Today’s theme from 30 Days of Creativity is “Bonsai.”
The Ram directs Daniel-san in Mr. Miyagi’s garden in The Karate Kid.
Comments are appreciated and answered.
Today’s theme from 30 Days of Creativity is “Bonsai.”
The Ram directs Daniel-san in Mr. Miyagi’s garden in The Karate Kid.
Before I reached thirty-five years of age (the first and only real time I celebrated that birthday), I’d endured seeing:
I think you get the picture. The BIG picture. On the big screen. A crazed excess of female death. If her own death was defied, our fairer sex might end up on the side of a road spit-wiping blood from her dead lover’s face.
Whenever Lynne, her sister Liz, and Liz’s BFF Brigid would get together, they’d always bring up Beaches.
“No, thanks,” I’d always say.
“But we have to seeeee it–”
“I read the book,” I’d counter.
“Pleeeeease.”
“Leave me out of your estrogen-saturated sob fest,” I’d insist.
But the time came when Lynne and I went to visit them in Dallas. I was plied with a spaghetti dinner. I was promised Yahtzee. I was given a box of Kleenex and no choice, because Lynne had the car keys since it was her car. And I was forced to watch Beaches.
Should this account have a happy ending, with the four of us wiping tears from our eyes and vowing eternal friendship? Yeah, yeah, I cried, whatever. Then I annihilated them at Yahtzee.
Movies referenced above: Gone With The Wind, Romeo and Juliet, (the 1968 version), Love Story, The Rose, Terms of Endearment, Driving Miss Daisy, Fried Green Tomatoes, Steel Magnolias, and the 1976 version of A Star is Born.
Today’s theme from 30 Days of Creativity is “Friends.”
The Ram directs two lifelong friends in Beaches, a movie that will be featured in my next Legacy Writing post.
Today’s theme from 30 Days of Creativity is “Pinball.”
The Ram directs that deaf, dumb, and blind kid known as the “Pinball Wizard” in Tommy. (How do you think he does it? I don’t know…)
Today’s theme from 30 Days of Creativity is “Trousers.”
The Ram directs the characters Lena, Carmen, Tibby, and Bridget in the movie The Sisterhood of the Traveling Pants.
Today’s theme from 30 Days of Creativity is “Fire.”
The Ram directs a scene from the movie Fire Walk With Me that also helps open the TV phenomenon called “Twin Peaks.”
I think the first Bruce Springsteen song I ever heard was “It’s Hard to Be a Saint in the City” from 1973’s “Greetings From Asbury Park, NJ.” I can’t claim any great prescience about Bruce’s stellar future; I was drawn by the album title because my nephew Josh happened to be born in Asbury Park. But I’m a sucker for a song that tells a story, and I loved that one. Somehow I missed the next album until later, “The Wild, the Innocent, & the E Street Shuffle,” but boy was I blown away by 1975’s album, “Born to Run.” I kept bugging the crap out of everybody–have you heard this guy, Bruce Springsteen? He’s GREAT! And everybody pretty much ignored me. I think I was living in the wrong place. However, my early faith has been reaffirmed millions of times over by Springsteen’s long career and many brilliant albums.
I always go back and forth between saying my favorite song of all time is Simon and Garfunkel’s “The Boxer” and Springsteen’s “Thunder Road.” I used to teach “Thunder Road” alongside Andrew Marvell’s poem “To His Coy Mistress” to college freshmen as great examples of the carpe diem theme.
I’ll never forget the excitement of driving from Tuscaloosa to Starkville for this–so many cars on the highway had “BOSS” and “SPRINGSTEEN” and “BRUUUUCE” written on the windows in white shoe polish, making strangers seem like fellow pilgrims.
Notice those tickets cost $9.50 each–you wouldn’t see that today! But as an indicator of how much I loved Bruce, you should know that my budget for buying groceries for two people at that time was SEVEN dollars a week. A WEEK. Times were hard, but Bruce was worth it.
Along about the time my mother took this photo of Debby holding up my Bruce Springsteen calendar in Mother’s apartment just outside Tuscaloosa (an apartment I’m pretty sure was wiped out in 2011’s monster tornado), my love for Bruce had a little tarnish marring its shine. I was put off by the scandal of his first marriage breaking up when paparazzi caught him nuzzling bandmate and future wife Patti Scialfa on a balcony in Rome. I still bought his music, but it wasn’t until a few years later, when I was older and wiser, that I realized while watching a video of Springsteen and Patti singing together how powerful their bond is. The expression on her face and the love in her eyes was the stuff novels–and songs–are written about. In fact, they’ve now been married for almost twenty-one years and raised three children outside the glare of publicity, so kudos to them for that.
Also: This is a totally great article (including wisdom for those who create) in Rolling Stone: an interview of Bruce by Jon Stewart. My take-away quote, about how our formative years remain with us:
I have a metaphor. I say, “Look, you’re in a car, your new selves can get in, but your old selves can’t get out.” You can bring new vision and guidance into your life, but you can’t lose or forget who you’ve been or what you’ve seen. New people can get in, but nobody can get out: The child from 1950, he doesn’t get out. The teenager, the adolescent boy, no one can get out. They are with you until the end of the ride, and you’re going to pass a certain amount of them on.”
