Tag: photos

Sunday Sundries, movies, part 1

The book series I recently reread follows generations of three families from the 1770s to the 1940s. The characters are schoolteachers, journalists, lawyers, writers, entertainers, soldiers, and impoverished to aristocratic, and the books’ timelines encompass the American Revolution, the American Civil War, the Spanish American War, World War I, and World War II.

As many times as I’ve read them (and in recent years, acknowledged what makes them problematic to today’s readers), this time, they hit differently, most particularly the years leading up to the second world war. The rise of fascism, the marginalization and annihilation of  “the other,” the lust for power and greed that allowed atrocities, division, and propaganda to replace reason, decency, and diplomacy–these all had a too-familiar feel in today’s world. I felt numbing sadness from the invasion and occupation of nations from 1939 to 1941: Poland, Denmark, Norway, the Netherlands, Belgium, Luxembourg, France, Yugoslavia, and Greece. And because of the first book in the series, in which Gilbert du Motier, the Marquis de Lafayette, appears as a fictionalized character, I thought many times of Colonel Charles E. Stanton’s famous quote as he stood in front of Lafayette’s tomb on July 4, 1917: “Lafayette, we are here.” The date marked the arrival of the U.S. Army to assist France in World War I as repayment for the valuable help of the young marquis during the American Revolution. And of course, my own father helped repay that debt to France when he landed at Normandy on D Day in the next world war, and he served in France, Holland, and Germany.

The sadness from the books lingered as I began viewing a set of movies included in British Cinema Collection: 8 Acclaimed Films. This collection was released in 2014, and I probably bought it then or shortly thereafter, but I’ve never even removed its cellophane until now. There are eight movies on two disks.


I’ve been watching them in order, and I think I’ve seen only two of them before (I haven’t finished, and I may have seen one of the films that remain) (ETA: I had not seen a third film from this collection). I began with 1995’s A Month By The Lake, with Vanessa Redgrave, Edward Fox, and Uma Thurman. All three actors are wonderful in their roles. Set in Italy in 1937 at Lake Como, it’s described as a “delightfully sexy comedy.” I agree, but it also has a bittersweet tone because of the looming war (when Italy would ally itself with Germany and Japan). The movie continued the reflective mood I’ve been in since finishing my book series reread.

In 1999’s My Life So Far, Fraser Pettigrew (played by Robert Norman), ten years old, lives on a Scottish estate with his large family that includes his parents, grandmother, siblings, and a variety of other family members and new acquaintances who come to visit. I very much enjoyed this movie and its great cast (led by Colin Firth, Rosemary Harris, Irène Jacob, Mary Mastrantonio, and Roddy McDowell). It’s set in 1927, a time of ongoing recovery from World War I and with World War II looming on the distant horizon. On a personal note, possibly only Colin Firth could begin by playing a character I like, then turn really despicable, and somehow manage to charm me again at the end of the film.

I’d seen 1995’s The Englishman Who Went Up a Hill But Came Down a Mountain before, but I enjoyed the rewatch. Great cast, including Hugh Grant, Tara Fitzgerald, Colm Meany, Kenneth Griffith, Ian Hart, and Ian McNeice, among others. Two cartographers are sent to a small town in Wales in 1917 to measure the height of a mountain that may qualify as only a hill. Again, I experienced a bittersweet sensation. Set while World War I is still raging in Europe, two of the characters are former soldiers, a man from the town who’s shell-shocked, and one of the cartographers, who, when questioned about why he isn’t serving at the front like all the men missing from their village, admits that he did serve but was discharged after experiencing the same shell-shocked symptoms. There’s abundant humor and some romance, but its biggest attraction for me is how this town of elderly inhabitants, along with women, children, contentious, quirky, and not entirely able-bodied people, work together to defend their mountain’s honor and their village’s pride.

