Legacy Writing 365:241

Just a couple of “looking out” shots to remember times and places past as I cross my fingers in Houston and hope for a quick dissipation of Hurricane Isaac.


Tim looking over the Gulf from the pier in Long Beach, Mississippi, in 2004, a year before Hurricane Katrina destroyed it. We were there doing research for Three Fortunes in One Cookie. All along the Mississippi coast, we were welcomed and embraced by locals as they shared information with us.


Tim looking out at the mighty Mississippi from Washington Artillery Park in 2006, less than a year after the levees failed and Hurricane Katrina did her worst. We went there for Saints and Sinners and found a city struggling but plucky and determined to make a comeback.

I get agitated when I read ignorant things from people who don’t understand coastal topography, natural and constructed wind and water breaks and protections, and the historical reasons why coastal cities exist. I cherish Houston’s sister cities, towns, and communities along the beautiful Gulf Coast. Be safe!

Legacy Writing 365:233

Happy birthday, Greg! If you were here right now, we’d put a birthday candle in your dog-gnawed roll.

Do you remember your very first visit to The Compound? It was in November 2005, when Borders set up a benefit signing for us at Meteor to raise money to send to NOLA post-Katrina. You had a couple of Scotty books to sign (and that weekend, Tim and I proofread the galleys of Mardi Gras Mambo for you, I think), at least two Chanse books, and others including Midnight Thirsts and Shadows of the Night. We were signing at least two TJB novels as well as The Deal and the newly released Three Fortunes in One Cookie (RIP, little takeout cover).

I’m not sure that we raised a significant amount of money, but your visit and all the other good things it led to over the years bring to mind “it’s an ill wind that blows no good.” Lots of visits between New Orleans and Houston, good times in Manhattan, book signings, connections for us all to new writers who’ve filled our anthologies and become our friends–I won’t thank the hurricane, but those things are reassurance that we can rise above and move past adversity.

And so–onward, to celebrations like birthdays and more books!

Legacy Writing 365:156

When we lived in South Carolina, the church my parents took us to was so small it was in a house. I guess walls were removed to make one big room where we sat on folding metal chairs during services, and the bedrooms had been turned into Sunday school rooms.

Here’s my father, cigarette in hand, standing on the front steps with the preacher. I don’t know the other gentleman, and can identify only one of the group (those hats!) standing on the porch behind them. The preacher’s name was U.A. Hall. That was his birth name–U.A.–just the initials (I think I might have even found him in a Hall family history online, but I can’t be sure because his birthdate isn’t listed). If pressed to say what the initials might stand for, he’d always say, “Useless Always.”

The first time he ever came to our house, probably the week after our initial visit to his church, my father had been doing yard work and had just stopped and popped open a cold beer. I’m not going to name this fundamentalist church in which my father had grown up, but trust me, drinking was NOT condoned. Not even a “little wine for the stomach’s sake,” as my parents and Uncle Gerald used to quote the New Testament book of Timothy. When my father asked if the beer bothered him, the preacher shook his head and said it was probably very refreshing on a hot day. That started them off on the right foot. In time, he became a close family friend. He’s the preacher who married David and Terri. We’d already moved to Alabama when he died unexpectedly of a heart attack in his forties, within a few months of Uncle Gerald’s death, a double loss that crushed my mother.

Here she’s standing next to him outside the church. No hat, but I’m particularly fond of this picture because it reminds me of Steel Magnolias:

Shelby (about her mother M’Lynn): You can’t mess up her hair. You just tease it and make it look like a brown football helmet.

and later, M’Lynn, looking at herself in the mirror: Shelby was right, my hair does look like a brown football helmet!

Maybe one reason U.A. was a bit more openminded than he could have been was because he was divorced, quite uncommon for that time, and particularly uncommon for a minister. Among the people I remember from there is Ruby, who “kept company” with the preacher. It was Ruby who used to say, “Everybody has to go over Fool’s Hill,” a quote I used in A Coventry Wedding and still repeat to this day.

I also remember that one of the first things my father did after my parents became members of that church was paint a sign to put in front of it with the name, the preacher’s name, and the hours of worship (Sunday school; Sunday morning; Sunday night; and Wednesday Bible study, and members were supposed to attend all of those every week).

