Legacy Writing 365:183


I love this photo of Uncle John and Aunt Fran so much it makes me want to time travel just so I can hug them. Everything about it makes me smile: her big hair and earrings, both of them wearing diamond rings, their matching outfits, holding their sunglasses (and he, his cigarettes and lighter), standing next to their big Caddy. The photo screams Texas, but they weren’t Texans. They were Southern through and through–which meant they were both fantastic storytellers: she tended toward the dramatic, he toward the understated, but all of their anecdotes would make me laugh until I cried.

One way or another, I’m determined that these two will end up in one of my stories one day. Even though they’ll be fictionalized, if you recognize them, you’ll know every word was written with affection.

Legacy Writing 365:181

In the stacks of photos that belonged to my mother, there are many of people and places that I can’t identify. Even sometimes when I have names, I’m not sure which of her siblings’ families they belonged to. For example, a couple of my uncles were married multiple times and had children with their different wives. I only remember the wives they had when I knew them, and her genealogy records are sometimes lacking in those details. Some photos will always remain a mystery, so when I look at them, I make up my own stories. And really, memory is such a tricky thing, and family reminiscences are often filtered through so many sources, that what I come up may be just as valid.

Stories We Tell Ourselves — One.


This man is likely a nephew of my mother’s. But since I don’t know that, and since he’s handsome, I’ve decided he’s the man she loved before she met my father. There actually was such a man. He was Catholic, and because they wanted to be married, she began the process of becoming Catholic. For some reason, they broke up. I have a vague sense that his family didn’t approve of her. He broke her heart. She stopped her steps toward becoming Catholic.

It might have been after their breakup that she took a trip alone to San Francisco. When she came back to the South, she met my father. Their first date was to a dance, but they ducked outside and talked. She told us they talked for hours about books and art. Many of his first gifts to her during their courtship were books. Later, the other boyfriend–I seem to recall that his name was Johnny–wanted her back, but it was too late. She was in love with my father. I’m glad it worked out that way!

One reason I’ve decided to let this photo be “Johnny” is because something connected to him remained with her through the decades. After my father died, she finally became Catholic. That brought many friends, a way to help others, and a lot of comfort to her in the last fifteen years of her life.

Stories We Tell Ourselves — Two.


This photo is so scratched and faded that if there’s a family member in it, I can’t possibly identify which one, even if it’s one of my parents and not one of their siblings. If I make it really huge, some of the kids are smiling, but some of them break my heart because they make me think of the grinding poverty of the South when my parents were growing up. Faces of children shouldn’t be so worn, so joyless. Maybe part of the problem is that they were told to be completely still for the photographer, but all I see in the sadness is the root of why my mother thought FDR saved the South. He turned her into a lifelong liberal and champion of any marginalized group who deserved a shot at a better, fairer life. In our house, we did not all always agree on politics. But I would say that our politics are based on social justice more than any other concern.

Stories We Tell Ourselves — Three.


The stories of my parents’ meeting have gotten muddled over the years. I spoke above of their first date, but that wasn’t their first meeting. Legend has it that he saw a girl walking down the street and was smitten by her confident stride, her beauty, and the bounce of her shiny brown hair. When he asked who she was, he learned she was the sister of someone he already knew. He asked for an introduction, and when he got it, he asked for a date, and she said yes.

In this photo, Daddy’s sitting on a front porch with her brother John and a baby who’s not any of us. So I imagine that after she began dating him, my mother took my father around to meet various family members, and this photo was taken on one of those visits. The photo is so dark that it’s hard to see the two men. John looks tired–with a toddler in the house, that wouldn’t be surprising. And my father looks like a man who’s been aged by war. Sometimes I wonder how she looked past the gaunt cheeks, the hollow eyes, the too-slender frame and saw the fine quality of the man within.

And then–I remember the character of both of them that I knew so well, and I don’t wonder at all.

Legacy Writing 365:180

I used to love to go with my friend Kathy L to her parents’ house, and not just because they had a pool. Helen and Tommy had a wonderful way of making you feel as if they’d known you forever and were delighted to see you again even if you were just another one of many school friends of their daughter’s. Theirs was the best of what we refer to as Southern hospitality, which at its core simply means treating you like a loved member of the family.

This is a picture of Kathy’s dad in conversation with their bulldog Sam.

I’m sure Kathy’s son Joey and his cousin Robert were having a big time in the pool, but typical me, I took photos of the dog. Here Sam’s shaking off the water after his swim.

There are a ton of great Sam tales, but they’re not mine to tell. Maybe one day Kathy will put some of her stories on paper, the way I’ve begged her to.

