
Some photos give me all kinds of memory cues that no one else would guess. This one’s from my mother’s Kodak Instant camera (spits out Polaroid-type shots immediately), and it was taken sometime in the week before Mother’s Day back in the Late Stone Age. I know that because my then-husband is across the table from me reading our local newspaper and the ads proclaim “Mother’s Day BARGAINS.” It would be Lynne’s first Mother’s Day without her mother, who’d died in September of the year before this photo was taken.
That kitchen is as familiar to me as the one I live in now, even after so many years have passed since I was in it. The trivets, the coffeemaker, the empty ice tray on the counter (no doubt left by me, because for some reason, it was always me who had to “take up the ice,” as we called–and still call–putting the ice in glasses before a meal).
It’s after the dinner hour. Everyone else has already eaten, because my ex and Lynne are sitting in other people’s spots at the table–and no one else is there and eating. I imagine the two of them showed up later in the evening and Mother brought out the leftovers and told them to fix a plate. It’s fried chicken, by the way, along with mashed potatoes and green beans. (Those things are visible when I embiggen the photo.) They’re both drinking iced tea (you’re welcome for the ice). I don’t know where he was coming from, but Lynne was coming from her house, because the first thing I wondered about were all those flowers on the table. I’m betting Lynne brought them out of her own garden (she’s always grown amazing roses), and Mother put them in multiple vases so she could send some home with me.
As for me: I’m trying to get shots of those roses with my Canon, and no one is paying any attention to me. They’ve obviously gotten used to the way I constantly have that thing in front of my face. I’ll bet if I looked through my own photos, I’d find shots of the roses. I’m sitting in my usual spot at the table–I still have a specific place that I always sit at my own table, and if anyone else takes it, I get twitchy.
My hair makes me laugh. For many years, I had the same hairstyle: parted in the middle, hanging down straight on either side of my face, length from mid-back to waist. But I’d finally decided that I wanted bangs to be cut and feathered back. Lynne offered to do that for me. It didn’t exactly work out that way, and it seemed like forever that I had those two stupid hanks of hair that hung without any style at all on each side of my forehead. Blech.
So it’s all there: the comforting familiarity of home, my parents’ way of offering food, a newspaper, a place to relax. My way of hiding behind a camera; Lynne’s way with flowers. This is how I want people to feel in my home–like they’re home, in a place where they can relax and be themselves.
And I continue to have a complicated relationship with my hair.