Legacy Writing 365:7

The best times can be the ones that happen without planning. The last winter before Tom and I were married, I lived in a rural area outside his family’s city. He was visiting them from Tuscaloosa for a weekend, and–a very rare thing–none of his siblings were home. A snow storm had been forecast. Since the South doesn’t have road equipment to deal with heavy snow, it’s best for people to load up on supplies and stay home. It was decided before the snow began that it might be better if I came into town to stay with Tom and his parents.

It turned out to be the most wonderful opportunity for the four of us to get to know each other better. To enjoy a world quieted by that blanket of snow. We talked a lot, didn’t really watch TV, read, probably played a game or two, worked together to cook the meals we shared and cleaned up after. Every woman should have such a low-key few days to relax with her future family without a lot of activity and distractions.

It had been kind of a running joke that I occasionally asked Tom’s father to do stuff for me–things I could have done for myself, but I’d get all Southern belle and ask him, and he’d say, “Yes, Miss Becky, I will come check your apartment for a snake,” Or, “Yes, Miss Becky, I’ll go car shopping with you.” My father had died only a couple of years before, and though no one could ever replace him, it was nice to know that a future father-in-law would spoil me a little.

That weekend, instead of making a snow man, Tom and his parents built a Snow Belle in my honor.


Tom and his mother with their version of Miss Scarlett.

Legacy Writing 365:6

A while back, my scanner stopped getting along with my iMac, so it hooked up with its old friend the PC again. Earlier, I went into the room where the PC resides to find and scan a photo for today’s entry. But as I was looking through a stack of pictures, I glanced toward the computer table and saw this:


Sun on scarlet ribbons.

It made me think about my mother’s old Harry Belafonte album. I loved to hear her and Debby sing along to it, and my favorite from that album was “Scarlet Ribbons.”

Sound technology is a wonderful thing, but some of us of a certain age can be transported to another time just hearing the snap, crackle, and pop of a needle on vinyl.

Today you’re welcome to time travel with me to imagine my sister’s pure soprano and my mother’s deeper tones accompanying the beautiful voice of Mr. Belafonte.

P.S. to my writing partners: You see how this kind of influence in my youth led to those “saccharine” endings? And who was it who said that, anyway?

Legacy Writing 365:5

Winnie and Robert–so young here, but when I knew them, they were old. They were tall and lean, both of them, and he was only a little stooped. They both had beautiful white hair. Although they were quiet, they were favorites of mine because they both always had a smile in their eyes. Truly, though, what endeared them to me was how they were with each other. She never needed a sweater that he wasn’t there to gently drop one on her shoulders. He never wanted for something cool to drink, because she put a glass next to him before he could ask. Whenever our large extended family was together, they would laugh at all the stories with the rest of us, but sooner or later they’d go for a little walk, hand in hand, quietly continuing a conversation that had begun more than fifty years earlier.

Winnie–Winifred–was the oldest of twelve children. Fourteen, really, but one was born dead and another died in infancy. My mother was the youngest of those fourteen. When Mother saw how I watched her oldest sister and Robert, she told me their story. They fell in love, and when Winnie was eighteen, Robert asked my grandparents for her hand in marriage. But my grandmother was pregnant with Uncle John. She said Winnie couldn’t be spared; she had to take her mother’s place supervising the house and the other children until after the baby was born. Robert promised that if they were allowed to marry, he would wait as long as necessary before setting up household with her. My grandparents finally agreed; Winnie and Robert were married in June of 1921. Uncle John was born in August. I don’t know when Winnie was finally able to go home to her husband, but as promised, he waited until then for a wedding night with his bride.

When Winnie died in Tupelo on an August day at age seventy-four, we could all see that Robert had lost half of his soul. The smile was gone from his eyes. No one was surprised when he died, too, before the year was over. My mother said Robert simply had no interest in living in a world without his Winnie.

Legacy Writing 365:4

There’s no reason I should have this photo or the other four that were obviously taken the same day. I didn’t shoot them; I wasn’t there. That I do have them means I badgered someone into giving them to me: either Tim, who’s front and center in the water, or Riley, the boy closest to him, next level up. I’d be willing to bet it was Riley who reluctantly handed them over.

