Mood: Monday

©Stefan Zsaitsits, Austria
pencil on paper, 2013
Title unknown

The first six-plus hours of my day have been spent dealing with tech issues…and certainly not writing or any other fulfilling activity.

Even if you don’t have a mood guess for the art, feel free to drop a comment so I know you can see this and your comments are being published. Been dealing with website issues. Thanks!

Productive


An amazingly productive writing day yesterday, YAY! Without intending to, I got through the “B” CDs in the binder. (Well, I haven’t checked the back of the binder. There could be more there that were purchased later.)

Pictured are: The Black Crowes, $hake Your Moneymaker and Amorica; Boss Drum, self-titled; Jackson Browne, Saturate Before Using, Late For The Sky, Running on Empty, and I’m Alive; Ry Cooder, Buena Vista Social Club; The B-52’s, Whammy! and Cosmic Thing.

Fun facts:
1) Boss Drum is the band Timothy was in when he lived in New York. He was a lyricist, vocalist, and keyboard player.

2) Many years ago, when I wrote three (unpublished) novels, the title of the first only coincidentally had a title that was also the title of a Jackson Browne song. When I began to rewrite that first book, I still wanted to use the title, but rewritten as a series, it’s the title of the fourth novel. When I needed titles for the others, I looked at and listened to the full body of Jackson Browne’s work. (By the way, I’ve replaced his albums I lost in the flood with either vinyl or as part of my iTunes.) Now six books: six Jackson Browne titles and counting. He has great titles that match my themes plus he’s one of my favorite singer/songwriters of all time. =)

Take your inspiration where you find it, and know that titles can’t be copyrighted.


ETA: And then on Saturday… Computer problems in the morning slowed me down, but finally I just put in the first CD, started writing, and was so glad to progress on the chapter I’m writing. A new character has arrived on the scene, the return of a favorite character is imminent, and I’m as giddy as if I’m really reuniting with someone after…91 pages! My listening pleasure today was Carpenters, The Singles (my gosh, Karen Carpenter’s voice); Johnny Cash, American IV: The Man Comes Around; Rosanne Cash, Hits 1979 — 1989; Tracy Chapman, Let It Rain; Ray Charles, Anthology. A lot of great music, and I know no one really cares, but doing this and posting it is helping me with my writing process, and *I* care a whole lot about that.

Button Sunday

Wikipedia was launched by Jimmy Wales on January 15, 2001, and its birthday is celebrated each year on Wikipedia Day. I don’t know how you plan to celebrate, but I’ll do what I do every day: Use Wikipedia for research, research, research for my fiction.

Information is accessible to all and is free, but it’s wise to remember that Wikipedia is a user-generated site. Anyone can input, remove, and edit information. It’s where I start, and then I find other sources to corroborate my findings. I’m mostly looking for cultural and historical information related to certain time periods, and I can do it from my own space with any device that gets Internet, no matter how weird my schedule is.

If I made a list of everything I’ve researched in the last two hours…

Thank you, Wikipedia, and happy birthday!

ETA: Today’s do-over consisted of some better equipment to play music to write to. I did write (and started work on a coloring page when I needed to stop to think), and here was the playlist. I got through the “A” artists in the first binder.

Adele, “Nineteen”; Adele, “Twenty-One”; Allman Brothers Band, “Martin Scorcese Presents The Blues: The Allman Brothers Band”; Allman Brothers Band, “A Decade of Hits 1969 – 1979”; Fiona Apple, “Tidal”

It’s funny that the three female vocalists are Tom’s, and the Allman Brothers are mine. This is a case where we each enjoy music the other has purchased. (Gregg Allman’s music is downloaded into my iTunes library.)

Tiny Tuesday!


Tuesday turned into a BIG errand-running day, because everything seemed to take longer than it should have. The only small thing I have to offer is a sketch from the coloring journal Lynne gave me last May. I’ve only done a few entries in it, and I’m enjoying it. After all, I blog here every day, so I don’t necessarily need to journal a lot. (Speaking of blogging, I did get my 2023 banner changed today! 😁)

I wish the people in my life believed in themselves as strongly as I believe in them. The truth is, I don’t always believe in myself as much as I believe in them. Maybe we all need to work more diligently to be the friends to ourselves that we hope to be to others?

Pick One, No. 2

Question 548: Facebook or Instagram (and why…)

It’s no secret I’m not a Facebook fan. After the 2016 election, I unfriended everyone except my writing partners, and the only reason I kept the account is because Tim and I share a writers’ page on there. I never close the door on editing another anthology with him, should the opportunity arise.

Please note, I didn’t unfriend everyone because of the people whose views differ from mine, including friends and family members who voted for Trump. I didn’t want to read anyone’s views on politics after that election. If I want that, I go to Twitter in very limited doses, mostly to find out what people are talking about, then I go elsewhere to get a more in-depth story.

The only thing I miss about Facebook is the posts of my nieces and nephews and grand-nieces and grand-nephews. Most of them ended up on Instagram, where I’d already had an account.

As for Instagram, even though I know it’s owned by Facebook, which I have distanced myself from even further over the last four years, it’s about people’s photos and not about their text. Some of the accounts I follow are very political, but I only follow the ones that won’t agitate me. I think I probably got an Instagram account because Aaron had one, and he introduced me to the app.

