Took it from the shelf, randomly opened it, scrolled down the page until a question caught my eye: What is your favorite author whose name begins with the letter R? As my mental search engine kicked into gear, I promised however it turned out, I’d go with the first name that came to mind.

That would be U.S. author Tom Robbins, who is still with us at 92 years old. He was born in North Carolina and is considered a post-modernist, and I have my brother to thank for getting me to read my first of his novels, Another Roadside Attraction. I never looked back.

I’ve mentioned on here before that had I finished my Masters program, I knew I’d either pick the works of Tom Robbins or Larry McMurtry as my thesis subject. That thesis (and a foreign language requirement) are the only two things I didn’t complete. Did well in all my classes. Passed my masters comps. Then somehow it all slipped through my fingers and I moved away without finishing the program. These things happen.

From my bookshelf, his eleven novels:

Another Roadside Attraction; Even Cowgirls Get The Blues; Still Life With Woodpecker; Jitterbug Perfume; Skinny Legs And All; Half Asleep In Frog Pajamas; Fierce Invalids Home From Hot Climates; Villa Incognito; Wild Ducks Flying Backward; B Is For Beer; Tibetan Peach Pie

 

Mysteries and Politics

Reading is what I’ve been up to, and these books were purchased locally at Murder By The Book.

New this year:

I can’t believe Requiem For A Mouse is my friend Dean’s sixteenth book in his Cat In The Stacks Mystery series. I feel like I just started reading them! Writing as Miranda James, his cozy series features a librarian/widower named Charlie Harris and his helpful Maine Coon cat, Diesel. The books are set in a fictitious college town, Athena, Mississippi, and every time I read one of the novels, his characters make me feel like I’m spending time with old friends. There are other cats, the occasional dog, and enough bad guys and murders to keep Charlie busy as an amateur sleuth. Plus: a library and plenty of good Southern cooking!

Martin Walker’s Bruno series includes 24 works, including novels, novellas, and a short story collection. There’s also a Bruno cookbook he wrote with his wife Julia. The series features Benoît Courrèges, aka Bruno, a former soldier turned policeman, enjoying the “pleasures and slow rhythms of country life” in the fictional village of St. Denis in the Périgord Region of France. The novels’ horses, dogs, townfolk, and meals are part of those “slow rhythms,” but Bruno’s romances, the crimes he solves, and the historical context Walker provides season the novels with delicious details, while the international intrigue adds a soupçon of suspense. I’ve learned so much from Walker’s books and his booksignings, and an offhand post-war diplomacy tidbit he once mentioned at a signing inspired me to research and develop an intricate part of my own Neverending Saga.

I got this one a couple of years ago and have finally raced through it in two days because I COULDN’T PUT IT DOWN.

I would hope anyone reading here knows who Hillary Rodham Clinton is, and Louise Penny is the author of the Inspector Gamache mystery series set in the fictitious Three Pines, Québec (the nineteenth novel in that series is due the end of this month, and I can’t wait). The real-life story of how the two woman became friends, and how publishing figures and life events brought them together to write a suspense thriller, is naturally fascinating to me–friendships having been not only a huge part of my adult life, but also because I co-authored novels with friends. Though I only occasionally read thrillers, political or otherwise, this one held me spellbound. It features a new administration in the White House, including a new president and his female secretary of state. She was the head of a publishing empire, and the president may have chosen her only to settle an old grudge and ultimately disgrace her. We get to travel the world with this one, and meet plenty of heroes and villains, though sometimes we’re not exactly sure who’s who. Though published in 2021, the themes and ideas explored remain topical, and I appreciated reading about strong, smart women, complicated and often painful family dynamics, and fascinating settings (the political leaders and figures throughout are fictionalized, though there are effective references to real-life international figures, as well). I also was delighted to find Easter eggs in mentions of Penny’s Three Pines village and characters (Clinton was a reader of the series before she and Louise Penny were introduced). I hope one day these two will write another together.

Sunday Sundries, movies, part 1

The book series I recently reread follows generations of three families from the 1770s to the 1940s. The characters are schoolteachers, journalists, lawyers, writers, entertainers, soldiers, and impoverished to aristocratic, and the books’ timelines encompass the American Revolution, the American Civil War, the Spanish American War, World War I, and World War II.

As many times as I’ve read them (and in recent years, acknowledged what makes them problematic to today’s readers), this time, they hit differently, most particularly the years leading up to the second world war. The rise of fascism, the marginalization and annihilation of  “the other,” the lust for power and greed that allowed atrocities, division, and propaganda to replace reason, decency, and diplomacy–these all had a too-familiar feel in today’s world. I felt numbing sadness from the invasion and occupation of nations from 1939 to 1941: Poland, Denmark, Norway, the Netherlands, Belgium, Luxembourg, France, Yugoslavia, and Greece. And because of the first book in the series, in which Gilbert du Motier, the Marquis de Lafayette, appears as a fictionalized character, I thought many times of Colonel Charles E. Stanton’s famous quote as he stood in front of Lafayette’s tomb on July 4, 1917: “Lafayette, we are here.” The date marked the arrival of the U.S. Army to assist France in World War I as repayment for the valuable help of the young marquis during the American Revolution. And of course, my own father helped repay that debt to France when he landed at Normandy on D Day in the next world war, and he served in France, Holland, and Germany.