I was old enough by then to register my first awareness of the way things were in the South outside of military posts (where on weekends, kids took one of three huge Army green buses: the Jewish bus, the Catholic bus, or the Protestant bus. Those were our only divisions, other than either being an officer’s kid or not). But I saw segregation when we went to a nearby city for a “singing” (a big meeting of members from that denomination’s churches throughout the state to sing gospel songs together). When a group of black church members arrived, they filed up to the balcony to sit separately from the white people. I saw my (always liberal) mother’s eyes narrow and her lips get tight when she watched, and I wasn’t sure what was wrong, but I knew she didn’t like the division at all. (Her own eye-opening experience of bigotry came when she was seventeen and took a train to San Francisco. Maybe I’ll share that in a future post.)

Here the preacher is sitting in the den of our house one Sunday afternoon. My mother always cooked a big Sunday meal, and she and the other church ladies took turns inviting U.A. to their homes for dinner. If I didn’t have this photo, I wouldn’t have remembered that my mother hung my horse painting on the wall with some of my father’s art. I remember that furniture so well (our second best after the new furniture went into the living room).

I believe the den might have been converted from a garage or a porch. A long row of high windows stretched across one end. Our dining room table and chairs were at the other end. The pull-down stairs to the attic were there. I remember hearing my parents pull them down one Christmas Eve and I crept out of my bedroom and into David’s bedroom, which was right off that room. I saw my father bringing a blue bike down from the attic. When I was told the next morning Santa had brought it for me, that was the end of that era of my childhood. But it was okay, because the blue bike took me on adventures all over that small town.

I also remember lying on the floor in the dark in the dining room/den, staring toward the night sky through that row of windows, and feeling scared that beings from another planet were going to land on earth. Who knows what TV shows or news stories prompted that particular fear, but it was far more real to me than the atomic bomb scares my older siblings had to contend with when they were in school. We still laugh about those–drop under your desk and cover your head with your hands? Yeah, that’s gonna help!

Martians and segregation notwithstanding, that small South Carolina town remains in my memory as one of the best places we lived. It became the hometown for a character in Three Fortunes in One Cookie. And of course, it’s how Terri came into our lives–and so, later, Daniel.

Legacy Writing 365:19

We moved to Georgia sometime before I began kindergarten. We couldn’t get into quarters at Ft. Benning immediately, so we lived in a place called Benning Park. I think I remember three things about Benning Park: a dirt yard, a roach infestation, and a mother who wanted OUT.OF.THERE. By the time I started kindergarten, we were living on post. I looked up our old street, and HELLO. I don’t know if it’s still NCO housing, but if so, they have it a lot cushier than we had it. Big ol’ two-unit houses. (On the other hand, Benning Park sounds even worse than when we lived there. With more than seventy-eight percent of children there below the federal poverty line, Benning Park has a higher rate of childhood poverty than 99.5% of U.S. neighborhoods. Thank you, Wikipedia, for not being dark again on Thursday.) I’ll bet some of those same roaches are still stealing food, too. Those bastards NEVER DIE.

We lived on post twice, since my father was stationed there before and after a deployment to Korea. (This was NOT during the Korean War. I may not really be 35, but I’m not that old.) Here’s a photo of Debby and me with Daddy from our second stay there; you can see the quarters across the street, which looked just like ours, because it’s the military.

I’m thinking there are six to eight units per building. I remember: hardwood floors, because I can still hear our dog Dopey’s nails clicking on them. Central air, because I remember yelling into the unit outside to make my voice sound funny. Some other kid taught me to yell into it, “What’s your name? Puddin’ ‘n’ tame. Ask me again, and I’ll tell you the same.” I don’t know what that means. At either end of the building, or maybe at one end, I don’t know, was a cement slab enclosed by a gray (I think) wooden fence. Inside this fence were clotheslines. Women didn’t have dryers then. I remember sitting in there while my mother hung or took down sheets and listening to the wind flap them around. I love the smell and crispness of line-dried sheets.


I think this is Elizabeth, little sister to Stephen. Their mother, Gwen, was British. She had red hair, too. I loved her accent. They lived across the street from us the first time we lived there. The second time we lived there, a woman who lived across the street used to make hamburgers with steamed buns which I never ate because they smelled like dirty socks.

You’re welcome.


Did I mention that my father used to paint scenes on our windows at Christmas? My sister is probably making this face because her brain is fiercely trying to find a way to eliminate me since the previous times didn’t work. (I wasn’t nicknamed “Roach” for nothing.) My brother is in none of these photos because he’d reached the age when 1. We weren’t his family. 2. A camera steals a boy’s cool.