Probably my favorite memory of Sam is from a time that Kathy brought him to spend a week with her in Tuscaloosa. With only those dripping, wheezing window unit air conditioners, the house stayed hot, and Sam was accustomed to a better lifestyle. He spent his visit lying in front of a fan, panting and drooling, as bulldogs do, and being treated like the prince he was.

Legacy Writing 365:179


Boots, Mother, Flora, John, Verble, Lamar, and Grover

Remember my mother was the youngest of twelve, and she’s in her fifties here, so these siblings who were able to attend her family reunion are all older than her. I don’t think it had been very long since Grover had his leg amputated. I don’t remember why it was amputated, but someone called my mother and told her the details, and I know she was really worried about him. She kept checking in to find out how things were going, and was relieved when he was finally able to go home. Then she got the rest of the story.

Apparently after Grover was driven home from the hospital, he insisted that whoever was helping him leave–maybe to run errands, pick up groceries. I don’t know. It was his first time to be alone with only one leg, and he was in a wheelchair. When his helper returned to the house, Grover was on the floor–running the vacuum cleaner.

My mother knew then that he’d be fine. I come from strong people–and they like a clean house.

Legacy Writing 365:178

Although I’ve never read from my writing publicly (by choice), I love doing book signings. Every signing is different, and every signing has something magical happen. That magic may come from strangers who share how a book or character touched them; from the appearance of a friend we didn’t expect to see; from a bookstore staff who can make an author feel like a million bucks even if turnout and sales aren’t what we’d hoped for; from signing with other writers who take a lot of the pressure off; or in my case, from being able to sit next to the best writing partners imaginable as we talk about our novels and meet people.

If I had to pick one signing where all the magic happened at one time, it would be when we were at Borders River Oaks in January of 2005. The new release was I’m Your Man. The crowd was lovely. Just about every amazing thing that’s happened to me in Houston was represented by someone: friends connected to those dear ones lost to AIDS, people from all the places I’ve worked, lifelong friends, friends (and children!) of friends, neighbors, two professional photographers, and the booksellers who took care of us.

Lynne had told me she probably wasn’t going to be able to make it, and I’ll never forget how surprised and happy I was when she walked in with our friend Lynn B, who’d been one of the first people who ever read and liked a novel I’d written.

n>Lynne with Timmy, Jim, Tim, and me


It was also the first book signing involving something I’d written that my mother was able to attend.

Remembering that night kinda makes me want to write another novel. 😉

Legacy Writing 365:177

I make no bones about it. I’m an Anglophile and a fan of the British monarchy. I don’t follow their every move, but I’ve remained interested in them over the years. I particularly get a kick out of the young Royals, and I like Kate Middleton for many reasons. One is that it tickles me that she, her mother, and her sister not only repeat outfits, but they wear one another’s clothes. I remember when I got to the age where I could borrow from my mother’s and sister’s closets. We all had different builds, but there were some things we could share. If I wanted to be dressy and feel ladylike, I’d borrow something of my mother’s. If I wanted to feel cool, I’d borrow something of my sister’s. Of course, we never had anything like the incredible fashion the Middletons exchange–but Kate has been known to buy high-quality items from resellers, so good on her. Recycled fashion is awesome.

After my mother died and I was going through her things, I found these and cracked up. I’m pretty sure that even though a good scarf will always be in style, these little plastic…scarf rings? Is that what this would be called? The Boy Scouts call theirs woggles, but I’m not sure if there’s a term for them as a women’s accessory. Anyway, I don’t know if they’ll ever make a comeback, but if they do, I’m set.

In addition to scarves, collars that tied, like these:

could always use an accessory. Very popular when I was a wee teen: initial pins. Here are a couple of mine.

And a couple of my mother’s. In fact, that gold C might have even been a tie tack of my grandfather’s. But I couldn’t swear to that.

Here’s another of my mother’s favorite accessories to dress up the ties and scarves on her blouses.

If I’m not mistaken, this was a gift to my mother from Terri even before David married her. I’d say she was trying to butter up her future mother-in-law, but she never had to. They were always great friends.