What I most enjoy are the photographic glimpses into their lives that people provide. The stuff that bores some people doesn’t bore me. I like their animals, their meals, their homes, what they see on any given day, their art, their kids, their music (both what they compose and what they listen to), the books they read, the places they travel, their lives. I like the visuals and appreciate their willingness to share. Plus I have fun with my own account on Instagram. I practically stopped using my camera when I was taking several hundred rescue animal photos a week, so the phone camera became a quick and easy way for me to record what I’m doing. The same way this blog has served as a kind of memoir since 2004, Instagram has provided a visual memoir since 2012.

I think this is my first Instagram post on April 14, 2012, Pixie and Penny on our bed at The Compound.

100 Happy Days: 73

This is going to be meta, I guess, but what made me happy today was getting up to date on several different projects of one type or another. They included updating my Tumblr account. I’d begun putting these #100happydays posts there with that hashtag, but I was, oh, about 43 behind. All caught up now!

This is always a touchy subject with me, because Aries are known as idea people and great starters but poor finishers. I’ve been disproving that theory for a couple of decades, but it’s still a criticism that stings because it contains a stupid grain of truth.

For example, tonight I talked to Marika on the phone and told her an idea I’ve been kicking around for a novel.

“WRITE IT!” she demanded.

“Oh…I had the idea…why don’t you write it?” I suggested.

Aries are also great delegators.

Marika declined.

Hanging on the telephone


I think a lot about technology and how writers use it. Cell phones and the Internet, in particular, have changed the way many of my favorite authors write romance, mystery, and suspense. In young adult fiction, teens and twenty-somethings of the new millennium have very different access to one another and to information than did those of, say, the 1970s. Sometimes technology drives the story, sometimes it’s woven into it, and sometimes a writer has to account for why it’s not working so a character can’t make use of it.

Even with all our technology, all the apps available to us, all the connection and the wealth of accessible information that cell phones, computers of all shapes and sizes, and social media seem to provide us, writers and our characters still grapple with the same human concerns. The desire for love and companionship. Feelings of loneliness or isolation. Fear of failure or irrelevance. Anxiety about growing old or impaired and how that affects our physical and emotional security. Wonder about why we’re here, whether we matter, what we should be doing with our lives and our talents.

In his story “Symposium,” Andrew Holleran deftly allows writers–and by extension, anyone, as we’re all writing our own life stories–to laugh at ourselves (gently) as we navigate our way in a world that’s speeding up while many of us are slowing down (or want to slow down). Two writers, the narrator and his longtime friend Maroney, are sitting by the pool of a Fort Lauderdale guesthouse with other writers and a publisher following an event discussing the past, present, and future of gay books.

But there does come a time [Maroney says] when you really have to ask yourself why you have ended up alone.

Why have you? says our host.

I don’t know. But last night I was lying in bed, wondering, Who do I love? I mean whom.

That’s what I want you to write about, says the publisher. Even though gay men seemed to have stopped reading. Even though the mainstream publishers have given up on us, the bookstores have closed and the gay audience has gone elsewhere.

You mean movies and computers, says our host.

Yes. Before gay books, there was no place to read about yourself or your life. Then came “Will & Grace”—and all its spawn.

The publisher puts down his cocktail and says, “Will & Grace” killed gay publishing.

Everything in your country, says the British scholar, seems to end up a sitcom.

You’re right, says the publisher. How I hated “Will & Grace.” It was so L.A.—so vacuous and bitchy. It had nothing to do with our emotional lives.

But you have to appreciate the challenge they faced, says the young man from Miami. They had to satirize gay stereotypes they knew homophobes would take literally. They had to instigate a discourse within a heteronormative hegemony.

So not what you write, says the publisher to Maroney.

If you’ll forgive my ignorance, says the British scholar as he leans forward, but then I’m a historian, what is it that you do write?

Wistful longing, Maroney says.

Every writer has a tone, says the publisher. Maroney’s is regret.

But, Maroney says, regret is out.

Oh, says the scholar, and why is that?

Gay life is about different things now, he says, it’s about marriage, service in the military, adopting kids, “Will & Grace.” It’s post-gay.

And is wistful longing, says the scholar, pre-gay?

Yes.

But surely homosexuals have as much right to be wistful as anyone else, says the scholar.

Not anymore.

The wistful longing in Maroney’s books is about being homosexual, about the impossibility of love between two men, says the publisher.

Which is now considered retrograde, says Maroney.

Then why, the British scholar asks the publisher, do you want to start this company?

I want to start this company, says the publisher, because I like wistful longing and regret! Won’t you give me something, he says, turning to Maroney, a book of essays, your collected book reviews? I’d kill to have anything from you on my fall list!

But I don’t have anything, mumbles Maroney against the plastic weave of his chaise longue. I’m dried up.

I’d give you cover approval, says the publisher.

Thank you, says Maroney, but I just don’t have anything…to say, about love or anything else. I’m post-gay.

But your readers need something from you, says the publisher, your readers want to know what you’re thinking. Gay people need someone to describe this hopeless longing, this demented search for love!

Maroney lifts his head like a plant responding to sunlight.

We’re starting to receive reader reactions to the stories in Foolish Hearts: New Gay Fiction. It’s exciting to hear how the work of these writers is being praised. Tim and I aren’t surprised, though. We’re not just the stories’ editors, we were their first audience and fans. Now that the anthology is available from booksellers everywhere in trade paper and ebook format, you can join us.

Excerpt reprinted with permission from Cleis Press. All rights reserved.