Friday, I started looking at a social media site I rarely visit after I learned that The Washington Post declined to endorse a presidential candidate. One of the first things I saw was this film still from the 1976 movie All The President’s Men, in which the characters’ grim expressions probably mirrored my reaction to this news:
Dustin Hoffman and Robert Redford portraying Post reporters Carl Bernstein and Bob Woodward; along with Jason Robards as Washington Post executive editor Ben Bradlee; Jack Warden as Harry Rosenfeld, the assistant managing editor who supervised Woodward and Bernstein; and Martin Balsam as Howard Simons, the managing editor.
The real Woodward and Bernstein during the Watergate period:
Fiction meets fact:
Katharine Meyer Graham presided over The Washington Post, her family’s newspaper, as publisher from 1963 to 1991. That includes the paper’s coverage of the Watergate scandal, which eventually led to the resignation of President Richard Nixon and convictions of many Watergate co-conspirators.
The Washington Post is now owned by the second-wealthiest man in the world, Amazon owner Jeff Bezos. A source close to Washington Post leadership claimed to Fox News Digital that Bezos was not involved in the decision. However, a separate source spoke with Fox News Digital and believes otherwise, citing The Post’s own reporting claiming the billionaire directly intervened.
Reactions to the news were swift; within 24 hours, more than 2000 subscriptions to The Post had been canceled. There were dozens of immediate public reactions shared across the news media from columnists, reporters, journalists, and political analysts, including this joint statement from Bob Woodward and Carl Bernstein:
“We respect the traditional independence of the editorial page, but this decision 12 days out from the 2024 presidential election ignores the Washington Post’s own overwhelming reportorial evidence on the threat Donald Trump poses to democracy. Under Jeff Bezos’s ownership, the Washington Post’s news operation has used its abundant resources to rigorously investigate the danger and damage a second Trump presidency could cause to the future of American democracy and that makes this decision even more surprising and disappointing, especially this late in the electoral process.”
Former Post executive editor Martin Baron, who led the paper while Trump was president, said in a text message to The Post: “This is cowardice, a moment of darkness that will leave democracy as a casualty. Donald Trump will celebrate this as an invitation to further intimidate The Post’s owner, Jeff Bezos (and other media owners). History will mark a disturbing chapter of spinelessness at an institution famed for courage.”
Here are quotes from the news side of the paper in reaction to the announcement:
“An endorsement of Harris had been drafted by Post editorial page staffers but had yet to be published, according to two sources briefed on the sequence of events who spoke on the condition of anonymity because they were not authorized to speak publicly. “The decision not to publish was made by The Post’s owner–Amazon founder Jeff Bezos– according to the same sources.”
“A non-endorsement would have made sense if it had been announced before the nominees were known. But doing it 11 days before the election suggests Bezos is worried he’d lose government contracts if Trump wins. So it signals intimidation works,” a current Post staffer told Fox News Digital. “Trump certainly caused trouble for Bezos in his presidency by killing a big cloud computing contract and messing with the Amazon postal contract. So [Bezos] knows how expensive a second term might be if Trump were mad at our coverage.”
The Post’s Guild statement in reaction to the decision:
Much has been made of the paper’s official slogan, adopted in 2017: “Democracy Dies in Darkness.”
Indeed.
Out of the 80-plus newspaper endorsements for Democratic nominee Kamala Harris, a few of the notable ones include Winston-Salem Chronicle, New York Times, Boston Globe, The New Yorker, Houston Chronicle, Philadelphia Inquirer, Denver Post, The Las Vegas Sun, Los Angeles Sentinel, Seattle Times, The Star-Ledger, Tennessee Tribune, Scientific American, and San Antonio Express.
Meanwhile, the fewer than ten media endorsements for Trump include New York Post, The Washington Times, and Las Vegas Review-Journal.
At The Los Angeles Times, the man in charge is Patrick Soon-Shiong, another billionaire, who blocked the paper from endorsing California’s own Kamala Harris for president, as its board was reportedly planning to do, resulting in at least three editorial board members’ resignations.
Guess today wasn’t a silent day.
Recently I read an article featuring a well-known actor/director/filmmaker because I’ve always loved not only watching movies, but learning about the creative and business aspects of making them. This particular article wasn’t about this person’s celebrity but was more focused on how independent film processes, particularly marketing and distribution, have changed from last century to this one. The way I use this kind of information fictionally has included many facets of filmmaking, especially in the Neverending Saga in all its iterations through the decades. Sometimes my writing spills over into fictional television and live theatre. But primarily, the Saga includes two independent filmmakers woven into many of my other characters’ plotlines.
Dramatized from real historical events, in 1997’s Her Majesty, Mrs. Brown, after Queen Victoria’s beloved husband Prince Albert dies, she goes into seclusion at Windsor Palace. The nation, Parliament, her court, and her family all want her to come out of mourning. Her staff suggests that the Scotsman John Brown, stable master, a favorite servant of her late husband, come from Scotland to ease her back into life. They regret it when a deep bond develops between the queen and the headstrong, opinionated Mr. Brown. The relationship brings upheaval to the palace and scandal to the country. I’d never seen this movie, and I loved it. Judi Dench can’t go wrong, and Billy Connolly, musician, comedian, and actor, is well cast. A great movie for an Anglophile like me.
