Photo Friday, No. 921

Current Photo Friday theme: Toys


The toy chest overflowed long ago. There are toys in every room of the house except maybe the kitchen and bathrooms. We never had children, but our friends and family did. The toy chest is never this organized and never left open, or four dogs would turn Houndstooth Hall into the Great Beanie Babies® & Friends Massacre.

Thursday Thoughts

I did watch my Fried Green Tomatoes DVD yesterday evening, realizing that I’d never watched this extended version before. Then, before bed, I watched the extras including at least one filmed-but-unused scene (I loved it, and it was similar to a scene in the book which I’d found particularly moving), the director’s commentary, and interviews and thoughts of many of the actors. It triggered such a yearning for me to teach this novel along with the film, and all the ways I could encourage students to analyze and break down storytelling devices and choices. As a result of that yearning, I tormented Tom for at least an hour-long discussion of it after he finished work today (just one of who knows how many reasons our friends call him “poor Tom”).

There was also an interview with Fannie Flagg, and she spoke of the years a writer spends alone in a room with all those characters. You never actually feel alone; they are your people, your friends, always there with you, their level of enthusiasm at your same level. It’s why you feel protective of them when other people ignore, misjudge, and criticize them.

Then I went back to something I started last night and finished tonight. I thought of the kitchens in Fried Green Tomatoes at the Whistle Stop Cafe (novel and movie). I thought of the kitchens of so many women from my life… Mother, Aunt Lola, Aunt Drexel, Terri, Debby, Mary, Pollye, Granny H, Gran, Elnora, Lynne, Liz, Amanda, Lil, Audrey, Debbie, Juanita, Carreme, Helen B, Kathy, Helen L, Chris, Geraldine, Amy, Pat, Lindsey, Rhonda… There are, of course, also men like Daddy, Jerry, David, Timothy, Jim, Steve, Jeff, James, John, Craig, and Tom. I know I’m leaving out names (a couple even deliberately–they won’t know or wouldn’t care). These kitchens are where we cooked, baked, ate, shared stories, sat around the table, played games and cards, shared confidences, laughed–OH, the laughing–and even shared our tears and troubles now and then. I thought of the kitchens of my characters, who are carrying on that tradition, as I try to carry on the tradition of storytelling through them.

An homage to the kitchens that nourish our lives in far more ways than only the food they offer us.

As I colored, I imagined stories attached to items on that cabinet and realized I could write a novella using those.

Diversions


Since I’m still resting and not up to being creative and definitely lacking energy, I sought a comfort read sometime Monday and pulled this off the shelf, finishing it late last night. I’d guess I’ve read it more than once through the years, and I remember having questions AS I read it the first time, but not after I read it, and it surprises me the confusion people still discuss online about the plot and the characters. Fannie Flagg (actress, comedian, novelist, screenwriter, and director, born in Alabama, and has long made her home in California) does a great job of switching between narrative voices, including an omniscient narrator, as well as characters’ points of view, and newspapers and community bulletins from several locations. The timeline, non-linear, covers various years from 1917 to 1988. There are also a number of settings, some are fictional, most are not. Here’s a list for you to guess which is which: Warrior River, AL fish camp; Atmore, AL; Chicago, IL; Roanoke, VA; Birmingham, AL; Troutville, AL; Atlanta, GA; Whistle Stop, AL; Montecito, CA; Marianne, FL; Valdosta, GA; Slagtown, AL.


The book was released in 1987, and by the time I got a paperback version in 1990, probably highly recommended among the bookstore staff I worked with, there was already an abundance of love for it, including newspapers and literary reviews, and two significant Southern writers, Eudora Welty and, not shown here, Harper Lee, who said about it, “A richly comic, poignant narrative.”

One thing that happened as I reread it was that I constantly saw the faces of the 1991 film actors especially Cicely Tyson, Jessica Tandy, Mary-Louise Parker, Mary Stuart Masterson, and Kathy Bates. Tom, Mother, and I didn’t get to the movie early enough and were forced to sit too close to the screen. I never like this, to the point that I remember both times it happened in 1991: The Prince of Tides and Fried Green Tomatoes. It was very overwhelming to see Barbra Streisand’s intensity at gigantic size, and Kathy Bates, who was filmed specifically to look overweight because it’s part of her character’s storyline, was also visually daunting.


The novel and the film have many differences. It’s possible some of the confusion people express about “who did it,” or the way they blend two distinctly different characters into one, or gloss over truths about some characters, is because they only ever saw the movie, because those things are pretty clear in the novel. I’ve decided to give the DVD a watch today since I just read the book. Fortunately, everyone will be at laptop-screen scale.

Sunday Sundries

Posting this kind of late on Sunday night. Tom and I spent most of yesterday at the ER because I’ve been having some issues with diagnoses and treatments for a couple of things, and yesterday I’d had enough, was tired of feeling bad, and hoped for some answers. I got a few, and hopefully other things will resolve over the next eight days.

Today I was very tired and drained and mostly stayed in bed and rested or did things that wouldn’t be mentally, physically, or emotionally taxing. I really hope I feel better soon, because it’s been…a summer.

In July, I shared this lovely deck, The Spirit Animal Oracle. I said that if there were any animals you wanted to see, I’d be happy to share them. BlueSkyBoy named a few and also suggested I include some favorite animals of our friends from the old LiveJournal days. The deck didn’t deliver all of them, but did offer up these beautiful eleven. I have a character, Melissa–I’d like to say “in my drafts,” but I think drafts of started/unfinished projects died with some computers. Melissa comes from a family who over generations has been endowed with various “gifts.” It turns out hers is being able to see animals who “aren’t there.” At least not to anyone else’s eyes, but she sees them clearly and tries to intuit the reason they’ve come to see her. When I get decks that are focused on animals, I always think of her.


