Hamsa hand symbolism


This incense burner, a “Hamsa” hand (smaller than most adult human hands), is rarely far from me. As you can see, each finger has a place for an incense stick, and on the surface, in the middle of the eye, is a place for cone incense. The incense I most often use is the traditional Nag Champa, but that company also produces other scents, including sandalwood and patchouli.

Info compiled from the Internet about the Hamsa hand:

The Hamsa hand is an open right hand with five digits. Especially popular in the Middle East and North Africa, its exact origin is unknown. Its use predates Islam and Judaism in the Middle East.

The earliest known appearance of the Hamsa was in ancient Mesopotamia (modern-day Iraq area). Here, it could be seen in amulets worn by some female goddesses. It’s theorized it spread to Egypt as a two-finger amulet representing Osiris and Isis. It then began spreading to various religions in several different forms, including Buddhism and Hinduism.

Depending on who you ask, the Hamsa may mean different things, but its symbology means specific things to Hindus and Buddhists. For them, it symbolizes the interplay of the chakras (from a Sanskrit term meaning wheels or focal points of the body that are used as part of meditation, yoga, and other practices); the energy flow in the body; the five senses; and the mudras (mudra is a Sanskrit term meaning “gesture”) that affect them.

All of these can be combined to change the flow of energy in the body and heal psychological and physical ailments. In Buddhism, the Hamsa symbolizes the chakras to a lesser extent, but the mudras are nonetheless important. Often times, the Hamsa is used to ward off what’s known as “the evil eye,” the sum of destructive energies that come from negative emotions in the world.

Good company


I wish I could credit the photographer of this photo. So many symbols: the bare tree; a large bird (perhaps a crow?), with maybe a few smaller birds scattered among the limbs; and a solitary woman on a swing. It makes me think of this Emily Dickinson poem.

This is my letter to the World
That never wrote to Me —
The simple News that Nature told
With tender Majesty

Her Message is committed
To Hands I cannot see —
For love of Her — Sweet — countrymen
Judge tenderly — of Me

Over the past few days, I’ve had the enjoyment of reading the draft of someone’s manuscript. It’s spec fiction–i.e., outside my genre–but good writing is good writing. A good story is a good story. It was refreshing to be able to ask the writer, with honesty and enthusiasm, “May I read it?” I rarely do this, but we have a bond of trust and a history.

Writing is so solitary, and writers get so little of the validation that can help fuel us. I don’t think he needs validation from me, but I know what it feels like to receive it. And what it’s like to wish for it.

In my decades of reading and loving Emily Dickinson’s poetry, I never dreamed I’d end up with my own version of her life. She’s good company.

ETA, one day later:
The poem below showed up Thursday morning in one of my social media feeds. The poet is one whose poetry prompt book I’ve featured on here before.

The Beatles sang it early in the soundtrack of my life: “There will be an answer. Let it be. Let it be.”

Today I finished another of Fasano’s poetry prompts. Black text is Fasano’s; green font indicates where I filled in his blanks with my own words.

The Saddest Truth

I stand at the door of admission
and am afraid to speak.
But I will confess.
I go in.
I touch the pain, the agony
I touch the unremitting sustenance
in the honesty.
This is the feast of sorrow:
the memories and manipulations on the table.
What can I do but eat?
Freedom, I know you are waiting
in the sunlight.
But first I must suffer in the shadows.
First I must admit my complicity.

©Becky Cochrane, 2025

I put all this here not as a message to anyone who either couldn’t or wouldn’t understand it anyway. It’s a reminder to myself, because so often I require the same lesson over and over.

Tiny Tuesday!

I don’t think anyone could miss how my personal favorite symbol is one that represents Aries (March 21 to April 19), the Ram! While I happily embrace being the first sign of the zodiac and its more admirable attributes, I never deny that I also have some of my sign’s less-stellar qualities. In typical Ram fashion, I see even Ram’s flaws as things that give me a necessary fire.


It wasn’t intentional that three of the characters in the Neverending Saga would end up as Rams. Their birthdays are stretched out over several years and months, with one male having an almost cusp-like Pisces influence, the same for a male with a Taurus influence, and one woman who is closer to the middle of the Aries calendar. Aries can get along well with other Aries–then again, they don’t have those amazing horns for nothing. Butting heads is inevitable among these three, and that’s part of the fun unless you happen to be another character (Pisces) who has close relationships with all of them. Of course, dramatic Pisces would find life boring without them. (As least that’s how the Rams see it!)