Even though I wasn’t friends with the other three boys in the photos (one of whom isn’t pictured here because he was obviously manning the camera), and though I haven’t seen them in more years than I wish to divulge, I can name them all immediately. Maybe it’s because I haven’t seen them in all those years; they are fixed in time, always young, always long-haired, bell-bottomed, wearing illegal expressions on their achingly young faces.

I also don’t know where in North Alabama these photos were taken. I hope there are still as many remote places of natural beauty as there were then, where even a short hike would take you far from whatever troubled your spirit.

And when you’re a teenager, something is always troubling your spirit. It’s your job. You’re new on the planet, and it’s not perfect, and neither are the people trying to teach you how to be here. Everybody’s got advice and wisdom, and what they’ve forgotten is that no one older and with more experience could keep their lives perfectly on course, either, when they were young. They–we–you–everybody has to stumble over their own rocky terrain, take their own falls into cold, rushing water, get up, keep going.

It’s because of Tim and Riley, and everything we learned together and taught each other, and all the ways we betrayed each other and found our ways back those first decades of our lives, that I so easily slip into the world Stephenie Meyer created. I don’t care about the writing flaws. I can strip away the supernatural elements. What I see is three teenagers who are dealing with emotions and choices, desires and missteps, confusion and clarity, with fresh minds and untried hearts.

And this photo… One boy long out of touch; the other one dead. But here forever, in this blurry photo, are the boys who gave me music, art, poetry, laughter and tears, and my first lessons in the crazy beauty of romantic love.

Here forever in my heart, too.

On writing

Today I removed all the ornaments from the tree in preparation for packing them away. As I placed a couple of them on the table, I was reminded of one of my favorite titles: “The Circus Animals’ Desertion.” My poor tree must feel like all its pretty ornaments have abandoned it.

“The Circus Animals’ Desertion” is the title of a later poem by William Butler Yeats. I won’t explicate the entire poem here, but the circus animals are a metaphor for the characters in an old poet’s earlier works. He has found himself unable to write, and is looking back as a way of understanding or even rediscovering what once inspired him.

Some poems, as beautiful as they are when we’re young, have a far deeper meaning as we get older. This one should resonate in particular with writers. However, I’m going to be honest here and say that very often, when I read or hear writers go on and on and on and on about their craft, I wish they practiced a poet’s economy of language.

In particular, I love the last lines of the poem, and I don’t always agree with how they’re interpreted. I find them brutally honest but still hopeful–and that, right there, is why I always say we interpret what we read through our own personal lens. Brutally honest but still hopeful: It’s who I’ve always tried to be and what I wish my writing would be.

Those masterful images because complete
Grew in pure mind, but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder’s gone,
I must lie down where all the ladders start
In the foul rag and bone shop of the heart.

If you’re interested, you can read the entire poem here.

In the photo above, that Yeats collection rests atop a journal given to me by Lynne, who said simply, “WRITE.” I think I am exploring the rag and bone shop of my heart in the Legacy Writing project. Maybe it’s a journey toward finally getting all the fiction in my head on paper.

Legacy Writing 365:2

When I was in the fifth grade, it was decided that the more musically-inclined students would put on some kind of spring concert. My sister was a singer who was always in choirs and choruses and she loved that stuff. I could think of nothing more horrifying than being on a stage in front of a bunch of people. People with eyes!* So when the music teacher came around to audition us, I had a plan. We sang as a group; she stopped in front of each of us to get a listen to our individual voices. I sang as poorly as I could; it didn’t take a whole lot of effort. And I DIDN’T GET PICKED! Success.

Only then the teachers weren’t sure what to do with us tone-deaf rejects during the times the other kids went to practice for their upcoming concert. My teacher, Mrs. Duncan, hit on a brilliant plan: Her leftovers would be in a play! How exciting! I would have lines to say in front of an auditorium of people!

Please reread my third sentence in the first paragraph.

That’s how I came to play “Dottie” in “The Picnickers.”

