Do intentions matter?

Over the past few days, I’ve seen too many photos and read too many stories from the city of my ❤️, Los Angeles. My heart aches for all those homes lost. People lost. Businesses and jobs lost. The daunting prospects of recovery and rebuilding. Not everyone there is wealthy, nor are all those neighborhoods filled with the residences of celebrities.

I’ve seen videos of terrified wildlife fleeing from fires, including a cougar with her two cubs running behind her—so beautiful, so scared. I’ve seen horses being rescued and taken to shelter in safe sites, and offerings from other communities of the number of horses they can take in. Many pets have been placed in shelters until their families can figure out where they’ll be staying or going next.

So many have lost their homes, all their homes’ contents, and sometimes even their vehicles. Meaning to be reassuring, people offer, They’re just things. They can be replaced.

Not all things can be replaced.

I thought of my decades of photos, my own and my mother’s. My father’s art. My lifetime of journals. My father’s military records. My mother’s genealogical records.

I thought of all the mementos and items Tom’s parents have saved his entire life and given to him on special occasions. His rocking horse. His family Christmas ornaments, including some from his grandmother. His parents’ art.

My teddy bear. My dolls, and I don’t mean that massive collection of Barbies so much as my baby dolls and the dolls my father brought back from Korea and Japan. Some of the Barbies do have deep sentimental value, too.

I thought about Tim’s violin, built by his grandfather. The portrait of Rex done by a local artist and gifted to him by Laura. The plant he brought back from his grandmother’s funeral that he’s kept thriving for several years. Lynne, too, has two plants, one that came through various relatives from her grandmother to her; another that was her mother’s, who died in 1978. I thought of the carousel horses that were gifts from her late husband.

Debby lost some very precious keepsakes related to her children during our flood in 2017, and a couple of things I valued from my teenage years went missing, maybe inadvertently thrown out with larger items. We’ve lost a lot over the years, but we’ve never lost everything, as is happening to so many right now because of the L.A. fires.

Some things can never be replaced because most of their value exists only in our hearts and memories. Sometimes, when our hearts are broken, those things give us something tangible to cling to, just as our companion animals give us the will to be strong, to keep going.

Yesterday, I watched a video of a stranger, maybe someone’s neighbor or a passerby, as she realized she saw movement on a property, and used her hands to pull two surviving fish and two turtles, all struggling, but alive, out of someone’s koi pond in their yard next to their burned down house. She put them in a cooler that she filled with their water to transport them. (There were others, fish at least, that hadn’t made it.) Imagine losing everything but what you could take with you, and then being reunited with those four little survivors, and what they might mean to those people. The kindness of that woman is immeasurable, and she’s just one of so many who are trying to do something, anything, for their fellow Angelenos.

There’s so much heartbreak in these losses, but there’s also heartbreak in the vitriol from the usual choir of cruelty. I can’t understand, don’t even want to understand, how people can be so small, so hard, instead of just kind. Even in thoughts. In words. Just kindness. It costs nothing to be kind.

Do intentions matter? Yes. I absolutely believe they do.

Over these days, I’ve turned to music from the CDs that live in the sanctuary closet with a lot of the things I once used in my practice. They’re meant to comfort. To help someone relax. To be a channel to healing. I have more, but these were ones I pulled out so far.

Enya, The Celts, 1987 and re-released in 1992; Watermark, 1988; Shepherd Moons, 1991; The Memory of Trees, 1995; A Day Without Rain, 2000. Loreena McKennitt, The Book of Secrets, 1997.
Loreena McKennitt: Parallel Dreams, 1989; The Mask and Mirror, 1984.

I’m grateful for artists and their music, as I am for all those who provide the movies and television shows we watch, the books we read, the art that intrigues us. So much of the creative output that entertains and enriches us comes from that concentrated part of the west coast.

There are two realities I hold on to. First, our strength and resilience are the reason we persevere and rebuild. It’s how San Francisco has come back from earthquakes. How New Orleans came back from Katrina. How New York came back from terrorist attacks. I’m picking big cities because right now it’s Los Angeles, but across the Midwest, the Northeast, the South, the West and Northwest, this same spirit has driven us, as it will North Carolina and other areas impacted by disasters, whatever their causes.

And second, the abundant kindness we show to those who experience catastrophe reflects the best in us. Whether we give our time or material support or let our thoughts, words, actions, and prayers come from kindness, infused with the energy of good intentions, we get to choose to be a part of one another’s healing instead of their suffering.

“Climb the stairs to the moon.”

This black and white page is from Jenny Lawson’s You Are Here book and titled “Climb the stairs to the moon”:

With a touch of color added. (I share the text that’s around the tree roots below the photo.)

If I cannot see the sun
I’ll follow the stars.
If I cannot see the stars
I’ll follow the moon.
If I cannot see the moon
I’ll make my own.

–Jenny Lawson

Tiny Tuesday!


Tom gave me this candle for Christmas, and it burned next to me sometimes over the multiple days this post has taken me to write.

