Sunday Sundries


Photo of a much-loved novel; a gift (the ball with swirly paint) from the person who got me reading Tom Robbins; mushrooms and a butterfly that connect me to the book’s cover; the “magic” star, because there’s always something magical in Tom Robbins’s writing; and that lovely gold book pin because books are magic, too, and will forever link me to the writers who create them and impact my life.

I mentioned how on my recently-joined social media account, I’d been doing a book-cover challenge, posting a photo a day of a book that impacted me, but NO WORDS or EXPLANATIONS. Just the cover. On February 7, I posted the cover of Another Roadside Attraction by Tom Robbins (his first novel from 1971). Yesterday, I found out Tom Robbins died on February 9. I’ve decided to reread all his books in order. I’m not really sure yet what my week’s theme will be, but I arranged those items because they made me feel connected to the novel/its cover/Tom Robbins.

Good company


I wish I could credit the photographer of this photo. So many symbols: the bare tree; a large bird (perhaps a crow?), with maybe a few smaller birds scattered among the limbs; and a solitary woman on a swing. It makes me think of this Emily Dickinson poem.

This is my letter to the World
That never wrote to Me —
The simple News that Nature told
With tender Majesty

Her Message is committed
To Hands I cannot see —
For love of Her — Sweet — countrymen
Judge tenderly — of Me

Over the past few days, I’ve had the enjoyment of reading the draft of someone’s manuscript. It’s spec fiction–i.e., outside my genre–but good writing is good writing. A good story is a good story. It was refreshing to be able to ask the writer, with honesty and enthusiasm, “May I read it?” I rarely do this, but we have a bond of trust and a history.

Writing is so solitary, and writers get so little of the validation that can help fuel us. I don’t think he needs validation from me, but I know what it feels like to receive it. And what it’s like to wish for it.

In my decades of reading and loving Emily Dickinson’s poetry, I never dreamed I’d end up with my own version of her life. She’s good company.

ETA, one day later:
The poem below showed up Thursday morning in one of my social media feeds. The poet is one whose poetry prompt book I’ve featured on here before.

The Beatles sang it early in the soundtrack of my life: “There will be an answer. Let it be. Let it be.”

Today I finished another of Fasano’s poetry prompts. Black text is Fasano’s; green font indicates where I filled in his blanks with my own words.

The Saddest Truth

I stand at the door of admission
and am afraid to speak.
But I will confess.
I go in.
I touch the pain, the agony
I touch the unremitting sustenance
in the honesty.
This is the feast of sorrow:
the memories and manipulations on the table.
What can I do but eat?
Freedom, I know you are waiting
in the sunlight.
But first I must suffer in the shadows.
First I must admit my complicity.

©Becky Cochrane, 2025

I put all this here not as a message to anyone who either couldn’t or wouldn’t understand it anyway. It’s a reminder to myself, because so often I require the same lesson over and over.

Mindful Monday

Online, I found these “mindfulness” tattoos people have gotten.


mairaegito on Instagram


rachainsworth on Instagram


missmegstattoo on Instagram


matt.holistic_ink on Instagram


tinytattoos_feathertouch on Instagram

Like a couple of these, many tattoos were of words only: “Let Go” “Be In This Moment” “Be Still” “Be Here Now” “Breathe.” Keeping with this week’s theme, even when only words are used, I see them as symbolic reminders to be mindful.


tattoo gift of Rhonda, 2014

My only tattoo is this one for Aaron, to show he continues to be part of me, the nephew I love beyond death and separation. The tattoo reminds me to cherish what I have in the moment: family, pure love, laughter, and unity, and to try not to be overwhelmed by things not of this moment, whether the past or the unknown future.

Sunday Sundries

Symbols: Portent or Promise?


Tools: Colette Baron Reed’s The Good Tarot deck; a crystal ball; wooden box of coins, including a “Walking Liberty” half-dollar; five randomly rolled dice show a one, two fours, a six, and a two; a three card spread: “Messenger of Earth”; 10: “Fortune’s Wheel”; 7: “Chariot.”

From Lisa Dyer’s 321 Creative Writing Prompts journal, below is a writing prompt for you. Feel free to use the items from the fortuneteller’s table. You can also ask me questions about the three specific cards in the spread.

Time management

I’ve likely told some version of this story on here before, but I was reminded of it again this week when I talked to a friend with whom I once shared a workplace, a subsidiary of a large, centuries-old corporation. Corporate suggested that our subsidiary find someone to take on the task of facilitating awareness and discussion of diversity topics. I was a person approached to be “it.” I understood at least two reasons why: my background in writing and editing, and my established willingness to, on my own time, advocate for AIDS/HIV awareness during a period when that was controversial and shrouded in silence. My manager and the company had consistently approved my making a newsletter available on December 1 for World AIDS Day (written on my own time, printed at a copy place, with a red ribbon attached to each sheet with a small safety pin that could be worn, if chosen, all provided at my expense and all MY choice, not mandated by the company or my manager).

