We face to the north and real sudden like, turn left.

Sunday night at dinner, when discussing the hotness quotient of actor Daniel Day Lewis, I discovered that Tim had never seen the entire movie The Last of the Mohicans. Could there be a better opportunity for me to see that movie again? I think not. So I went on a quest. I had to go three places before I could find a DVD for sale or rent (sale, I’m happy to say, so it’s now in the collection). And yep. Daniel Day Lewis: still hot.

Sugar tried to play with Rex while the movie was on, but Rex went in his room and snubbed us all. I think maybe he’s read Mark Twain’s searing criticism of the work of James Fenimore Cooper, who wrote the book The Last of the Mohicans. I kind of understand Rex’s dilemma, because I can never watch the movie without waiting for a twig to snap, and it’s all Mark Twain’s fault because he said:

Another stage-property that [Cooper] pulled out of his box pretty frequently was the broken twig. He prized his broken twig above all the rest of his effects, and worked it the hardest. It is a restful chapter in any book of his when somebody doesn’t step on a dry twig and alarm all the reds and whites for two hundred yards around. Every time a Cooper person is in peril, and absolute silence is worth four dollars a minute, he is sure to step on a dry twig. There may be a hundred other handier things to step on, but that wouldn’t satisfy Cooper. Cooper requires him to turn out and find a dry twig; and if he can’t do it, go and borrow one. In fact, the Leatherstocking Series ought to have been called the Broken Twig Series.

If you were ever forced to read James Fenimore Cooper, you might enjoy Twain’s titled “Fenimore Cooper’s Literary Offenses.” Fortunately, Cooper had been dead forty-some years by the time Twain made his witty attack, an interval a lot of writers would do well to emulate. I do try for the most part not to publicly express criticism of other writers’ work. I generally live by the rule that every book has an audience. Just because something’s not to my taste doesn’t mean there aren’t tons of people who’d enjoy it, broken twigs notwithstanding.

Recently I inadvertently broke my rule. I can only try to do better. I don’t want to be like another author (who I know only online) who frequently slams some of my favorite writers then turns around and preaches, “If you can’t say something nice about people’s work, say nothing.” Um, exactly.

As I’ve mentioned before right here on this LJ, writers are not competing with other writers so there’s no need for pettiness, vindictiveness, jealousy, and resentment. One writer’s success takes nothing from another writer. The more books there are for people to enjoy, the more they’ll want. Someone I knew a long time ago said this about cocaine: As soon as you finish, you want more. I think that’s true when we read books we love. We immediately want more when we finish one, and fortunately, books are legal, cheaper, and you won’t end up having to get your nose rebuilt because of them. I’m all for people writing, reading, and recommending more books to feed people’s reading addiction.

One book that has been frequently recommended to me lately is Andrew Beierle’s First Person Plural. I picked it up when I was out searching for Daniel Day Lewis The Last of the Mohicans. Last week, it was gratifying to see a number of authors offer their support and encouragement to Andrew when he was caught in the middle of a dispute between a bookseller and his publisher, not a happy place to be.

I’m reserving the right to talk about booksellers and writers another day. Right now, I need to curl up with a book until I fall asleep.

….so….tired….

Tonight Lindsey and I went to Houston’s Theater District and shot some photos. She’s learning the features of her hot new camera before the trip she and Rhonda are about to take. I wanted to tag along and take photos with my more modest camera while salivating over hers.

A while back, Mark had asked for some downtown shots. Mark, this is one tiny part of Houston we could squeeze in before we lost all light (and before Lindsey bought dinner for all The Compounders and Rhonda–plus Sugar got to hang with Rex, Margot, and Guinness–thanks, Lindsey!).

I keep most of my Flickr photos private, but if you’re interested, feel free to check out the first downtown Houston set. You can see them as a slideshow, or you can look at them individually for identifying comments. If I’ve misnamed any of the buildings, PLEASE don’t hesitate to correct me and I’ll make it right on Flickr. Thanks!

And if you’re not into another damn hibiscus or moon shot, maybe you’d like to check out Mark G. Harris’s Question No. 5 for writers.

Out of the Blue

A reviewer (almost all positive) who scolds us for too much Pet Shop Boy-ness in WHEN YOU DON’T SEE ME cracks me up. One of the good things about being a little further down the writing road and having Tim for a writing partner is that most criticism no longer wigs me out and if it does, he snaps me back to sanity. This time, however, I laughed even without Tim’s rational perspective. I can’t complain. The first reviews are for the most part very good (thank you, reviewers), and the reader mail that’s coming in ROCKS. Thank you to everyone who reads our books and writes us about them.

As you may have gathered from other posts, the Beatles are the theme band for my second Coventry book. I’m not only saturating my environment with Beatles music when I write, but the Beatles mean something to my character, too. (I wonder if I’ll get Beatle-bashed in a review some day?) Back when thirty-five was only some vague, meaningless number in the far-distant future, my friend Riley gave me George Harrison’s All Things Must Pass, but I have been turntable-free for several years so I haven’t been able to listen to it.

Today, while writing, I really needed to hear a song from it, so I splurged and bought/downloaded the whole freaking album (all the original stuff plus whatever was added upon its thirtieth anniversary re-release) online. I am in GEORGE HARRISON HEAVEN. I only wish Riley were hanging out with me right now so we could listen to all these songs together, like the old days, while sandalwood and nag champa scent the air.

These flower child moments are ephemeral, however, as I was reminded when I had to divide up chicken necks for the dogs and EW, Rhonda, it happened to me, too. Tom tried to get me to take a photo, and I hope the Interwebs thank me for restraining myself. Rex’ll be enjoying chicken head sometime next week…

Previous posts about Riley:

December 27, 2006
June 24, 2006
December 8, 2005
September 30, 2005

Thinking about water

Water

It was a Maine lobster town—
each morning boatloads of hands
pushed off for granite
quarries on the islands,

and left dozens of bleak
white frame houses stuck
like oyster shells
on a hill of rock,

and below us, the sea lapped
the raw little match-stick
mazes of a weir,
where the fish for bait were trapped.

Remember? We sat on a slab of rock.
From this distance in time
it seems the color
of iris, rotting and turning purpler,

but it was only
the usual gray rock
turning the usual green
when drenched by the sea.

The sea drenched the rock
at our feet all day,
and kept tearing away
flake after flake.

One night you dreamed
you were a mermaid clinging to a wharf-pile,
and trying to pull
off the barnacles with your hands.

We wished our two souls
might return like gulls
to the rock. In the end,
the water was too cold for us.

—— Robert Lowell