Thinking about creativity

Does anyone remember as a kid collecting money at Halloween to give to UNICEF? Do kids still do that: find ways to raise money and awareness of the plight of children all over the world?

The United Nations Children Fund began in 1946 as a way to help children impacted by World War II, and over the decades, it’s grown into an organization that provides humanitarian relief that helps children globally, focusing on child survival and development; basic education and gender equality (including girls’ education); child protection from violence, exploitation, and abuse; HIV/AIDS and children; and policy advocacy and partnerships for children’s rights.

Here’s how my journey to thinking about UNICEF began.

thanks for reading on

Photo Friday, No. 59

This week’s Photo Friday theme: Unfinished.

A friend was cross-stitching something in Steve R’s hospital room during that last month before he died in 1992. It seemed to soothe her, so later, I began to learn how and thought I’d cross-stitch this simple piece for his parents. They had a white cat named George, and this reminded me of him and their farmhouse in Minnesota. I began it in 1996, intending to give it to them for Christmas. I could never finish it, and eventually I figured out why and wrote a poem about it. The poem and the unfinished cross-stitch are framed together and hang in my house.

Every week the Photo Friday site provides a theme and a list of links to photographers from around the world who’ve submitted a photo for that theme. I don’t count myself among the “real” photographers. I just enjoy coming up with something, either new or from my old photos, to match the theme.


For those of you who visit here via my link on the Photo Friday site, thank you for letting me see your world through your lenses.

The Butterfly Project

You may remember that last week was the tenth anniversary of my first meeting with Tim in our former favorite online chat room. My very first day online, my very first visit to that chat room, I met a woman named Tay from Southern California. It’s so great when two people meet and instantly connect–especially when time proves that the connection is real and enduring. Back then, Tay worked with an HIV/AIDS assistance organization. Our shared experiences taking care of and losing people we loved to AIDS was part of our immediate bond.

Later, Tay changed careers and began teaching middle school. I knew she’d be a dynamic teacher. If I had kids, she’s exactly the kind of teacher I’d want them to have. She’ll never feel like teaching is a matter of forcing knowledge into a kid’s head and then asking the kid to spit it back. A true teacher knows that for a few hours each day, you have the soul of a human being in your care–a human being who is much more than just a “learn this/behave this way” duty.

Effective teaching engages a child’s mind, heart, and body. Such is the goal of The Butterfly Project of the Houston Holocaust Museum. The project was inspired by a poem written by Pavel Friedman. Born in Prague, Friedman was deported to the Terezin Concentration Camp on April 26, 1942, and died in Aushchwitz on September 29, 1944.

A total of 1.5 million children died in the Holocaust. The Houston Holocaust Museum hopes to collect 1.5 million butterflies to honor each of the victims. Tay’s students wanted to be part of this effort, so they learned about the children of Terezin. They made butterflies in their honor. They hung their butterflies in their classroom and shared stories with their fellow students about each child represented by an individual butterfly. Then they learned the fate of those children. If a child died, his or her butterfly was cut down.

I doubt there were many butterflies still floating over their classroom by the end of their project. In all, 15,000 children under the age of 15 passed through Terezin. Less than 100 survived.

By engaging their hands with glue and paper, feathers and sequins, colored markers and beads, ribbon and fabric, pipe cleaners and stickers, Tay took the hearts and minds of a group of Los Angeles children on a journey to the past to honor the lives and mourn the losses of children of the Holocaust. They remembered those who should never be forgotten.

I was honored that Tay sent the butterflies to me to watch over until she came to Houston. When Rhonda–who Tay and I initially also met in that same chat room all those years ago–found out that Tay would be going to the Houston Holocaust Museum, and that Tom and I would join her, to hand over the students’ butterflies, she found a particularly poignant way to say thank you to Tay and her students.

Rhonda’s parents are Holocaust survivors. They and other Houston area survivors included some of their memories and experiences in the book The Album: Shadows of Memory. Rhonda took a copy of the book to her parents and some of the other contributors and had them inscribe it to Tay’s students as a gift. Then she met us at the museum and accompanied us through a tour of the exhibits, sharing a part of herself and her family’s history with us.

It’s hard for me to admit that I have deliberately not gone to the Houston Holocaust Museum, just as I didn’t go to the Holocaust Museum in Washington, D.C. I know about the atrocities. Studying the history and literature of both World Wars was a huge part of my academic education, but also my education at home. My father was a WWII vet and a teacher of U.S. history and U.S. military history. I was an infant in my mother’s arms when she toured Dachau Concentration Camp, an experience that had a profound effect on her and which became part of my personal history as I was growing up.

When people say such horrors could never happen again, I usually shake my head and say, “We are always this close to it happening again,” and indicate a minute distance with my fingers. Every time we dehumanize a group of people, every time we close our eyes and ears to injustice and inhumanity, every time we refuse to do anything about genocide anywhere, we decrease that distance a little more.

I’ve always had to be cautious with how much information I take in about the Holocaust. Yesterday, Rhonda helped me understand that if a gift can be taken from this part of our past, it’s knowledge of the amazing will of people to survive, of our resilience, our determination to endure and to emerge from such an experience still able to live with joy, to love, to give life to new generations.

And Tay and her students helped me remember that our greatest hope lies with the willingness of children to be much fairer, much wiser, much kinder than some of the adults who’ve come before them.

