Friday, I purged our living room bookcases. I set aside around 120 books to rehome.
A few are paperback cozies that I took to various Little Free Libraries in or near our neighborhood on Saturday. Do you spy Jack on the right in the above photo?
The rest, Tom will box and take to a reseller. I doubt I’ll get any money for them, but they need to move on to new readers. I listed the titles so that if Jim and Tim want me to hold any of them back for them, I will.
A lot of those books are nonfiction, particularly related to the early years of HIV/AIDS. Maybe if people had read some of them, they’d have a better understanding of so much that happened with COVID. It’s called “woke” to think we should learn what science, medicine, sociology, and human experience can teach us from our history. I think it’s funny that “woke” is used as a pejorative.
Mostly, there’s a lot of great fiction in those stacks. The ones I love most I’ve read more than once; they’re only collecting dust here. They deserve to find new readers.
I also needed the shelf space–too many books were crammed in. They’re better arranged now (still divided by genre, and the two bookcases on the right changed very little). Tom adjusted a couple of shelves to make them look more uniform. Here’s how they are now.
I know I need to do this for the library shelves, too, but those contain literature, classics, and books I know I won’t get rid of for the foreseeable future. There’s really not a lot to rehome.
Little Free Library visits on Saturday:
I can’t believe Requiem For A Mouse is my friend Dean’s sixteenth book in his Cat In The Stacks Mystery series. I feel like I just started reading them! Writing as Miranda James, his cozy series features a librarian/widower named Charlie Harris and his helpful Maine Coon cat, Diesel. The books are set in a fictitious college town, Athena, Mississippi, and every time I read one of the novels, his characters make me feel like I’m spending time with old friends. There are other cats, the occasional dog, and enough bad guys and murders to keep Charlie busy as an amateur sleuth. Plus: a library and plenty of good Southern cooking!
Martin Walker’s Bruno series includes 24 works, including novels, novellas, and a short story collection. There’s also a Bruno cookbook he wrote with his wife Julia. The series features Benoît Courrèges, aka Bruno, a former soldier turned policeman, enjoying the “pleasures and slow rhythms of country life” in the fictional village of St. Denis in the Périgord Region of France. The novels’ horses, dogs, townfolk, and meals are part of those “slow rhythms,” but Bruno’s romances, the crimes he solves, and the historical context Walker provides season the novels with delicious details, while the international intrigue adds a soupçon of suspense. I’ve learned so much from Walker’s books and his booksignings, and an offhand post-war diplomacy tidbit he once mentioned at a signing inspired me to research and develop an intricate part of my own Neverending Saga.
Dramatized from real historical events, in 1997’s Her Majesty, Mrs. Brown, after Queen Victoria’s beloved husband Prince Albert dies, she goes into seclusion at Windsor Palace. The nation, Parliament, her court, and her family all want her to come out of mourning. Her staff suggests that the Scotsman John Brown, stable master, a favorite servant of her late husband, come from Scotland to ease her back into life. They regret it when a deep bond develops between the queen and the headstrong, opinionated Mr. Brown. The relationship brings upheaval to the palace and scandal to the country. I’d never seen this movie, and I loved it. Judi Dench can’t go wrong, and Billy Connolly, musician, comedian, and actor, is well cast. A great movie for an Anglophile like me.
I first saw 1995’s Restoration in Montrose’s River Oaks Theater. I’m not sure if I’d heard good things about it, or whether I went alone or with someone, but the movie mesmerized me and I’ve never forgotten it. It stars Robert Downey Jr. as Merivel, a seventeenth century medical student, who only reluctantly uses his gifts because he’s more interested in a life of debauchery and a place in the royal court. There’s a great supporting cast: Sam Neill as the king; Polly Walker as Celia, favorite mistress of the king and object of Merivel’s obsession; David Thewlis as Pearce, another doctor who recognizes Merivel’s skills and urges him to keep studying and practicing medicine; Meg Ryan as the tragic Katherine who helps Merivel find his humanity when he’s banished from the royal court; Ian McKellen as Will Gates, who does his best to take care of Merivel, and so many more. Oh–Hugh Grant plays a portraitist, because what’s a British movie without Hugh Grant? If you like historical movies with lots of costumes and scenery, this is a good one.