The fourth movie on this disk, 1998’s Sweet Revenge, isn’t the kind of movie I generally watch. Though it’s described as quirky, mean people behaving badly will never be my chosen genre. I did appreciate the excellent cast (Sam Neill, Helena Bonham Carter, and Kristin Scott Thomas in the lead roles, with an equally talented supporting cast), and I think people who like black comedy would enjoy the movie. Two people driven to consider ending their lives due to the impact of horrible people (one a boss; the other, a lover), encounter each other on a bridge. One of them comes up with a revenge plan that the other reluctantly agrees to. Chaos ensues.

How Everything (except me, maybe) Works


I found this book a while back and grabbed it because it wasn’t expensive and it does provide a surprising amount of information on a variety of subjects that a person lacking scientific, engineering, and mechanical know-how (i.e., me) can learn from.

For example, here is interesting information I found about ants. The picture of the Australian Red Fox is just a bonus because of the beauty and was photographed about to walk in front of an urban wall with a fox painted on it (not shown in the photo).

The pages don’t have numbers, so a bit of searching has to be done despite a table of contents, but it’s a fun book to browse. I always believe things like this will find their way into my fiction some way or another. I hope random research counts as “work,” because my work-in-progress is not…progressing. That’s okay.

Still summer: movies and smoothies.

I’ve watched all six movies in this collection, although only Pillow Talk (1959), Lover Come Back (1961), and Send Me No Flowers (1964), all with Rock Hudson as the love interest, and The Thrill of It All (1963), with James Garner playing her opposite, count as romantic comedies. One of the two suspense movies, Midnight Lace (1960), with Rex Harrison playing the husband, is one I’d never seen, and it is indeed a thriller (though probably tame by today’s version of that genre, which I don’t watch, suspense and violence being too hard on my nervous system). I’d seen clips from the Alfred Hitchcock-directed The Man Who Knew Too Much (1956), with Jimmy Stewart as the husband. It was good to watch the film in its entirety and know how it got to the scenes I’d already seen.

What are you doing when you’re not working?

Sweet dreams, Troubadour

I was already asleep last night when Jim texted the news that J.D. Souther has died. His text was the first thing I read this morning. I’ve tipped my hat to Souther before on this site. The songs he wrote, the songs he sang, his collaborations with other artists including Linda Ronstadt, the Eagles, Jackson Browne, James Taylor, Bonnie Raitt… All part of the poetry that gave a soundtrack to the hopes, dreams, fears, and heartbreaks of my formative years. He had a tour scheduled with Karla Bonoff beginning later this month.


I’m sharing this photo by Henry Diltz and the following story, both taken from the Instagram feed lostcanyonsla.

J.D. Souther and Linda Ronstadt were inarguably one of the hottest and most talented couples in the LA canyon scene of the early 1970s. In the documentary on Ronstadt’s life, “The Sound of My Voice,” Souther tells a cute story of how their relationship began after meeting at the Troubadour. “I said, I think you should cook me dinner,” Souther recalls. “She said, okay and gave me her phone number. I went over and she made me a peanut butter and jelly sandwich and I fell in love with her. The next day I said ‘Listen, let’s go get your stuff, you’re going to live with me.’”

It’s the kind of story I’d write* for the Neverending Saga, but it’s real. The romantic relationship didn’t last, but their friendship endured. And J.D. Souther’s music will endure.

*I DID write a PB&J sandwich story into a romantic encounter years before I read this real-life one. Timothy keeps reminding me that nothing is new and that’s okay.

Tiny Tuesday!


When I pulled the Alex and Emma DVD off the shelf the other day, I thought it was a film about a musician and a lyricist instead of a writer and a stenographer. Yesterday, I realized how I made the mistake. I was probably thinking of 2007’s Music and Lyrics, in which Hugh Grant plays a musician named ALEX Fletcher, a former superstar whose band broke up several years before.