Legacy Writing 365:176

Tim and I are finishing our final edits on short stories submitted for our next anthology, FOOLISH HEARTS: NEW GAY FICTION. This second collection, slated for a 2013 release, will be, like our first anthology, published by Cleis Press. We’ve gotten some good stories from writers we’ve worked with before, from veteran writers, and from new voices. There’s nothing like the leap of faith a writer takes when submitting a story to an editor, and I’m always aware of that mix of feelings–hope, dread, certainty that the story is a piece of crap and how COULD I have sent it, what was I thinking?!?–because, well, I’m a writer myself. As I travel the Internet reading thoughts and essays from aspiring writers and especially reading criticism of published writers, it always surprises me that people don’t realize how humble most writers are. Published writers often feel like they’ve been lucky because not only did they get to do what they loved, but somebody wanted to publish and read it. I say to them, you WORKED for it. You took an idea and you turned it into words and you polished and submitted it, so it’s okay to stop for a minute and say, Hey! I did this!

Sometimes I get weary of reading about writing, but I always have to remind myself that talking about what you’re working on, about the struggles, about the hopes and fears, isn’t born of arrogance. It’s more like whistling in the dark, showing a bravado that has an underlying fear: This time, they’ll realize I’m a hack. This time, they’ll wonder how I was ever published before. This time…AIEEEE, it’s too hard….

It’s work, like all other work. It only gets done if you sit down and do it. There’s only so much talking about it and dancing around it and making excuses about it a writer can do before he just has to freaking do it. I know, because it’s been a while since I’ve been the person who does it. Aren’t y’all glad I don’t write here every day about how I’m not writing? And can you see what I just said? I write on this blog every day, some days more than others. This is the writing I can do right now. I’m not beating myself up about novels or short stories that aren’t being written. I do what I can do. I try to do it well, to proof and self-edit, to find more concise and effective ways to communicate. Some days it’s hard to find the time and energy for it, and it always makes me laugh when people say, “I could be a successful blogger! Anybody can do that!” Then they start a blog and suddenly they get bored or there’s something else they need to do or they reach a point where they aren’t sure what to do next, or they wonder why no one’s reading or commenting, and it seems very thankless, and before you know it, it’s just another project that never went anywhere. Writing, including on a blog, takes self-direction and self-discipline, and right now, my blog is my means of imposing that on myself.

My point in straying to the topic of writing is to show why I take on the job of editing with such respect for writers. I want writers to succeed. I know the hope and work and love that go into writing, and that’s why, even though I know not all writing is good, even published writing, I’ve never been a reviewer or critic. I’ll leave that to others.

Tim caught in an editing session in 2006. Laughing, not crying.

Tim and I have a variety of ways we edit. Sometimes we edit separate copies then sit side by side and compare notes. Sometimes one of us will work on a printout of a story then pass it to the other. After all these years, I shouldn’t be surprised how similar our edits are. But because we haven’t written together since…er, When You Don’t See Me was going through its creation, it’s refreshing to know that the same things catch our eye, for good or ill. There’s really nothing like working with a partner who’s so thoroughly compatible as a reader and editor. Chances are good that the things that tug on my heartstrings, or the things that make me go, “Ew. No,” or the things that make me giggle, have the same impact on him. We also have some dissimilar strengths, so together, I think we’ve got it covered.

Thanks, Tim, for reminding me how fun the process of working with you can be.

Legacy Writing 365:175

During the last part of my senior year in high school, Cousin Bruce and his wife April lived with us. They’d been living in post housing, but then they both were discharged honorably and maybe they were waiting for one’s job contract in the civilian sector to end before they moved out of our area–it’s been too long for me to remember the details, but it doesn’t matter. It was a blast to have them living with us. Bruce is Uncle Gerald’s son (he has an older sister and a younger brother), the relatives on my mother’s side we were closest to while I was growing up. He’s a favorite of mine, and his wife April is a somewhat subtle but definite hoot to be around.

They had my bedroom while they were with us, and because my mother had turned the third bedroom of our house into a den, I opted to sleep on the couch in the living room–the least-used room in the house except when my parents were entertaining. So we were essentially in my “bedroom” when we took these photos one night shortly before I graduated. In the second photo below, I’ve just opened the Kodak camera kit Bruce and April gave me for graduation and as a thank-you for giving up my room to them. Everyone who’s ever been tormented by my passion for shooting photos–THESE are the two people you have to thank for starting my obsession.


You can tell by the crappy quality of this photo, taken with my mother’s camera set on the table, that somebody in that house needed a decent camera. I’ve taken as much of the yellow out of it as I can. That’s April between me and Mother, and behind us is Bruce–who’s really not wearing a lei but sitting behind a flower arrangement on the coffee table. You can also see the top of The Boyfriend’s head. I don’t know where Daddy was. At the end of the school year, I suspect he was at work.


Here I am holding my new camera. What I like about this photo is that in the corner, I can spot the five-piece, hot pink luggage set that was my graduation gift from my parents. THEY WANTED ME TO LEAVE!