Now that some of our house and holiday chaos has tapered off, I’ve resumed working on the Neverending Saga. It feels really good. I mentioned that I’d gotten encouraging messages from Lynne when she read the most recent chapters. I’m very fortunate that both Tom and Lynne stay engaged by these novels and offer me not just positive feedback, but also constructive suggestions, and they sometimes ask questions that cause me to look ahead or to better flesh out things already written.

In a few months, it’ll mark six years I’ve been working on this series. It’s been challenging and sometimes discouraging. As I start the new year, I’m doing a kind of inventory of the journey so far.

First: One of the first people, who is not a writer, with whom I discussed my plan for rewriting/developing the novels, told me that I couldn’t write books that include the diverse set of people and some of the social matters I wanted to make part of the stories. Because I’m white (and so is this person), I was warned that any characters of color–whether Latinx/Latine, Black, or indigenous American–would be rejected by the “woke” readers (not my term) I might hope would be among my audience. Within a couple of years of that conversation, expressing my opinions and values, not just in the books, became enough of a problem that this person chose to end the friendship.

I was surprised but have no animosity or resentment about it. I see it happen every day among friends and families, consequences of the time we live in. It does, however, make me uneasy when other people go silent now. Instead of thinking, everyone’s busy, lives are complicated and full of competing demands, I tend to castigate myself for anything I might have said or done that drove them away. This despite the fact that I have friendships stretching back through all the decades since the sixties, and we don’t all think alike or agree on everything. If each of us has a specific fear or anxiety, mine is abandonment, and it’s based on experience. Who knew one day the term for that would be “ghosting.” I’m not a fan. I do appreciate that in the experience described above, at least I wasn’t ghosted.

Second: Getting back to what and how I want to write, I understand the concept of “own voices.” We need more books from diverse writers; people of all cultures, genders, socio-economic groups, minorities, sexual orientations. It’s not my place or right to co-opt the stories of those voices. However, I’ve lived in, and I grew up in, places with a wide variety of people. I’ve worked with, lived with, gone to schools with, attended churches with, been taught by, and been friends with all kinds of people from all kinds of cultures. Even before I ever wrote a word (I started my first novel when I was eleven), I observed everybody. I listened to everybody. I heard people’s stories. I read endlessly in all kinds of genres, set in places all over the world. I’ve taken no one else’s stories, but many of their stories undoubtedly speak to or inspire the stories I write. I’m not writing biographies. I’m writing fiction.

Third: I kicked off the first decade of this century with published novels I wrote with three gay men. Every one of us wrote every character: male, female, straight, gay, transgendered, Black, white, Latinx/Latine, elderly, adolescent, wealthy, struggling. We weren’t writing autobiographies. We were writing fiction. People often assumed I wrote the straight female characters in those novels. I did introduce a new one occasionally, but their stories were filtered just as often through the other writers as through me. Once characters are properly established, they take on their own lives, whether I’m the only writer or a co-writer. That statement right there–I’ll go back and put it in bold–is my joy in writing fiction. Characters will surprise me, defy me, break my heart, and make me love them, even their flaws.

Fourth: One friend offered to read the books as they were being written, as a kind of beta reader. I’ve never had beta readers (other than my writing partners). I gave fair warning that these were works in progress based on old, very old, versions I wrote in the far-away past. They were subject to change during new versions because I’m older now and a more seasoned writer. This person had read and enjoyed my published novels (the TJB novels, the Lambert-Cochrane novels, the Coventry novels). To me, that implied I could be trusted to tell the stories of flawed characters organically. Not only were my narrative choices subject to change, the characters would change. Grow. Make mistakes. Course correct. Learn. I think that’s called being HUMAN. I don’t write androids. Robots. Aliens. (I don’t even write vampires who sparkle, but I sure read them.) I’m not interested in writing perfect or static characters. If you trust me because you’ve read me before, then I deserve the opportunity to develop the story and allow my characters their flawed humanity. This person began to take issue with my characters’ choices. In addition, I’d get comments like, “This character is obviously a serial killer.” I’ve never written, would never write, a serial killer. Anyone who’s read me knows that. The feedback became insulting, annoying, and an impediment to my process. The friendship survived; the beta reading relationship ended.

Fifth: Other people agreed to or offered to read the works in progress. Here have been the results of that. One never started the first book after agreeing to be a reader. One read the early lives of the first three of four characters who have points of view in the first novel, but then got tired of reading anything and wanted to switch to watching television for a while. The manuscript was never picked up again. One read the first novel and asked for the second, where the reading stalled. As far as I know, it remains unfinished. A fourth wanted to read them, has the first two novels, and again, as far as I know, never began.

These things definitely impact my self-esteem as a writer. Now, when someone asks, “May I read them?” The answer is, “Not until they’re all finished.” The beta/early reader concept hasn’t worked for me, and I realized it can even be harmful. I’ll continue writing and hopefully finish these novels because I want to. Because I need to know how it all turns out.

Below, using the week’s theme of black and white, is some motivation. Maybe you need it, too, as encouragement to forge ahead and protect yourself from what inhibits or harms your creativity.