1994’s Tom & Viv is a really sad movie, but I’m glad I watched it. It’s based on American poet T.S. Eliot (who became a British citizen) played by Willem Defoe, and Eliot’s first wife, Vivienne Haigh-Wood, played by Miranda Richardson. Both are heartbreaking in their roles, but Rosemary Harris playing Vivienne’s mother Rose became my favorite character in the movie. (She also played the grandmother in My Life So Far, and was one of my favorites in that film, too.) Both Tom and Vivienne struggle with a variety of physical and emotional illnesses. It’s not a happy film, and it shows how abysmal medical care was for women during the timeframe of the movie (1914 to 1947) (though as Miranda Richards points out in an interview, some things haven’t changed). Maybe not an easy watch, but if you like biographies, turn-of-the-century films, or stories about literary figures, this is good–just very sad.
Last one is 1999’s An Ideal Husband. Some of the reviews for this one are less than enthusiastic, but I’m not a critic, and I was grateful for the levity of characters at cross-purposes after watching Tom & Viv. An Ideal Husband is set in London in 1895 and adapted from Oscar Wilde’s play of the same name. Rupert Everett shines as determined bachelor Lord Goring; Julianne Moore plays the treacherous Mrs. Cheveley, who causes all kinds of problems; Jeremy Northam plays Sir Robert, an ethical man with a threatening secret from his past he’s trying to keep from his upright wife, Gertrude, played by Cate Blanchett; and Minnie Driver, who plays Sir Robert’s younger sister Mabel. Some of my favorite performances came from Peter Vaughn as Phipps, Lord Goring’s manservant, and from John Wood, who plays Lord Goring’s father Lord Caversham with great, fractious dialogue between the two.
The book series I recently reread follows generations of three families from the 1770s to the 1940s. The characters are schoolteachers, journalists, lawyers, writers, entertainers, soldiers, and impoverished to aristocratic, and the books’ timelines encompass the American Revolution, the American Civil War, the Spanish American War, World War I, and World War II.
The sadness from the books lingered as I began viewing a set of movies included in British Cinema Collection: 8 Acclaimed Films. This collection was released in 2014, and I probably bought it then or shortly thereafter, but I’ve never even removed its cellophane until now. There are eight movies on two disks.
In 1999’s My Life So Far, Fraser Pettigrew (played by Robert Norman), ten years old, lives on a Scottish estate with his large family that includes his parents, grandmother, siblings, and a variety of other family members and new acquaintances who come to visit. I very much enjoyed this movie and its great cast (led by Colin Firth, Rosemary Harris, Irène Jacob, Mary Mastrantonio, and Roddy McDowell). It’s set in 1927, a time of ongoing recovery from World War I and with World War II looming on the distant horizon. On a personal note, possibly only Colin Firth could begin by playing a character I like, then turn really despicable, and somehow manage to charm me again at the end of the film.
I’d seen 1995’s The Englishman Who Went Up a Hill But Came Down a Mountain before, but I enjoyed the rewatch. Great cast, including Hugh Grant, Tara Fitzgerald, Colm Meany, Kenneth Griffith, Ian Hart, and Ian McNeice, among others. Two cartographers are sent to a small town in Wales in 1917 to measure the height of a mountain that may qualify as only a hill. Again, I experienced a bittersweet sensation. Set while World War I is still raging in Europe, two of the characters are former soldiers, a man from the town who’s shell-shocked, and one of the cartographers, who, when questioned about why he isn’t serving at the front like all the men missing from their village, admits that he did serve but was discharged after experiencing the same shell-shocked symptoms. There’s abundant humor and some romance, but its biggest attraction for me is how this town of elderly inhabitants, along with women, children, contentious, quirky, and not entirely able-bodied people, work together to defend their mountain’s honor and their village’s pride.
The fourth movie on this disk, 1998’s Sweet Revenge, isn’t the kind of movie I generally watch. Though it’s described as quirky, mean people behaving badly will never be my chosen genre. I did appreciate the excellent cast (Sam Neill, Helena Bonham Carter, and Kristin Scott Thomas in the lead roles, with an equally talented supporting cast), and I think people who like black comedy would enjoy the movie. Two people driven to consider ending their lives due to the impact of horrible people (one a boss; the other, a lover), encounter each other on a bridge. One of them comes up with a revenge plan that the other reluctantly agrees to. Chaos ensues.