Now Alex plays nostalgia gigs, county fairs, and amusement parks. He’s given a shot at relevancy with the chance to compose a song for a reigning pop star with a passionately devoted audience (think Britney/ Christina/ Miley/ Taylor). The problem is, he’s had a songwriting block for years and needs a lyricist. Enter Sophie, played by Drew Barrymore, who’s subbing for the woman who usually comes to his apartment to take care of his plants. Sophie once studied writing and has a gift with words, but a bad relationship zapped her confidence. Can these two be the answer to each other’s creative challenges? It’s a RomCom, we know the answer, but it’s fun getting there. The supporting cast adds to the fun : Haley Bennett as the pop singer Cora Colman; Kristen Johnson as Rhonda, Sophie’s older sister; and more characters played by Brad Garrett, Matthew Morrison, Billy Griffith, and Jason Antoon. I didn’t remember seeing the movie before, but Tim thinks I watched it with him, and he’s probably right. =)

I still have romantic comedy DVDs on the shelf, but I’m not sure how many more I’ll watch (though we’re having another bout of summer heat). I mentioned that I’d be rewatching one of my favorite movies with Al Pacino. The DVD came, but somehow I missed that it’s only playable on Region 2 devices, and alas, the U.S. is a Region 1 country. I’m thwarted; any Region 1 DVD of the film I can find is priced prohibitively. Maybe one day.

Today, I went back to the source of wee Becky’s love for romantic comedies: Miss Doris Day. I wasn’t born or was too young for her early career, but I had a mother who liked to watch old movies with me on the weekends. Though I came to her late, Doris Day movies became favorites. I think I found this collection last year-ish in Target or somewhere similar. Naturally, I grabbed it. Not all of the six films are romantic comedies, but they all have Miss Day and her great leading men.

The fashion in 1959’s Pillow Talk adds to my enjoyment of this movie. I REALLY love Doris Day and Rock Hudson (playing composer Brad Allen and his alter-ego “Rex Stetson”) together, and wardrobe did right by them. I’ve never opened my Pillow Talk doll set by Mattel because I want to keep everything pristine. This certainly wasn’t the way I started out with dolls after Neighbor Nancy gave me her Barbie collection when I was around nine. I played with every outfit that came from Nancy, and my mother added to the Barbie couture as she could, whether she sewed doll clothes, bought off-brand doll fashion, or sprung for Mattel outfits.

As I watched Pillow Talk today, I thought of how the movie could have been a direct inspiration for some of my vintage doll fashions. Here’s interior decorator Jan Morrow fresh out of bed in an early scene.

My doll Cassidy models a mid-1960s blue and white lace pegnoir set (not a Mattel label) that my mother bought for my dolls’ wardrobe.

Doris in the boudoir screen caps: pretty in pink, looking happy.


Looking worried.


Cassidy modeling Mattel’s 1960s Barbie Nighty Negligee Set No. 965. This is two pieces–the gown and the robe–and I believe it’s from Lynne’s collection.

Tiny dolls, big nostalgia, and a film full of entertaining scenes enhanced by Thelma Ritter, Tony Randall, and singer Perry Blackwell, who makes the absolute most of her lounge singer scene.

Sunday Sundries

Reference materials from my decades as a student, writer, and author.

I wonder about other writers. With all the resources at our fingertips 24/7/365 thanks to the Internet, do writers of a certain age hold on to the books that came to them through writing classes and workshops and at the advice of teachers, editors, and other writers? Do writers who got their start in this century know the pleasure of turning the pages of a thesaurus, reference books, manuals of one type or another, and writing guides and exercises? Do they ever use pen and pencil or red pen on paper or only their keyboards or phone notes to catch, record, and alter their words?

I read an article recently about implied (country name redacted: who needs their bots or supporters landing here) threats to the cables that cross our ocean floors and the satellites hovering over us in space. It touched on the catastrophe to shipping, transportation, communications, and financial markets that a hostile nation could wreak on the rest of the world. Imagine your phone, your access to the Internet, your credit card or ATM card, online banking, retailers, airlines, grocers, all rendered useless or severely inefficient at once.

If this is what science fiction and dystopian writers try to capture, what means would they use to compose and edit their work, find a publishing/distribution system, and market and sell to an audience? I mean, Elon Musk will be fine, but what about the rest of us?