I didn’t jump at the offer to be their diversity rep because my experience with the company (including that newsletter!) had already informed me how I could be treated like a lightning rod drawing the ire of anyone who felt somehow “wronged” or “offended” by one, any, or all of the issues that would come up. (If you doubt what a problem this is, have you never read comments on damn near everything you can find on the Internet? Sure, keyboard warriors may feel more emboldened by anonymity, but many of them probably spring from people who feel equally emboldened by position or privilege to exhibit similar behaviors in the workplace.)

I ultimately decided to take it on. I don’t feel like sharing the negative impact that choice sometimes had on me, because what was more significant, to me, at least, were all the things I learned as I researched the “months” related to diversity. (I’m not sure we had all of these back then, but possibilities are Black History; Women’s History; Arab-American Heritage; Jewish American Heritage; Asian American, Native Hawaiian, and Pacific Islander Heritage; Military Appreciation and National Veterans and Military Families; Caribbean-American Heritage; Immigrant Heritage Month & World Refugee Day; Hispanic Heritage; LGBTQ Month or National Coming Out Day.) None of these would have bothered me, and I valued learning so many new things. (Also, tip: The more you learn if you’re creative, the more you can populate your work with people who and experiences that are not you or yours. Including the villains.)

I was grateful for that opportunity to get to know people not only in our smaller company but also people in corporate and other subsidiaries. I learned about challenges people faced that I would otherwise have been unaware of, and I learned about colleagues’ accomplishments and what they valued and respected about their identities. (Regrettable bonus: I also learned which people would never get any of my free time outside of work and some who were “unsafe” for employees who were part of traditionally marginalized groups. It emboldened me to communicate that I was a safe person and place and to practice rigorous discretion. Turns out that matters a lot in the workplace.)

What does this have to do with time? I’ve been trying to find better ways to respect my own time. Nobody’s paying me for it anymore; I get most of the choice in how I use it. I’ve started being more honest with myself in recognizing and acknowledging the reality of those who don’t respect or value my time so I can allocate it better. I’ve been weaning myself off of social media and being more deliberate in how I use it. Just as I eliminated most of my content on Facebook in 2016 and ended it as a contact point, I did the same with Twitter in 2022. I still have an account on each site because I want to keep my name free from possible misrepresentation (my name being connected to published novels, short stories, and anthologies, and to this website).

I recently opened a Blue Sky account to interact with some people or organizations who’d once been part of my Twitter world. I’m spending very little time on it, and have used it so far only to post to a “20 day challenge: share covers without any commentary or reasons, etc., of books that impacted you in some way.” ONLY twenty? This has been a painless way to ease onto the site.

Similarly, I’d once replaced time spent on FB with time spent on Instagram, though my own posts on Instagram have become sporadic and inconsistent. February is was? for me, remains Black History Month. Though I rarely post on Instagram anymore, I decided to use every day of the month to recognize Black history in some way (dolls, art, and coloring pages have always been part of my Instagram account, for example).

When they say that never in the history of the world have people who banned books been the “good guys,” I agree and add to that people who ridicule, forbid, and seek to eliminate awareness of what I believe are among the greatest assets our country has: the experience and value each individual or group adds to our national character. When power starts using our differences to marginalize and divide us, they are never “the good guys.”

If I’ve been willing, since 2020, to give every day of October to a skeleton with a fictitious voice and family history to indulge my creative self, my February is well spent featuring something I find more meaningful. This choice hasn’t brought a lot of engagement to my feed. It could be the algorithm, but I can see that consistently over 97 percent of the people who view my posts follow me, and most of them don’t hit that ❤️. Could be an indicator that my energy and time have little value on Instagram, and maybe it’s time to ease away from using it as a public space, too.

Photo Friday, No. 946

Current Photo Friday theme: Edges.


Mendocino, California, 1998, shot on film

Three Voices At The Edge

In Mendocino’s morning mist
Where time collides with memory
Voices sing from hissing surf
Muse: We live on the edge of a body of water
Maiden rewrites her lyric:
He is dead and gone, lady,
He is dead and gone.
But at his head no grass-green turf,
At his heels no stone.

Maestro: How deep is the ocean
How deep is the ocean
I’ve lost my way

© Becky Cochrane, 2025

Sunday Sundries: Time


Just so you know, none of these watches work, and that’s fine. I’m sure most of the ones on the left have a story, but I either don’t know or remember those stories. From left to right on the rolling pin, they are my mother’s Mickey Mouse watch, and four of her “old lady” watches, at least a couple of which likely came from my father. Number six with the blue face has no numbers or hands and is more of a cuff bracelet, so I don’t know if it was ever really a watch.