Bruuuuuuce!
My mother, pictured here in the center, was in her mid-sixties when she volunteered as a Pink Lady (though by then they were called “Auxiliary Volunteers”) in the hospital of the small town where she was living. This might have been the last of decades of her volunteering in hospitals, libraries, schools, and museums.
For many years, she was a Red Cross volunteer. I don’t think I have a photo of her in her Red Cross uniform, but I do have some of her pins, along with other volunteer pins, pictured here:
One time Olivia de Havilland was coming to the town where we lived—I’m not sure if I was in high school or college then. But my mother, knowing how much I love the actress, went to the airport hoping to get her autograph for me. It just so happened to be one of the days Mother worked at the hospital on our nearby Army post, so she was in her Red Cross uniform. Miss de Havilland had been a frequent visitor to hospitals during World War II, plus—a passionate reader—she once recalled that the first book she ever read was written for the benefit of the Red Cross in World War I. So my mother may have been right in her belief that it was her uniform that made Miss de Havilland stop and not only give her an autograph but spend a few minutes in conversation with her.
Sadly, though that autograph was among my most treasured keepsakes, it has been misplaced for years. Maybe one day it’ll turn up tucked into some other papers—but I’ll always appreciate the kind hearts of the two women who gave it to me.
For their final collections on Lifetime’s Project Runway All Stars, the designers were given four days to create five looks in a cohesive collection. They were later presented a twist: a sixth look using scrap materials from one of their previous designs from the season.
For my final collection, I looked to the past and some of the glamorous screen legends of the 1930s and 1940s. After studying many photos of them, I chose one look from each star to be modified for a Monster High teen. I wasn’t trying to replicate a dress exactly, but to re-create a look appropriate for my model. I hope you enjoy my collection, Homage!
First up, Lagoona Blue pays homage to Carole Lombard.
This is also the design that uses fabric from a past challenge, Week 2’s A Night at the Opera. The A-line underdress uses the same purple fabric. The embellished lace overdress is made of fabric from Houston’s fantastic High Fashion.
Electra (renamed from a modified Abbey Bominable doll) pays homage to Gene Tierney in gold-embellished ivory velvet, also from High Fashion.
My youngest model, Howleen Wolf, pays homage to Betty Grable.
I made a slip of the same fabric and used a shrug for more modesty since Howleen is only a youngster.
Because I already used one Clawdeen Wolf as a model this season, this second doll has been renamed Leah Wolf. She’s paying homage to Hedy Lamarr.
Ophelia (renamed from a modified Abbey Bominable doll) is paying homage to Rita Hayworth.
Front and side views of the dress. The blue satin is a gift from Lynne.
Back view of the dress.
For the final look, Frankie Stein pays homage to Vivien Leigh.
All the jewelry was designed by me. All the shoes are by Mattel. I hope you’ve enjoyed the collection and feel as if you’ve been brushed by the stardust of these amazing Hollywood legends. The Monsters were happy to help.
Thanks for checking in every week to see my designs for the Project Runway All Stars challenges and for your comments. Maybe we’ll see you again on the runway this summer!
To see each previous week’s designs, please click on the links below.
Week 10: Let’s Get Down to Business
Week 9: When I Get My Dress in Lights
Week 8: O! Say, Can You Sew?
Week 7: Puttin’ On the Glitz
Week 6: Fashion Faceoff
Week 5: Clothes Off Your Back
Week 4: Good Taste Tastes Good
Week 3: Patterning for Piggy
Week 2: A Night at the Opera
Week 1: Unconventional Challenge
On the most recent episode of Lifetime’s Project Runway All Stars, the designers faced their last challenge before the finale. To determine which three All Stars would be showing at Fashion Week, the designers had to create a ready-to-wear look within budget. The winning outfit would be produced by designer Nanette Lepore and sold nationwide for charity.
I chose Cleo de Nile’s older sister Nefera for this challenge because she has the perfect look for the fabric I wanted to use, a colorful embroidered batik.
I designed a full skirt, keeping it tea length so it can be dressed up or down, depending on shoes and accessories, and paired it with a peekaboo bodice.
The fabric may be Indonesian, but sometimes Nefera just has to walk like an Egyptian.
In cobra shoes! Watch out for the honey badger.
A twirl and a “Stop! In the name of fashion.”
The next time you’ll see the Monsters on the runway is when I present my final collection. Thanks for sharing this season with me and for your comments.
A final glance at all of this season’s looks, including the incomparable Miss Piggy:
To get more views of each week’s fashion, click on the links below.
Week 9: When I Get My Dress in Lights
Week 8: O! Say, Can You Sew?
Week 7: Puttin’ On the Glitz
Week 6: Fashion Faceoff
Week 5: Clothes Off Your Back
Week 4: Good Taste Tastes Good
Week 3: Patterning for Piggy
Week 2: A Night at the Opera
Week 1: Unconventional Challenge