Sunday Sundries

This week’s theme: Things that are black or black and white.

A pyramid with hieroglyphics; a raven on a skull, evoking Poe; a crow and a raven on either side of a cranberry/amaretto candle (gift of Debby–a nice scent to create to), atop two of my favorite books, ‘To Kill A Mockingbird’ and ‘A Confederacy of Dunces’; coffee mug with ‘LOVE’ that includes a paw print; quartz crystal ball with black tourmaline inclusions; and the ‘300 MORE Writing Prompts’ book.

Taking a prompt from the book, here’s what I wrote this morning.

Lovely day

Today was a good day. My friend Debbie and I enjoyed a long FaceTime call. Texts from Lynne sharing her thoughts on new chapters she read from the work in progress boosted my spirits. I think I’m finally ready to take on the next chapter.


Tom and I did a bit of housekeeping and later had a nice afternoon and dinner with The Brides. (Debby and Timothy weren’t able to join us, but our four dogs did get to spend a few hours with Aunt Debby, so at least they felt spoiled and happy.) Pepper came with her moms, full of health and vigor, and I felt like it had been forever since we saw her. And once again, I got NO photos of her, especially when she was romping in the back yard. I never take all the pictures I mean to take.

Rhonda and Lindsey wanted to extend Tom’s birthday celebration with a couple of gifts. I’d made a hearty homemade soup and cornbread, and we had lemon poundcake.

To finish off the week’s blue theme, here’s a picture of a mushroom lamp Debby gave me for Christmas that will live in the writing sanctuary giving off its soft light.

New Year’s good tidings


Though Blue Cheetah is not a fan of new year’s resolutions, he does have some wisdom to offer for the coming year. He strongly recommends you GO WILD the way he does. Here are his suggestions, applicable to the season and where you are.

  • Inhale winter air. It has a clean scent like no other and can clear your mind.
  • Get your paws in soft grass. No socks, no shoes, just moments of bliss.
  • Feast your eyes on the grandest mountaintop you can find. You don’t have to climb it–unless you want to.
  • Get drenched in a rainstorm. Your hair will dry. Your clothes will dry.
  • Bask in warm sun at the beach. (Don’t overdo it.)
  • Lean against its trunk and tell a tree your deepest secret. It will never betray you.
  • Cast a line into a lake without a hook to catch only a calm rhythm.


Blue Cheetah was brought to you by this coloring book along with 28 shades of blue pencils and 10 different blue gel pens. And by me, wishing you all the best in 2025.

Tiny Tuesday!

When we were out shopping earlier in December, Tom and I chanced upon these two mini playsets. (They ended up in my Christmas stocking.)

One with an RV and the other with a convertible, for ages four and up. Believe it or not, I have a couple of characters in the Neverending Saga who have become fast friends and are ages five and four; they like playing with Barbie dolls; both have fathers who go on the road as musicians; and one has a mother who drives a convertible. A perfect way for them to comfortably imagine new adventures.

Wishing all of you a safe and satisfying new year’s eve, however you spend it, and a great new year to come.

Sunday Sundries

Things that are blue.

Clockwise from lower left: the man in the moon; stones of lapis and sodalite; incense burner; the Blue Dog Cow Parade Cow from Amy; a perfume bottle; my favorite hand sanitizer; a Beatles car perched on my “Write The Poem” book; and to the right, the ‘famous’ vase, gift of Jim.


From the book, I chose “Write a poem about A Voice.” The word associations the book provides are murmur, whisper, holler, soft, husky, sultry, conscience, instinct. Because I’d chosen blue, because of the musician I write and so many of my characters, because of how I think, I had only one direction to take. Here’s what I wrote:

a voice

it starts with a whisper
of chains and of whips
backbreaking labor
heartbreaking goodbye
it grows to a murmur
soft change, husky hope
sultry with promise
resolve to survive
makes it a holler
the:
buddys and muddys
bessies, ettas, and kokos
blind boys and sonny boys
mas and sisters
ones with initials
ones with three names
ones with last names
they never asked for or wanted
holler holler holler
to prod the conscience
of all who will listen
to all who will hear
a voice
the voices

December 29, 2024
©Becky Cochrane

Shake it up

My last snow-themed post of the week came from this coloring book and officially brings Christmas week to a close. Christmas itself hasn’t been stressful, which isn’t always the case. I managed to get everything done even though I left most of it until December. NOT Christmas things have been more stressful, but that’s just part of life. All the friends and family we communicated with in one format or another help keep things happy. We have so many and so much to be grateful for.

I hope this guy gives you a smile and serves as a reminder that shaking things up can sometimes be a good thing, and regardless, they settle down in time. I don’t know why his tree looks yellow. It’s green on the page.

ETA: I had a couple of fruit stickers I wanted to add to the page of fruit stickers in Wreck This Journal, and after I did that, I began flipping through the pages until I came to the one for “Rubbings.” It had a single entry on it (“Cowboy”), and I thought of my leather bracelet sitting just across the room on my bookshelf. So I did a rubbing of that, which seems right on this date.