Now we get to my first best friend, Linda Bishop.

I’m starting to wonder if it wasn’t Linda who had a big brother named Stephen. Maybe everyone did. Most of the people in my life have been named Stephen, Tim, Jim, Jeff, and David. It’s weird.

Our dog Dopey had a sister named Beebee. I think Beebee lived next door to Linda but became “her” dog during the day so we’d both have one. When the ice cream truck came, Linda always got a banana Popsicle. I think I preferred grape. We sat on the curb to eat them. Linda would take a lick, then give Beebee a lick. I never gave Dopey a lick of my Popsicle. That’s probably why I’m diabetic today. Linda’s undoubtedly healthy as a horse.

Of course I can’t bring up Linda without repeating my public confession, just in case she ever finds this. We were both in Miss Harris’s kindergarten class. One time when I opened my crayon box and looked at all my broken crayons, I secretly switched my crayons for Linda’s, which were perfect: unbroken and with all the paper intact. Linda cried when she opened her box, and I said nothing. I’M SORRY, LINDA. I WAS WRONG. If you ever find me, I’ll buy you one of those damn 96-count boxes of Crayolas–no generics!–with the built-in sharpener.

Hey, I named a character in Three Fortunes after you. She wasn’t my favorite character, it’s true, but just ask Lynne if she has a character named after her. I think not.

I’M SORRY, LYNNE. I WAS WRONG.

It never ends.

Not a happy story

This story just broke my heart. Someone deliberately used lethal amounts of herbicide on Live Oak trees in Auburn, Alabama, that are estimated to be more than 130 years old. A person who called himself “Al” and a Crimson Tide fan claimed responsibility for the poisoning on a radio show. Whether or not this was really about a football rivalry, it’s a shameful and inexcusable act of eco terrorism.

If you read Three Fortunes in One Cookie, you may remember our nod to the wonderful heritage of the South’s Live Oaks. These majestic beauties have their own names and belong to their own society. There are rules and even laws governing how we treat them.

I hope whoever did this is found and punished. These trees aren’t just part of Auburn University’s football tradition. They are part of all Southerners’ hearts.


Tim in the Friendship Oak on the campus of the University of Southern Mississippi-Gulf Coast
in Long Beach in 2004.


Live Oak at the Menil Museum, Houston, Texas, 2007.


Live Oak at Becks on Westheimer, Houston, Texas, 2007.

Soundtracking

On his blog, Jeffrey Ricker asks:

Here’s a question–or actually several: what music inspires you? Have you ever written anything inspired by a particular piece of music? Do you listen to music while you write?

Here’s my answer:

I do make mental and sometimes real soundtracks for the novels I work on. Off the top of my head: Three Fortunes involved a lot of R.E.M. and a bit of U2 (Kieran was Irish, after all). I listened mainly to George Michael while working on I’m Your Man because there’s a lot of yearning in his songs and in the novel. I not only listened to the Pet Shop Boys during the period when we wrote When You Don’t See Me, but their songs became our chapter titles and the band was special to Nick. A Coventry Wedding was all Beatles, all the time, and though a lot of Beatles songs are mentioned in the novel, there are also coded references to their songs or song titles. Here’s one: Jandy meets a crotchety old artist in the book whose name is Wayne Plochman. In reality, Plochman is a brand of mustard: thus, “Mean Mr. Mustard” from the album Abbey Road.

I’d probably need to reread the other books to remember what songs were inspiring me while I wrote.

I write in silence, usually. The exception to this is when Tim and I work in the same dwelling, because he always has music playing. So a lot of times I mentally connect songs to my mood when I was writing something, even though they didn’t necessarily inspire it or have anything to do with it.

Speaking of music… One regret I have is that we took a fragment of a song lyric out of It Had to Be You. Every time I hear the song, it makes me laugh because of the scene it evokes–and not using it cost the readers a laugh in a comic moment in the novel. We were beginners and afraid of being sued.