My Sunday rewatches made today Kate Hudson Day, and both films I saw were about writers. In 2003’s How To Lose A Guy In 10 Days, Hudson plays a magazine columnist, Andie Anderson, who writes a “How To” feature in each issue. Inspired by the way a friend messes up potential romantic relationships, she pitches a column to her editor. She’ll start a romance with a stranger, repeat her friend’s dating mistakes, and cause him to break up with her in ten days or less. If the editor, played wonderfully by Bebe Neuwirth, likes the column, she’ll start giving Andie weightier topics than cute “how to guides” for future columns.

A couple of ad executives, at Andie’s magazine to pitch an idea for an ad campaign, learn about Andie’s story idea. When they go back to their agency, a rival agent, Ben Barry, played by Matthew McConaughey, competes with them to take back the ad campaign for a diamond jewelry account on which he’d done all the preliminary work. They disparage his ability to understand how to sell diamonds to women because he doesn’t know how to get or keep a romantic relationship. Ben bets their boss that he can make any woman fall in love with him in ten days. His boss agrees that if Ben is successful, the diamond account will be his.

The rival agents secretly contrive to hook Ben up with Andie at a restaurant/bar, knowing the two will be at cross purposes. When Andie agrees to go out with Ben, she does everything she can to make him break up with her. He tolerates it all and does everything he can to make her fall in love with him. It’s a RomCom–we know how it’ll end. Meanwhile, there are entertaining incidents at Knicks games, a movie date to Sleepless In Seattle, a dog who isn’t house-trained, Ben’s fun family on Staten Island, and Andie’s self-sabotaging friend posing as a couples therapist.

Also released in 2003 (Kate had a good year!), in Alex & Emma, Luke Wilson plays Alex Sheldon, a genius novelist with writer’s block. He borrowed a large sum of money from loan sharks to keep himself afloat, and now he can’t pay them back. The “Cuban Mafia” gives him thirty more days, and he appeals to his publisher, Wirschafter, played by the film’s director Rob Reiner. Wirschafter is good for the money (because this is fiction, and Alex must have had some really successful previous novels!), payable only when Alex gives him the completed novel in thirty days. Alex hires a stenographer (with a promise to pay her in thirty days), Emma Dinsmore, played by Kate Hudson, to make the writing process go faster.

Emma not only takes dictation all day and transcribes the manuscript at night (without pay! And with one terrible incident in which she falls into a puddle of water while catching a bus, losing almost twenty pages in her flooded bag; LOSING PAGES is a common and horrible ordeal most writers experience at one time or another, including ME, but at least I didn’t owe money to the Cuban Mafia).

While taking dictation, Emma’s reactions to what Alex narrates help him make improvements to his novel. Unbeknownst to Emma, as the two of them begin to fall in love, it isn’t only the manuscript’s loan sharks who mirror Alex’s life. The love story in the novel is based on his real-life relationship with a former lover who returns just as the thirty days ends.

Rob Reiner also directed When Harry Met Sally, and he includes a nod to that movie in this film. Emma says she never buys a book without reading the end first. If she doesn’t like the ending, she returns the book to the shelf. Billy Crystal’s character Harry also reads book endings first, because as he says, if he dies before finishing a book, he’ll at least know how it ended.

Alex & Emma didn’t make back its production costs and was not a favorite of the critics. However, as a writer, I’ve enjoyed it both times I watched it. I only wonder where I can find a publisher who’ll front me the money to hire a stenographer or at least a researcher, because research is the most labor-intensive thing I do, whether it’s via my shelf of reference books or online.

Saturday No. 2

I’m not sure that 2009’s New In Town with Renée Zellweger and Harry Connick Jr. is a rewatch because I don’t remember seeing it before. When we were at The Compound, all of the DVDs lived in the Doll House with Timothy. This made it easier, whenever one of our writing partners visited, for someone to sit on the floor and read out titles to the rest of us until we all agreed on something to watch. But when we moved to Houndstooth Hall, we had more room over in the house, so the DVDs are shelved here, including ones Timothy added. He remembers watching this one, so it’s probably one he grabbed from the used bin at Blockbuster. I enjoyed it, not only the leads, but the supporting cast.