Graduation Day

Some mornings when my father got up, he’d come to the living room, wake me up, and send me to get another hour or so of sleep in his bed while the kitchen got noisy (the living room couch where I was sleeping looked directly through the dining room into the kitchen, with no door to close in between. So this was a true gesture of kindness toward a teenager who wanted to sleep in). In this shot, my mother is waking me up in his bed. Don’t I look THRILLED?

I’m actually managing to smile as I advance to the breakfast phase. Only I didn’t want breakfast. I’m pouring milk. Only I don’t like milk. That’s why the Nestlé Quik chocolate mix is on the counter. What I love about this photo: They still had an electric percolator for coffee–those were the days before Mr. Coffee moved in. Also, that tiny iron skillet hanging on the cabinet for a decoration is really an ashtray. And I still have it.

I have now become fully awake and aware of the fact that this lunatic is shooting photos of me and I’M NOT WEARING MAKEUP. Go away! And that hairbrush in front of me…I still have it. That makes it older than–what I mean to say is, “I’m thirty-five!” I don’t use the brush anymore; it’s with the dog stuff because I use it on Guinness and any longer-haired dogs we foster.

Yeah, boy, these days are over. Not only is no one going to photograph me in a swimming suit and live to tell, but I don’t lie in the sun. I don’t read in the sun. And I’m sure all grass is chigger-laden. Oh, careless youth!

Excuse me! My nose is red from the sun, I’m STILL not wearing makeup, I’m dressed in an old shirt of my father’s, and I’m rolling my hair on a washcloth. Be gone!

The crazy woman’s napkin is on her plate because she’s STILL taking pictures and won’t sit down. My last dinner as a high school student, and it’s meat loaf. Blech. But I do love mashed potatoes and lima beans. I see a bowl of lemons on the table because we’re all addicted to iced tea. The saucer of white bread cracks me up. My father thought there always had to be bread on the table, so if there were no biscuits, no cornbread, no rolls, no garlic bread, then bring out the white bread. Also notable: everyone’s cigarettes and lighters on the counter behind me. I didn’t smoke, but we were talking the other night about how both my high schools had smoking areas for students who smoked. Times have changed, huh?

The boyfriend has arrived and is helping me remove scuff marks from my white patent-leather sandals. As I look at this photo, I’m trying not to fixate on that ashtray on the end table that’s ridiculously familiar to me after all these years. (No, I don’t still have that one.) Do not even ask me why white shoes were mandated for our graduation ceremony. Blame it on the times. I’m planning to wear those white shorts beneath my robe, but I’ve still got on pantyhose! Again, times have changed.

I include this one of me and the boyfriend not to mock his white belt, but because it’s one of the few photos I have of his orange bug. That VW took us to college–and back and forth for many weekends. I wish I had it now. I’m sure it’s still running. I’m holding my new camera!

Marching in. If I look like I’m about to cry, it’s because I’m about to cry.

That’s our principal handing me my diploma. But it’s my father who’s read my name from behind the podium. If he looks like he’s about to cry… Actually, I think he and Mr. B discussed switching places for that moment, but he was afraid it would make me cry.

Now a graduate, I’m walking out. And biting my lip to keep from laughing. I think I broke myself of that habit–someone else would have to say, because if I still do it, I’m not aware of it.

Legacy Writing 365:174

This is one of the first photos I took of Tim and Rex. In fact, I may have taken it on the day he came to live with Tim at The Compound.

And this is one of the last photos I took of Tim and Rex.

I must have taken a thousand or more photos of them in the six years between those two. I wish I could write a tribute to Rex and tell you all the things he meant to me, to all of us, but right now, I can’t. In any case, Tim’s words, which you can find here, are a loving testament beyond what I could say. I love them both so much.

One picture I can’t show you. When Aaron was here in March, he Tweeted a photo of Rex sleeping at his feet and said, “Proof! Rex is able to calm down and not jump on me.” Later during that visit, when I said I was sorry Rex kept jumping on him, Aaron said, “Secretly, I like it,” and made me laugh. When Aaron died and his Twitter account was closed, that’s one of the photos lost to me.

In Helen’s comments to Tim’s beautiful tribute to Rex, she said, “Rex’s energy is back in the Universe. I wonder where it will go now.” I’m going to share what I’ve been telling some of our friends. When I imagine Aaron’s beautiful spirit running through the Universe, now I see Rex running next to him. And jumping on him.

There’s no photo of that, either, except in my heart.