The next five are my wristwatches. The first is one I bought in NYC at Macy’s when the one to its right (a gift from Tom) stopped working. Why buy a replacement battery when I could get a watch at a famous department store? Timmy went with me and picked it out. Those were my last two new watches before cell phones made them obsolete. The two to the right were my “old lady” watches, I guess, when I taught or worked in the corporate world. And that’s my Mickey Mouse graduate school watch finishing the row.

There’s a symmetry/balance in that row of Mother’s watches and mine.

The three in the shadowbox hang in the writing sanctuary now: the Spiro Agnew watch I got when he was still Nixon’s vice president; my bicentennial watch I received as a gift in 1976 from the woman and her husband who would later become my first mother-in-law (and stepfather-in-law); and my Red Ribbon watch I got in the first half of the 1990s when I was an AIDS caregiver and activist.

On the table, on the right, is a musical-themed brooch that also contains a once-functional watch, and to its left, a pendant watch on a chain (possibly a gift from my first husband? Or maybe Tom? I don’t know!). I once had another beautiful pendant watch given to me by a sweet boyfriend circa the eighth grade. A couple of years later, I had to change clothes before band practice in the women’s restroom at a different school. I set the watch on a sink and forgot it. It was probably less than ten minutes later when I raced back to the restroom, but it had been taken, and no one ever turned it in.

Over the next few days, we’ll see how I address this week’s theme: Time. Maybe I’ll tease you with some excerpts from the Neverending Saga.

I’ve heard it’s not “cool” to like Coldplay, but I always have, so I leave you with their song “Clocks,” the lyrics of which could easily have been written by one of my characters to his muse, his love, his obsession.

The lights go out and I can’t be saved
Tides that I tried to swim against
Have brought me down upon my knees
Oh, I beg, I beg and plead
Singin’ come out of things unsaid
Shoot an apple off my head
And a trouble that can’t be named
A tiger’s waiting to be tamed, singin’
You are…You are
Confusion that never stops
Closing walls and ticking clocks
Gonna come back and take you home
I could not stop that you now know
Singin’ come out upon my seas
Cursed missed opportunities
Am I a part of the cure
Or am I part of the disease? Singin’
You are…You are…You are
You are…You are…You are
And nothing else compares
Oh, no, nothing else compares
And nothing else compares
You are…You are
Home, home, where I wanted to go
Home, home, where I wanted to go
Home, home, where I wanted to go
Home, home, where I wanted to go

More inspirations

I’m glad I chose inspirations as this week’s theme on my most recent Sunday Sundries post because I feel like doing so has reminded me all week of people I know personally, along with so much music and other art, that have inspired me throughout my life. There’s a lot in the world I’m shutting out right now, or trying to, but I never want to be closed off from what inspires me.

Yesterday, while running a multitude of errands, I needed to go to Michael’s to look for something jewelry-related. They didn’t have it, but I did find something else that made me happy. Pictured are inexpensive, plastic steampunk-style buttons. I don’t need them as buttons and can probably clip off the backs of those that have them. I want them to use in art collages on canvas. This has been an idea that’s percolated for a couple of years after I found a Southwestern artist on Instagram whose work I admired. I shared her stuff with Lynne, and at that point, the two of us began talking about and gathering little items and objects for possible multimedia future projects.

Here, for example, are some smaller charms that I began buying as I found them.

Let me tell you, these things were relatively expensive compared to the buttons. The cost alone made me hesitate to get started without a clear vision. I wanted the chance to experiment without feeling like I’d wasted money.

After I bought the buttons, I came home with steampunk on my mind, set the buttons in front of me, and opened this coloring book. I’m not sure what it is about steampunk design, costume, and art that intrigues me. I don’t believe I’ve ever watched any of the movies or TV shows that I think it’s been used in (with the exception of one episode of “Gilmore Girls”).


Here’s what I colored.

Below are containers with more of the items I’ve accumulated through the years with an eye toward this project, some from Lynne and some from my mother-in-law from her craft supplies.***


These are reproduction vintage papers Debby gave me either for a birthday or Christmas one year. I’d like to find a way to use them, too, in this project.

***An entire section of this post vanished when it was published. I mentioned how Lynne and I have through the years gone antiquing and thrifting, sometimes together, sometimes solo. I used the fun of those times not between two friends in the Neverending Saga, but with a couple doing that as they’re falling in love. Their shared enthusiasm leads them to new people, to gifts they give to each other, as part of the stories they imagine, and on spontaneous adventures.