About A Boy, from 2002, isn’t really a RomCom so much as comedy/drama. I’m pretty sure I read Nick Hornby’s novel (same title), and it felt like something I wanted to see today. Directed by brothers Chris and Paul Weitz, it features a solid cast that includes Hugh Grant, Toni Collette, Rachel Weisz, and Nicholas Hoult.

I also finished the seventh and final novel in the series I’ve been rereading. It was quite strange, because there were passages that seemed different to me, and I didn’t think that could be possible. I’ve read these novels so many times. One of the passages was so jarring that I took my iPad to Debby’s to read to her, asked if she remembered it as having been written the way that was unfamiliar to me, and she did. That’s when we discovered that her physical book versions of at least one of the novels and the versions I downloaded on my iPad match, but are different from the physical books I’ve been reading since I was an adolescent that were published by a bookclub. The editor in me has what I think is a good grasp of why the bookclub made the edits it did (and I prefer the bookclub versions). I’d like to know how the author felt about the changes. (She’s been dead since 1984, and these are not books that would have gotten literary analysis/criticism that I could research.) Another problem with my ebook versions of all seven novels is that they contained many copy errors (e.g., misspelled words, missing words, wrong character names). If I ever read the series again, I’ll stick to my print copies.

More beauty at the Hall

Tom has spotted hummingbirds several times in the ruellia (aka, Mexican petunia, or wild petunia) plants outside the kitchen window. I haven’t been so lucky, but I did get some good photos of the plants yesterday.

ETA two days later: Spotted several, but whenever I had my camera (to shoot through a dirty window pane and a screen), they flew away. This one was going flower to flower, but by the time my phone camera caught him, he was behind leaves.

Never forget


Tom was running an errand and texted me to say he was seeing a double rainbow in the sky. I went outside and couldn’t see the same from my angle, but I did see a single rainbow. Sending good thoughts to all the communities being impacted by Hurricane Francine, a Category 1 at landfall.

I’d been wondering what I wanted to post today, it being the anniversary of September 11, 2001. Our grand-nephew Steven was born on that day, a bright light for our family on a very dark day for our nation.


This photo was taken by Lynne in New York City in 2003.

Tiny Tuesday

September is Suicide Prevention Awareness Month. September 8 through September 14 is Suicide Prevention Week. World Suicide Prevention Day is today, September 10. You do not have to be in crisis to reach out for help. If you are experiencing depression, sadness, stress, or anxiety, or you are worried about a friend or family member who is, here is info for assistance in finding the right resource for your needs.

•988 Suicide & Crisis Lifeline: 24/7/365, you can call or text 988.
•Crisis Text Line: Text Hello to 741741
•YouthLine: Text teen2teen to 839863, or call 1-877-968-8491
•Childhelp National Child Abuse Hotline: call or text 1-800-422-4453
•National Domestic Violence Hotline: Text START to 88788 or call 1-800-799-7233 or text LOVEIS to 22522.
•National Deaf Domestic Violence Hotline: 1-855-812-1001
•Rape, Abuse & Incest National Network (RAINN): 1-800-656-4673
•The Trevor Project for LGBTQIA+ kids and teens: 1-866-488-7386 or text START to 678678
•Veterans Crisis Line: If in danger, call 911. For more info, call 800-273-8255 (press 1). Please keep msgs under 160 characters.
•Trans Lifeline for transgender and questioning callers: 1-877-565-8860 [available between 7 a.m. and 1 a.m. PST (9 a.m. to 3 a.m. CST or 10 a.m. to 4 a.m. EST), but operators are often available during off-hours, so no matter when you need to call, you should].

A few other LGBTQIA helplines that offer support, but not necessarily crisis intervention:

•LGBT National Hotline: 1-888-843-4564
•LGBT National Youth Talkline: 1-800-246-7743
•LGBT Senior Hotline: 1-888-234-7243

•SAMHSA National Helpline: 1-800-662-4357: If you are struggling with addiction or are concerned about a loved one’s alcohol or drug abuse, you can contact the hotline for the Substance Abuse and Mental Health Services Administration. This US government agency offers support and information about treatment and recovery. For any kind of emergency situation related to drug or alcohol use, call 911 or your local emergency line.