Mindful Monday

Online, I found these “mindfulness” tattoos people have gotten.


mairaegito on Instagram


rachainsworth on Instagram


missmegstattoo on Instagram


matt.holistic_ink on Instagram


tinytattoos_feathertouch on Instagram

Like a couple of these, many tattoos were of words only: “Let Go” “Be In This Moment” “Be Still” “Be Here Now” “Breathe.” Keeping with this week’s theme, even when only words are used, I see them as symbolic reminders to be mindful.


tattoo gift of Rhonda, 2014

My only tattoo is this one for Aaron, to show he continues to be part of me, the nephew I love beyond death and separation. The tattoo reminds me to cherish what I have in the moment: family, pure love, laughter, and unity, and to try not to be overwhelmed by things not of this moment, whether the past or the unknown future.

Sunday Sundries

Symbols: Portent or Promise?


Tools: Colette Baron Reed’s The Good Tarot deck; a crystal ball; wooden box of coins, including a “Walking Liberty” half-dollar; five randomly rolled dice show a one, two fours, a six, and a two; a three card spread: “Messenger of Earth”; 10: “Fortune’s Wheel”; 7: “Chariot.”

From Lisa Dyer’s 321 Creative Writing Prompts journal, below is a writing prompt for you. Feel free to use the items from the fortuneteller’s table. You can also ask me questions about the three specific cards in the spread.

Time management

I’ve likely told some version of this story on here before, but I was reminded of it again this week when I talked to a friend with whom I once shared a workplace, a subsidiary of a large, centuries-old corporation. Corporate suggested that our subsidiary find someone to take on the task of facilitating awareness and discussion of diversity topics. I was a person approached to be “it.” I understood at least two reasons why: my background in writing and editing, and my established willingness to, on my own time, advocate for AIDS/HIV awareness during a period when that was controversial and shrouded in silence. My manager and the company had consistently approved my making a newsletter available on December 1 for World AIDS Day (written on my own time, printed at a copy place, with a red ribbon attached to each sheet with a small safety pin that could be worn, if chosen, all provided at my expense and all MY choice, not mandated by the company or my manager).

I didn’t jump at the offer to be their diversity rep because my experience with the company (including that newsletter!) had already informed me how I could be treated like a lightning rod drawing the ire of anyone who felt somehow “wronged” or “offended” by one, any, or all of the issues that would come up. (If you doubt what a problem this is, have you never read comments on damn near everything you can find on the Internet? Sure, keyboard warriors may feel more emboldened by anonymity, but many of them probably spring from people who feel equally emboldened by position or privilege to exhibit similar behaviors in the workplace.)

I ultimately decided to take it on. I don’t feel like sharing the negative impact that choice sometimes had on me, because what was more significant, to me, at least, were all the things I learned as I researched the “months” related to diversity. (I’m not sure we had all of these back then, but possibilities are Black History; Women’s History; Arab-American Heritage; Jewish American Heritage; Asian American, Native Hawaiian, and Pacific Islander Heritage; Military Appreciation and National Veterans and Military Families; Caribbean-American Heritage; Immigrant Heritage Month & World Refugee Day; Hispanic Heritage; LGBTQ Month or National Coming Out Day.) None of these would have bothered me, and I valued learning so many new things. (Also, tip: The more you learn if you’re creative, the more you can populate your work with people who and experiences that are not you or yours. Including the villains.)

I was grateful for that opportunity to get to know people not only in our smaller company but also people in corporate and other subsidiaries. I learned about challenges people faced that I would otherwise have been unaware of, and I learned about colleagues’ accomplishments and what they valued and respected about their identities. (Regrettable bonus: I also learned which people would never get any of my free time outside of work and some who were “unsafe” for employees who were part of traditionally marginalized groups. It emboldened me to communicate that I was a safe person and place and to practice rigorous discretion. Turns out that matters a lot in the workplace.)

What does this have to do with time? I’ve been trying to find better ways to respect my own time. Nobody’s paying me for it anymore; I get most of the choice in how I use it. I’ve started being more honest with myself in recognizing and acknowledging the reality of those who don’t respect or value my time so I can allocate it better. I’ve been weaning myself off of social media and being more deliberate in how I use it. Just as I eliminated most of my content on Facebook in 2016 and ended it as a contact point, I did the same with Twitter in 2022. I still have an account on each site because I want to keep my name free from possible misrepresentation (my name being connected to published novels, short stories, and anthologies, and to this website).