I first saw 1995’s Restoration in Montrose’s River Oaks Theater. I’m not sure if I’d heard good things about it, or whether I went alone or with someone, but the movie mesmerized me and I’ve never forgotten it. It stars Robert Downey Jr. as Merivel, a seventeenth century medical student, who only reluctantly uses his gifts because he’s more interested in a life of debauchery and a place in the royal court. There’s a great supporting cast: Sam Neill as the king; Polly Walker as Celia, favorite mistress of the king and object of Merivel’s obsession; David Thewlis as Pearce, another doctor who recognizes Merivel’s skills and urges him to keep studying and practicing medicine; Meg Ryan as the tragic Katherine who helps Merivel find his humanity when he’s banished from the royal court; Ian McKellen as Will Gates, who does his best to take care of Merivel, and so many more. Oh–Hugh Grant plays a portraitist, because what’s a British movie without Hugh Grant? If you like historical movies with lots of costumes and scenery, this is a good one.
1994’s Tom & Viv is a really sad movie, but I’m glad I watched it. It’s based on American poet T.S. Eliot (who became a British citizen) played by Willem Defoe, and Eliot’s first wife, Vivienne Haigh-Wood, played by Miranda Richardson. Both are heartbreaking in their roles, but Rosemary Harris playing Vivienne’s mother Rose became my favorite character in the movie. (She also played the grandmother in My Life So Far, and was one of my favorites in that film, too.) Both Tom and Vivienne struggle with a variety of physical and emotional illnesses. It’s not a happy film, and it shows how abysmal medical care was for women during the timeframe of the movie (1914 to 1947) (though as Miranda Richards points out in an interview, some things haven’t changed). Maybe not an easy watch, but if you like biographies, turn-of-the-century films, or stories about literary figures, this is good–just very sad.
Last one is 1999’s An Ideal Husband. Some of the reviews for this one are less than enthusiastic, but I’m not a critic, and I was grateful for the levity of characters at cross-purposes after watching Tom & Viv. An Ideal Husband is set in London in 1895 and adapted from Oscar Wilde’s play of the same name. Rupert Everett shines as determined bachelor Lord Goring; Julianne Moore plays the treacherous Mrs. Cheveley, who causes all kinds of problems; Jeremy Northam plays Sir Robert, an ethical man with a threatening secret from his past he’s trying to keep from his upright wife, Gertrude, played by Cate Blanchett; and Minnie Driver, who plays Sir Robert’s younger sister Mabel. Some of my favorite performances came from Peter Vaughn as Phipps, Lord Goring’s manservant, and from John Wood, who plays Lord Goring’s father Lord Caversham with great, fractious dialogue between the two.
The book series I recently reread follows generations of three families from the 1770s to the 1940s. The characters are schoolteachers, journalists, lawyers, writers, entertainers, soldiers, and impoverished to aristocratic, and the books’ timelines encompass the American Revolution, the American Civil War, the Spanish American War, World War I, and World War II.
The sadness from the books lingered as I began viewing a set of movies included in British Cinema Collection: 8 Acclaimed Films. This collection was released in 2014, and I probably bought it then or shortly thereafter, but I’ve never even removed its cellophane until now. There are eight movies on two disks.
In 1999’s My Life So Far, Fraser Pettigrew (played by Robert Norman), ten years old, lives on a Scottish estate with his large family that includes his parents, grandmother, siblings, and a variety of other family members and new acquaintances who come to visit. I very much enjoyed this movie and its great cast (led by Colin Firth, Rosemary Harris, Irène Jacob, Mary Mastrantonio, and Roddy McDowell). It’s set in 1927, a time of ongoing recovery from World War I and with World War II looming on the distant horizon. On a personal note, possibly only Colin Firth could begin by playing a character I like, then turn really despicable, and somehow manage to charm me again at the end of the film.
I’d seen 1995’s The Englishman Who Went Up a Hill But Came Down a Mountain before, but I enjoyed the rewatch. Great cast, including Hugh Grant, Tara Fitzgerald, Colm Meany, Kenneth Griffith, Ian Hart, and Ian McNeice, among others. Two cartographers are sent to a small town in Wales in 1917 to measure the height of a mountain that may qualify as only a hill. Again, I experienced a bittersweet sensation. Set while World War I is still raging in Europe, two of the characters are former soldiers, a man from the town who’s shell-shocked, and one of the cartographers, who, when questioned about why he isn’t serving at the front like all the men missing from their village, admits that he did serve but was discharged after experiencing the same shell-shocked symptoms. There’s abundant humor and some romance, but its biggest attraction for me is how this town of elderly inhabitants, along with women, children, contentious, quirky, and not entirely able-bodied people, work together to defend their mountain’s honor and their village’s pride.
The fourth movie on this disk, 1998’s Sweet Revenge, isn’t the kind of movie I generally watch. Though it’s described as quirky, mean people behaving badly will never be my chosen genre. I did appreciate the excellent cast (Sam Neill, Helena Bonham Carter, and Kristin Scott Thomas in the lead roles, with an equally talented supporting cast), and I think people who like black comedy would enjoy the movie. Two people driven to consider ending their lives due to the impact of horrible people (one a boss; the other, a lover), encounter each other on a bridge. One of them comes up with a revenge plan that the other reluctantly agrees to. Chaos ensues.