Whatever our anguish, however deep, hope is its butterfly.

For more photos, click on the picture, then go up to the gallery.
(Some of the photos have notes. A photo can also be clicked on to enlarge if you need to see it in more detail.)

One of my heroes

When Tom, Amy, and I went to Washington, D.C. in October 1996 as volunteers for what has been (to date) the last full display of the NAMES panels of the AIDS Memorial Quilt, there were several sites on our agenda to visit. We stayed in Georgetown (it was lovely) and used cabs (more expensive than New York) and the excellent subway system to get into, out of, and around the city. High points of the sightseeing part of our trip were the various memorials (Lincoln, Jefferson, Washington monument, the graves of the two Kennedys at Arlington, the Korean and Vietnam war memorials), the capitol, the White House, and several museums (historical and art).

It was in Washington that we discovered the marvels of Streetwise Maps. As helpful as the maps were, we also found that any time we stopped to study one, locals would also stop and ask us if they could help us find our destination. Never was “the kindness of strangers” more apparent than during those few very cold but magical days in the capital.

There was one place in particular that I wanted to go, and in those pre-Internet days, finding it presented a bit of a challenge. Fortunately, one of Amy’s Streetwise Maps came through for us. The place was the Congressional Cemetery. It was tucked away in what we were warned was a less than ideal neighborhood. We emerged from the subway in the late afternoon to find that the cemetery was a farther walk than we’d realized. It was cold, the sunlight was fading, and gray clouds threatened a drizzle. But Amy and Tom knew this was important to me, so they gamely kept going.
read more

So much to remember

From the Preface to Love Alone: 18 Elegies for Rog:

…I would rather have this volume filed under AIDS than under Poetry, because if these words speak to anyone they are for those who are mad with loss, to let them know they are not alone…. The story that endlessly eludes the decorum of the press is the death of a generation of gay men. What is written here is only one man’s passing and one man’s cry, a warrior burying a warrior. May it fuel the fire of those on the front lines who mean to prevail, and of their friends who stand in the fire with them. We will not be bowed down or erased by this. I learned too well what it means to be a people, learned in the joy of my best friend what all the meaningless pain and horror cannot take away–that all there is is love. Pity us not.

Paul Monette
Los Angeles
29 June 1987


Steve
April 28, 1948 — June 14, 1992
I would stand in the fire with you again always.

Featured S&S Author No. 2

Last year, one of my favorite panels at Saints & Sinners was a discussion of whether HIV/AIDS is still part of the story. There was a bit of a crowd at that one, with some good questions, and the speakers were excellent.

This year, though the crowd was a little smaller and quieter, the speakers at HIV/AIDS Awareness: A Novel Approach were equally excellent. As long as S&S hosts a panel on writing about HIV and AIDS, I’ll be in the audience, because this is my particular writing challenge that I grapple with. Though I think there is mention of AIDS/HIV in every novel I’ve written/co-written, and certainly there are references to safer sex, those moments in fiction barely scratch the surface of my real-life experiences.
read more if you wish

A tale for Rio

Dear Rio,

One time, I gave my friend Jeff a bunch of silly presents that included a marked-down Donna doll. (I wish I’d left the big orange sticker on her, dammit.)

In a very 90210 moment, he got mad and gave her back to me. Then he died. I don’t think the two events were connected, but I will say it’s never a good idea to mess with Tori, even Discount Tori.

Grumpy AND Sneezy

It was uncomfortably muggy yesterday, so I loved it that the temperature plunged during the night. The windows were open, and it would have been a perfect morning to snuggle under quilts with my dogs and sleep in. I wouldn’t be QUITE as bitter about all the equipment that cranked up on my street BEFORE SEVEN A.M. if I didn’t know the end result, after months of noise and dust and a tacky blue portable toilet, would be another CRAPPY THREE-UNIT town house in the neighborhood.

Once awake, I embarked on a fly-killing mission. Today’s last body count: 32 34 38. Nice.

Then I took these to the post office to donate them for NO/AIDS’s use in the Easter parade.

Did you know that I can’t Express Mail from Houston to New Orleans? No, I didn’t either. Hope the beads get there in time. Can’t believe the postal service has not recovered adequately from Hurricane Katrina to be able to guarantee mail delivery by a certain day. I wonder if other shipment services can? It’s not like beads are important, but I think of things like medications that often have to be overnighted. Is this not possible?

I asked a question the other day of authors–whether they went back and reread their old work. I asked because I’d decided to read IT HAD TO BE YOU for the first time since 2001. There were a couple of times I TRIED to read it, but I would start seeing so many things I wanted to change that it disturbed me, so I never reread it in its entirety. This time around, I’ve stuck with it. Things I may have wanted to change at one time don’t bother me so much now. Like the way Daniel is initially mired down in his history. That makes sense, considering his circumstances as the novel opens and who he is (big ol’ Virgo). What I’m struck by is how my feelings about Blaine are different. I see him as much more vulnerable now when I’m reading him. I think that’s because I learned so much more about him in I’M YOUR MAN. Now a whole new set of things is affecting me in relation to WHEN YOU DON’T SEE ME. I don’t know. I’m glad I’m rereading it, but there’s something bittersweet about it.

Note to Shannon: I got the photos. More later.

Note to Lindsey and Rhonda: Y’all are sweet. Sorry about the dentist.

Note to Tim and Rex: The CAR! is home.