The sadness from the books lingered as I began viewing a set of movies included in British Cinema Collection: 8 Acclaimed Films. This collection was released in 2014, and I probably bought it then or shortly thereafter, but I’ve never even removed its cellophane until now. There are eight movies on two disks.


I’ve been watching them in order, and I think I’ve seen only two of them before (I haven’t finished, and I may have seen one of the films that remain) (ETA: I had not seen a third film from this collection). I began with 1995’s A Month By The Lake, with Vanessa Redgrave, Edward Fox, and Uma Thurman. All three actors are wonderful in their roles. Set in Italy in 1937 at Lake Como, it’s described as a “delightfully sexy comedy.” I agree, but it also has a bittersweet tone because of the looming war (when Italy would ally itself with Germany and Japan). The movie continued the reflective mood I’ve been in since finishing my book series reread.

In 1999’s My Life So Far, Fraser Pettigrew (played by Robert Norman), ten years old, lives on a Scottish estate with his large family that includes his parents, grandmother, siblings, and a variety of other family members and new acquaintances who come to visit. I very much enjoyed this movie and its great cast (led by Colin Firth, Rosemary Harris, Irène Jacob, Mary Mastrantonio, and Roddy McDowell). It’s set in 1927, a time of ongoing recovery from World War I and with World War II looming on the distant horizon. On a personal note, possibly only Colin Firth could begin by playing a character I like, then turn really despicable, and somehow manage to charm me again at the end of the film.

I’d seen 1995’s The Englishman Who Went Up a Hill But Came Down a Mountain before, but I enjoyed the rewatch. Great cast, including Hugh Grant, Tara Fitzgerald, Colm Meany, Kenneth Griffith, Ian Hart, and Ian McNeice, among others. Two cartographers are sent to a small town in Wales in 1917 to measure the height of a mountain that may qualify as only a hill. Again, I experienced a bittersweet sensation. Set while World War I is still raging in Europe, two of the characters are former soldiers, a man from the town who’s shell-shocked, and one of the cartographers, who, when questioned about why he isn’t serving at the front like all the men missing from their village, admits that he did serve but was discharged after experiencing the same shell-shocked symptoms. There’s abundant humor and some romance, but its biggest attraction for me is how this town of elderly inhabitants, along with women, children, contentious, quirky, and not entirely able-bodied people, work together to defend their mountain’s honor and their village’s pride.

The fourth movie on this disk, 1998’s Sweet Revenge, isn’t the kind of movie I generally watch. Though it’s described as quirky, mean people behaving badly will never be my chosen genre. I did appreciate the excellent cast (Sam Neill, Helena Bonham Carter, and Kristin Scott Thomas in the lead roles, with an equally talented supporting cast), and I think people who like black comedy would enjoy the movie. Two people driven to consider ending their lives due to the impact of horrible people (one a boss; the other, a lover), encounter each other on a bridge. One of them comes up with a revenge plan that the other reluctantly agrees to. Chaos ensues.

How Everything (except me, maybe) Works


I found this book a while back and grabbed it because it wasn’t expensive and it does provide a surprising amount of information on a variety of subjects that a person lacking scientific, engineering, and mechanical know-how (i.e., me) can learn from.

For example, here is interesting information I found about ants. The picture of the Australian Red Fox is just a bonus because of the beauty and was photographed about to walk in front of an urban wall with a fox painted on it (not shown in the photo).

The pages don’t have numbers, so a bit of searching has to be done despite a table of contents, but it’s a fun book to browse. I always believe things like this will find their way into my fiction some way or another. I hope random research counts as “work,” because my work-in-progress is not…progressing. That’s okay.

Still summer: movies and smoothies.

I’ve watched all six movies in this collection, although only Pillow Talk (1959), Lover Come Back (1961), and Send Me No Flowers (1964), all with Rock Hudson as the love interest, and The Thrill of It All (1963), with James Garner playing her opposite, count as romantic comedies. One of the two suspense movies, Midnight Lace (1960), with Rex Harrison playing the husband, is one I’d never seen, and it is indeed a thriller (though probably tame by today’s version of that genre, which I don’t watch, suspense and violence being too hard on my nervous system). I’d seen clips from the Alfred Hitchcock-directed The Man Who Knew Too Much (1956), with Jimmy Stewart as the husband. It was good to watch the film in its entirety and know how it got to the scenes I’d already seen.

What are you doing when you’re not working?