I still have a copy of “The Picnickers,” and I read through it before I began this post. The plot: Several girls decide to go on a picnic on a pretty day. They pack their picnic baskets and sneak off without letting the boys know, because:

Maxine: I’d like to know if they ever ask us to go on hikes with them.
Helen: I should say they don’t.

and

Mary Lee: We’ll show them that we can get along without them once in a while.

(Yeah, fist pump, Mrs. Duncan, if in fact you wrote this play.)

The girls get lost a few times, but finally find the spot they’re looking for. They play a few games; Mary Lee, obviously conflicted, periodically says how much more fun they’d be having if the boys were there. A few pointed comments are made about Betty’s hunger, and they won’t leave her behind when they go to the spring to get water because, as Helen says, “There wouldn’t be anything left to eat when we got back.”

(In a few decades, Mrs. Duncan, you’d be in big trouble over the whole young girl/body image/eating disorder thing.)

While they’re gone, the boys show up. Miffed about being left out, they switch out the girls’ picnic baskets for other baskets filled with turnips and carrots, raw potatoes, and stones. The boys then hide. When the girls get back and open the baskets, even Betty suffers a loss of appetite.

At this point, one of the boys emerges from the woods disguised as a gypsy (“gypsy” not having been replaced with the more aptly named “Romani”). Here’s where my willing suspension of disbelief switches off. A gypsy? Because the woods outside AnySmallTown USA are crawling with gypsies in gypsy clothes. And of course a group of girls would totally talk to her and let her tell their fortunes, as well as agree to give up some of their food if she does a magic spell to get their lunch baskets returned. This shit would never fly today, when Maxine would whip out her cell phone and have the police there to arrest the pagan child predator in nothing flat.

But I digress. The gypsy taps on a tree three times, the boys appear with the good food, “Tom” is revealed to be the gypsy, everybody laughs, eats, and they live happily ever after–or so I assume, because the last page of my script is missing.

Regardless, my real issue with this play is that my character Dottie is critical, bossy, and doesn’t deserve the totally suck-up fortune she gets from the gypsy (Tom obviously has a crush on her).

WAY TO TYPECAST, MRS. DUNCAN.


Me, bottom left.

*Line stolen from Rachel on Friends.

Oh, Christmas tree

One year, Tom’s parents didn’t take down their Christmas tree until Easter.

I may be exaggerating.

I’m not sure how long my parents left their trees up every year, but it’s always vaguely been in my head not to put it up before mid-December and not to have it up past New Year’s Day. I think Lynne’s tree was up this year by Thanksgiving: shocking! And mine is still up, and it’s January 2. Tom and Tim were both away for several days while Kathy S babysat me and a house full of dogs; we stayed up watching movies and talking every night, and I took a lot of naps and entertained dogs every day. This all means we’re a little behind in getting Christmas out of the house. Today, instead of being industrious, Tom would rather relax and catch up on his DVRd shows before going back to work, and I’d rather watch this entertaining documentary Puterbaugh recommended (Bill Cunningham New York–streams on Netflix) and take pretty photos like this:

So the heck with it. Where is it written that a house must be undecorated by a certain date? Are there Christmas police who’ll issue a citation? Will the dogs sleep any less soundly with all these festive Christmas lights sparkling around them? Is my sluggishness why people think the Mayan calendar says WE’RE ALL GONNA DIE?

The piece of Dove candy I snagged on my way to the computer told me:

Tom’s parents were right all along.

Magnetic Poetry 365:365

Thank you to EVERYONE who’s had fun reading, taking part in, and commenting on the Magnetic Poetry project. I can’t believe there have been 365 of them! I’ve enjoyed all the different ways I’ve experimented with putting words together–especially the random drawing of words–and pairing them with photos.

Tomorrow, a new project begins! Stay tuned…

There must be a boy!

Sometime this weekend I need to coerce someone into watching this movie with me.

If you know me, you might be thinking, How many times can she cackle at “Rex Stetson” and Thelma Ritter? Or sing along to “You Are My Inspiration” and “You Lied?” Hasn’t she seen that movie enough damn times?

Maybe. But not with my jolliest Christmas present ever from Tom sitting next to me:


Doris Day is fine, but Mattel did an amazing job on my man Rock Hudson.