I recently opened a Blue Sky account to interact with some people or organizations who’d once been part of my Twitter world. I’m spending very little time on it, and have used it so far only to post to a “20 day challenge: share covers without any commentary or reasons, etc., of books that impacted you in some way.” ONLY twenty? This has been a painless way to ease onto the site.

Similarly, I’d once replaced time spent on FB with time spent on Instagram, though my own posts on Instagram have become sporadic and inconsistent. February is was? for me, remains Black History Month. Though I rarely post on Instagram anymore, I decided to use every day of the month to recognize Black history in some way (dolls, art, and coloring pages have always been part of my Instagram account, for example).

When they say that never in the history of the world have people who banned books been the “good guys,” I agree and add to that people who ridicule, forbid, and seek to eliminate awareness of what I believe are among the greatest assets our country has: the experience and value each individual or group adds to our national character. When power starts using our differences to marginalize and divide us, they are never “the good guys.”

If I’ve been willing, since 2020, to give every day of October to a skeleton with a fictitious voice and family history to indulge my creative self, my February is well spent featuring something I find more meaningful. This choice hasn’t brought a lot of engagement to my feed. It could be the algorithm, but I can see that consistently over 97 percent of the people who view my posts follow me, and most of them don’t hit that ❤️. Could be an indicator that my energy and time have little value on Instagram, and maybe it’s time to ease away from using it as a public space, too.

Photo Friday, No. 946

Current Photo Friday theme: Edges.


Mendocino, California, 1998, shot on film

Three Voices At The Edge

In Mendocino’s morning mist
Where time collides with memory
Voices sing from hissing surf
Muse: We live on the edge of a body of water
Maiden rewrites her lyric:
He is dead and gone, lady,
He is dead and gone.
But at his head no grass-green turf,
At his heels no stone.

Maestro: How deep is the ocean
How deep is the ocean
I’ve lost my way

© Becky Cochrane, 2025

The Clocks

I’d never read the mystery The Clocks by Agatha Christie, featuring Belgian detective Hercule Poirot, along with a police detective from Wilbraham Crescent in the seaside town of Crowdean, Sussex, and a third sleuth inferred to be part of British foreign intelligence.

Today, I rectified that when I downloaded it to my e-reader. I was intrigued by the mystery, but also by the novel’s many covers since its original publication date in 1963.

You can never go wrong with an Agatha Christie novel.

Hourglass


“How will we know when it’s time to leave?” he asked. “There’s no clock. I don’t have a watch.”

As only a four-year-old could, she gave him a look that was half-frown, half-patient, and said, “Sand and magic.”

“You’re right,” he said, wondering when he’d stopped understanding gravity was magic.

I got this free downloadable coloring page from Easy Drawing SA. The hourglass came from a YouTube drawing tutorial.

Tiny Tuesday!

From this wee book, I’ve found an opportunity to elaborate on my week’s theme: Time. Or rather, I’m letting a couple of poets do it for me. Right now, I seem to be letting others do the heavy lifting on most of my other social media. I’ll elaborate on that some other day so that I can revel in the delight today’s post provides me. I hope it adds something good to your day, as well.

I’ve never been better prepared by my past interests and my theme for this page. I LITERALLY followed directions.

poem

what time is it? it is by every star
a different time, and each most falsely true;
or so subhuman superminds declare

— not all their times encompass me and you:

when we are never, but forever now
(hosts of eternity; not guests of seem)
believe me, dear, clocks have enough to do

without confusing timelessness and time.

Time cannot children, poets, lovers tell —
Measure imagine, mystery, a kiss
— not though mankind would rather know than feel:

mistrusting utterly that timelessness

whose absence would make your whole life and my
(and infinite our) merely to undie

© e.e. cummings 1962, or estate

And this beautiful one, for which I’ll provide the lyrics, but also a moving rendition you might have seen in the film Four Weddings and a Funeral. Interestingly, the original version of this poem was written to be performed on stage in a play.

Stop all the clocks, cut off the telephone

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

©W.H. Auden, 1938, or estate