Cat Spirit: Claim your independence.
Dog Spirit: Be loyal to what you love.
Dove Spirit: Be peace.
Cow Spirit: The miracles are endless.
Coyote Spirit: Trust in divine detours.
Fox Spirit: Think on your feet.
Hummingbird Spirit: Be here now.
Mouse Spirit: Tend to the small things.
Rabbit Spirit: Now is a lucky time.
Seahorse Spirit: Watch and wait.
White Raven Spirit: Trust in the magic.

Origins

By the time I finish writing this post, I hope I’ll have adequately edited it into some kind of readable narrative. One thing this site provider does with entries is let me know how many revisions I’ve made before (and frequently, after) I hit “publish.” You might be surprised by the number of edits even short posts accumulate. I’ll be eliminating names/sources; something said to me years ago might no longer apply to a speaker’s current thoughts and beliefs, and they might not recognize their words from old conversations.

Random assortment of thoughts:

    • Someone told me once that the stories I write (or fiction writers in general tell) are accessed psychically from the stories and lives of real people covering the range of human existence. There are a lot of names out there to describe this as a creative source or force (e.g., collective consciousness, collective unconsciousness, reincarnation, déjà vu, psychic intuition, dream states).
    • My paternal grandfather died in the mid-1960s when I was a little girl. I have vivid memories of him, including taking walks with him or watching from the porch as he walked the circular driveway in front of their house. One of my nephews was born in 1973. After he started walking and was no longer a toddler, I used to watch him explore my parents’ yard. His manner of walking, from how he carried his body to what he did with his head, arms, and hands, mimicked my grandfather so exactly that my parents and and I all recognized and commented on it.
    • Storytelling is a strong trait in both sides of my family. At any gathering, stories would be told. Within my family of five, I was perhaps the only one who wasn’t comfortable speaking stories aloud. I used to think I was an introvert, but I no longer think so. I think I was shy, and as the youngest, I also deferred to my brother and sister, who have a gift for storytelling in the oral tradition. Now that I’m older, I’m probably too comfortable speaking aloud. I have become that old lady who rambles. All five of us, including my parents, also felt driven to write stories, whether fictional or autobiographical. Part of this may be because we were all passionate readers.
    • I resist family stories that are heavily embellished. I think I’ve shared on here before the cousin who spoke at great length about my father’s war experiences, making him the hero of more missions than any one soldier could likely experience. There are many reasons I think of my father as a hero. None of them require cinematic feats on a battlefield. The truth is enough.
    • In the book I read recently, The Great Witch of Brittany, Usurle, as an old woman, reconnects with her family. She hears the stories they tell about her and some of her experiences. These stories borrow from myth, and she corrects them and removes some of the “magical” elements they’ve added. Later, in stories recounted by her descendants, the magic is back. It reminds me of how we cling to things we think make someone “special,” when in fact, exactly who a person is and what s/he’s done are magical and special enough.
    • Written history tends to tell the stories of the rich, the powerful, the monsters, the heroes. They are also biased by the tellers. We cling to the versions we like or that make us comfortable. We do that with the living and the dead.
    • I think often about people who don’t know much about their ancestry. Their origins. Their biological families. I think it’s why people take DNA tests or pursue genealogy (as my mother did) with passion. In the South, especially, when I grew up at least, a very common question when you met someone was, “Who are your people?”
    • In the time before my mother died, I began having one-sided mental conversations with her mother, who died long before I was born. My mother had told me a very specific version of what she thought she’d see after she died. I don’t question these things. I’ve been present at the bedside of five people as they died. Each was a profound honor to attend; each heartbreaking mostly for those left behind. I believe until you’ve died, you don’t know answers about death, regardless of what your doctrine or belief system or mystic or song or poem or book or philosopher or psychic or intuition has told you. Most of those conversations I had with my deceased grandmother were appeals that she come get her daughter, that she be there, when Mother, her youngest of fourteen children, made that transition.

I think the discoveries we’ve made about DNA and genetics in the past few decades are astonishing. They focus on the physiological traits we inherit (e.g., diseases and resistance to them in particular) and some mental illnesses. I say we’ve barely scratched the surface of what’s packed inside our DNA. Do you ever wonder if your DNA also carries characteristics that affected your ancestors’ emotions, beliefs, joys, sorrows, and actions?

No answers here, but my characters wonder about these things, too. Some of them are proud of their ancestors. Some are ashamed. Some have little to no knowledge about their origins.

These are things it took me a lot longer to write here than they take to race through my brain. Maybe some of them were in my head months ago when I found this oracle deck on a store’s shelf.


The deck offers a way of exploring what wisdom might feel available to you from those who came before you. Though I enjoy thinking and talking about ghosts and would like to write a good ghost story one day, I’ve never been a big Ouija board or seance kind of person. (Full disclosure: the concept of exploring past lives holds a strong appeal for me.) I haven’t worked with this oracle deck since I got it, yet it continues to intrigue me.


In the group shot at the top of this photo, that’s my mother on the back row, far right, with all her brothers and sisters (two of her thirteen siblings were either stillborn or died in infancy). I enjoyed knowing my aunts and uncles, and if they ever showed up as my “beloved dead” in a reading with this deck, I’d be glad to hear from them. Same with any of my relatives, whether or not I ever got to meet them.

From The Beloved Dead deck, the four cards across the bottom are Backstory, Creativity, Explorer, and Home. Drawing them in a card spread would be perfect for a writer like me.

I’m making an attempt at this because in the years when I last saw my aunts and uncles, they were much older than this. Back row, left to right: Grover, Winnie, Verble, Bernell, Flora, Arliss, Dorothy. Front row, left to right: Buster, Lamar, Boots, John, and Gerald. Any siblings or cousins are welcome to correct me.