Catching up

I am a big dork who managed to forget that since Greg was going to be in Houston for a signing, it might be a good idea to order a couple of hardcover copies of his new title. Of course there were paperback copies available at Murder By the Book, and Tim and I each bought one there to give as gifts, because we’ll always support our local independent bookstore. But when Insight Out makes special-edition hardcovers available, we indulge ourselves. Anyway, as you can see, they arrived today, so the next time we see Greg, we’ll get them signed. As Greg has pointed out, the cover photo is clearly from the French Quarter, whereas the title informs us that the murder is in the Garden District. Vexing to an author, but very few of us have input or approval of our covers. And as Greg also pointed out at his signing, at least it’s not a Chinese takeout cover on a novel that has nothing whatsoever to do with Chinese takeout. Our writer fiends friends never tire of mocking our poor Three Fortunes cover.

Here are a couple of photos from Greg’s signing:


Writers Gavin Atlas and Greg Herren; me with Greg and Timothy J. Lambert

This past Thursday, we not only didn’t have Survivor night (which I still haven’t seen, although it’s recorded), but I didn’t get to see the first episode of the Project Runway finale. We were attending Scout’s Honor Rescue‘s Movie Night and Silent Auction. The Epicure Café provided space for the auction, and California Pizza Kitchen was the site of an after-party. It’s always fun to see a movie at the historic River Oaks Theater, and I’ll admit that I giggled all the way through Beverly Hills Chihuahua. It’s amazing how the Scout’s Honor volunteers put such a great night together, and how many donors contribute art, sports memorabilia, culinary treats, jewelry, wines, and other items to the auction. The event is underwritten by the fantastic Don Puryear of Happy Tails Dog Spa and RE/MAX Metro.

More photos from the evening:


Tim and his boss point out some alluring auction items and guests.
The Big H is obviously exhausted from her hard work.


Lindsey, Rhonda, Kathy, Tom, and Tim
Tim holding one of the gift bags given to all the guests

I’ve been working a lot on the setting for my Runway Monday final collection, but I wasn’t willing to start designing and sewing until I saw what challenges/guidelines the Project Runway contestants would be given. I have a theme and some fabric and was thinking I’d be doing five, maybe six, looks. Imagine my surprise when we watched the recorded episode Friday night to learn that the designers were expected to do twelve looks! Then, at the last minute, they were told they’d be doing a thirteenth! Some of the eliminated contestants came back to assist them, but I don’t have any cutting and sewing elves. However, last year’s runway judge Michelle Hors scoffed at the idea that I couldn’t design a dozen-plus outfits. She’s right; I can do it. But I can’t promise when they’ll be done. The PR designers get several months. I may need at least a couple of weeks, but I won’t let you down. And neither will my own version of Mood. Wish us luck!

Déjà freaking vu

Last September, I posted about how I mislaid all the notes I’d made for a third Coventry book. It wasn’t so much plot details that I was frustrated to lose, it was all my character names and descriptions. Ultimately, I got the proposal together so I could submit it to my agent and publisher. My editor turned it down–blah blah blah–I’m over that.

I’d started writing a non-Coventry novel on my desktop, for which I made copious notes about place names and details and people names and descriptions in a document that lived on my laptop. I’ve gotten to a point where I need those notes–and THERE’S NO SUCH DOCUMENT! I’ve done electronic searches on both computers using key words and phrases–but in the wee hours of the morning, I had to accept it. Somehow, I managed to delete it.

Unless–CONFESS! Which one of you is gaslighting me?

To relax myself so some of those lost details could crawl to shore from my brain swamp, I dragged out a 1964 Simplicity pattern and made Christina Aguilera a new dress. Her name isn’t going to stay Christina Aguilera. Do you think she looks like a very special TV character named Blossom? Tom does. From certain angles, she also looks like Sarah Jessica Parker. No way am I naming her Blossom, but I could name her Jess after a character in Three Fortunes in One Cookie (female, though she was named for my by-choice-nephew Jess), or I could name her Sarah for SJP and my niece, although my niece is way prettier than this doll–and prettier than SJP, for that matter.

Or I could pretend I’m Janet Evanovich, only instead of letting y’all compete to name my next book, you can name my doll with a prize to be determined. Maybe I could name a character after YOU in my next book.

Um…what was your name again?

Definitely with sugar glaze

Just received:

Dear Becky,

only a moment ago I have read your book “A Coventry Christmas” in german. It is the best book which I ever had read in all my life time. I love Keelie. On every page of the book I thought you write about me.


Keep up the good work!

This is my first e-mail from someone who’s read the German-language edition. Having someone read something I wrote and can’t read is a new experience for me. I think I owe a huge debt of gratitude to the translator, Christine Blum.